[{"data":1,"prerenderedAt":11721},["ShallowReactive",2],{"content-\u002Fproyectos\u002Ftorino-night-monsters":3,"all-articles-nav":127},{"id":4,"title":5,"author":6,"body":7,"category":101,"date":102,"description":103,"description_en":104,"description_it":105,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":109,"image":110,"imageFocus":106,"keywords":111,"meta":112,"navigation":113,"noindex":108,"ogImage":106,"path":114,"period":115,"seo":116,"seoDescription":106,"seoTitle":106,"status":106,"stem":117,"tags":118,"thumb":106,"title_en":5,"title_it":5,"updatedAt":106,"video":125,"__hash__":126},"content\u002Fproyectos\u002Ftorino-night-monsters.md","Torino Night Monsters","Mike Lorenzo",{"type":8,"value":9,"toc":94},"minimark",[10,41,67],[11,12,13,17,21,29,32,35],"lang-es",{},[14,15,5],"h2",{"id":16},"torino-night-monsters",[18,19,20],"p",{},"Es solo un proyecto personal.",[18,22,23,24,28],{},"¡Queridos turineses! Hoy sale el primer episodio de la web serie animada inspirada en vuestra mágica ciudad: ",[25,26,27],"strong",{},"«Torino Night Monsters»",".",[18,30,31],{},"La serie quiere dar vida a distintos mitos modernos sobre monstruos, en un escenario como la Turín de hoy, con un humor absurdo, splatter e irónico, y dejando entrever, entre líneas, algunas temáticas sociales actuales.",[18,33,34],{},"Después del primer episodio, hay otros 9 en preparación, con personajes como alienígenas lascivos, momias egipcias apasionadas por la moda e incluso la propia muerte, que recorre las calles de Turín en bicicleta.",[18,36,37,38,40],{},"Como ",[25,39,5],{}," es un proyecto personal, sin ninguna financiación por ahora, la salida de los próximos episodios dependerá del número de visitas y de la acogida del público.",[42,43,44,47,50,55,58,61],"lang-it",{},[14,45,5],{"id":46},"torino-night-monsters-1",[18,48,49],{},"È solo un progetto personale.",[18,51,52,53,28],{},"Cari torinesi, oggi esce il primo episodio della web serie animata ispirata alla vostra magica città: ",[25,54,27],{},[18,56,57],{},"La serie vuole dare vita a diversi miti moderni sui mostri, in uno scenario quale la Torino di oggi, con un umorismo assurdo, splatter e ironico, facendo emergere, tra le righe, alcune tematiche sociali attuali.",[18,59,60],{},"Dopo la prima puntata, sono in cantiere altri 9 episodi, in cui troveremo personaggi come alieni libidinosi, mummie egiziane appassionate di moda e perfino la morte stessa, che si muove in bicicletta per le vie di Torino!",[18,62,63,64,66],{},"Dato che ",[25,65,5],{}," è un progetto personale, senza alcun finanziamento al momento, l'uscita dei prossimi episodi dipenderà dal numero di visite ottenute e dall'accoglienza del pubblico.",[68,69,70,73,76,82,85,88],"lang-en",{},[14,71,5],{"id":72},"torino-night-monsters-2",[18,74,75],{},"It is just a personal project.",[18,77,78,79,28],{},"Dear Torinesi, today the first episode of the animated web series inspired by your magical city is out: ",[25,80,81],{},"\"Torino Night Monsters\"",[18,83,84],{},"The series brings to life a range of modern monster myths set in today's Turin, with absurd, splatter and ironic humor, and with some current social themes running beneath the surface.",[18,86,87],{},"After the first episode, 9 more are in the works, featuring characters such as lustful aliens, Egyptian mummies who are passionate about fashion, and even Death itself, riding a bicycle through the streets of Turin!",[18,89,90,91,93],{},"Since ",[25,92,5],{}," is a personal project, with no funding at the moment, the release of the next episodes will depend on the number of views it gets and on how the audience responds.",{"title":95,"searchDepth":96,"depth":96,"links":97},"",2,[98,99,100],{"id":16,"depth":96,"text":5},{"id":46,"depth":96,"text":5},{"id":72,"depth":96,"text":5},"proyecto","2014-01-01","Web serie animada ambientada en Turín. Un proyecto personal, sin financiación.","Animated web series set in Turin. A personal project, with no funding.","Web serie animata ambientata a Torino. Un progetto personale, senza finanziamento.",null,"md",false,[],"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FJcwo_i4wWXE\u002Fmaxresdefault.jpg",[],{},true,"\u002Fproyectos\u002Ftorino-night-monsters","2014",{"title":5,"description":103},"proyectos\u002Ftorino-night-monsters",[119,120,121,122,123,124],"Animación","Animación 2D","Serie animada","Videos","Torino","Italia","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=Jcwo_i4wWXE","i-qNfQaZhGWoOaFXteUIUdgBeav1S6N2kjKAVjsltZY",[128,935,1920,2394,2864,3199,3801,4158,4298,4710,5026,5431,5633,5759,5889,5950,6030,6412,6531,6927,7403,7832,8112,8484,8551,8938,9073,9292,9529,10159,10512,10818,11150,11542,11638],{"id":129,"title":130,"author":6,"body":131,"category":920,"date":921,"description":922,"description_en":923,"description_it":924,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":925,"image":106,"imageFocus":106,"keywords":926,"meta":927,"navigation":113,"noindex":108,"ogImage":106,"path":928,"period":106,"seo":929,"seoDescription":106,"seoTitle":106,"status":106,"stem":930,"tags":931,"thumb":106,"title_en":933,"title_it":933,"updatedAt":106,"video":106,"__hash__":934},"content\u002Fcookie-policy.md","Política de cookies",{"type":8,"value":132,"toc":903},[133,420,662],[11,134,135,141,148,166,170,181,185,188,280,284,321,333,337,340,378,381,385,417],{},[18,136,137],{},[138,139,140],"em",{},"Última actualización: 6 de noviembre de 2026",[18,142,143,144,147],{},"Esta página explica qué cookies y tecnologías parecidas usa ",[25,145,146],{},"brutalmachine.com",", para qué sirven y cómo puedes elegir cuáles aceptar.",[18,149,150,153,154,161,162,28],{},[25,151,152],{},"Titular del sitio:"," Mike Lorenzo, P.IVA 11327220015. Para todo lo relacionado con tus datos personales, consulta la ",[155,156,160],"a",{"href":157,"rel":158},"https:\u002F\u002Fwww.iubenda.com\u002Fprivacy-policy\u002F91094792",[159],"nofollow","Política de privacidad"," o escríbeme desde la página de ",[155,163,165],{"href":164},"\u002Fservicios","servicios",[14,167,169],{"id":168},"qué-son-las-cookies","¿Qué son las cookies?",[18,171,172,173,176,177,180],{},"Son pequeños archivos que un sitio web guarda en tu navegador. Este sitio también usa el ",[25,174,175],{},"almacenamiento local"," del navegador (",[138,178,179],{},"localStorage","), que funciona de forma parecida: los datos se quedan en tu dispositivo y no se envían a ningún servidor.",[14,182,184],{"id":183},"_1-cookies-técnicas-siempre-activas","1. Cookies técnicas (siempre activas)",[18,186,187],{},"Son necesarias para que el sitio funcione y recuerde tus elecciones. Según la normativa no necesitan tu consentimiento.",[189,190,191,207],"table",{},[192,193,194],"thead",{},[195,196,197,201,204],"tr",{},[198,199,200],"th",{},"Nombre",[198,202,203],{},"Para qué sirve",[198,205,206],{},"Duración",[208,209,210,226,250,266],"tbody",{},[195,211,212,220,223],{},[213,214,215,219],"td",{},[216,217,218],"code",{},"bm_locale"," (cookie)",[213,221,222],{},"Recordar el idioma de la web (español, italiano o inglés)",[213,224,225],{},"Hasta que cierres el navegador o borres las cookies",[195,227,228,244,247],{},[213,229,230,233,234,233,237,233,240,243],{},[216,231,232],{},"bm_lang_chosen",", ",[216,235,236],{},"bm_perfil…",[216,238,239],{},"bm_tg_min",[216,241,242],{},"bm_scramble_sound"," (almacenamiento local)",[213,245,246],{},"Recordar el idioma que elegiste, tu respuesta a la ventana \"¿Quién eres?\", si minimizaste el botón de Telegram y si el sonido está activado",[213,248,249],{},"Hasta que borres los datos del navegador",[195,251,252,260,263],{},[213,253,254,233,257,243],{},[216,255,256],{},"bm_yt…",[216,258,259],{},"bm_live…",[213,261,262],{},"Copia temporal de la lista de tutoriales de YouTube y del aviso de transmisión en vivo, para que la página cargue más rápido",[213,264,265],{},"Unas horas; se renueva sola",[195,267,268,274,277],{},[213,269,270,273],{},[216,271,272],{},"_iub_cs-…"," (cookie de Iubenda)",[213,275,276],{},"Guardar tu elección en el aviso de cookies, para no volver a preguntarte en cada visita",[213,278,279],{},"Según la configuración de Iubenda (normalmente hasta 12 meses)",[14,281,283],{"id":282},"_2-estadísticas-solo-si-las-aceptas","2. Estadísticas (solo si las aceptas)",[189,285,286,300],{},[192,287,288],{},[195,289,290,293,295,298],{},[198,291,292],{},"Servicio",[198,294,203],{},[198,296,297],{},"Cookies",[198,299,206],{},[208,301,302],{},[195,303,304,307,310,318],{},[213,305,306],{},"Google Analytics 4 (Google Ireland Ltd.)",[213,308,309],{},"Saber cuántas personas visitan el sitio y qué páginas ven, de forma agregada",[213,311,312,233,315],{},[216,313,314],{},"_ga",[216,316,317],{},"_ga_…",[213,319,320],{},"Hasta 2 años",[18,322,323,324,327,328,28],{},"Google Analytics ",[25,325,326],{},"no se carga"," hasta que aceptas las cookies de medición en el aviso. Más información: ",[155,329,332],{"href":330,"rel":331},"https:\u002F\u002Fpolicies.google.com\u002Fprivacy",[159],"privacidad de Google",[14,334,336],{"id":335},"_3-contenidos-de-otros-sitios","3. Contenidos de otros sitios",[18,338,339],{},"Algunas páginas muestran vídeos o presentaciones de otros servicios. Cuando se cargan, esos servicios pueden usar sus propias cookies, según sus políticas:",[341,342,343,358,369],"ul",{},[344,345,346,349,350,353,354],"li",{},[25,347,348],{},"YouTube"," (vídeos, lista de tutoriales de Blender Fácil y transmisiones en vivo). Los vídeos se muestran con el modo de privacidad mejorada de YouTube (",[138,351,352],{},"youtube-nocookie.com","). ",[155,355,357],{"href":330,"rel":356},[159],"Política de Google",[344,359,360,363,364],{},[25,361,362],{},"Vimeo"," (algún vídeo de los artículos), con la opción \"no rastrear\" activada. ",[155,365,368],{"href":366,"rel":367},"https:\u002F\u002Fvimeo.com\u002Fprivacy",[159],"Política de Vimeo",[344,370,371,374,375],{},[25,372,373],{},"Google Slides"," (presentaciones del portfolio). ",[155,376,357],{"href":330,"rel":377},[159],[18,379,380],{},"Los enlaces a redes sociales (Telegram, Instagram, Facebook, LinkedIn, X, ArtStation, TikTok) son enlaces normales: no instalan cookies en este sitio hasta que haces clic y entras en ellos.",[14,382,384],{"id":383},"cómo-cambiar-tus-preferencias","Cómo cambiar tus preferencias",[341,386,387,394],{},[344,388,389,390,393],{},"Pulsa ",[25,391,392],{},"\"Preferencias de cookies\""," en el pie de página, o el botón pequeño abajo a la izquierda, para volver a abrir el aviso y cambiar tu elección cuando quieras.",[344,395,396,397,233,402,233,407,233,412,28],{},"También puedes borrar o bloquear las cookies desde la configuración de tu navegador: ",[155,398,401],{"href":399,"rel":400},"https:\u002F\u002Fsupport.google.com\u002Fchrome\u002Fanswer\u002F95647",[159],"Chrome",[155,403,406],{"href":404,"rel":405},"https:\u002F\u002Fsupport.mozilla.org\u002Fkb\u002Fcookies-information-websites-store-on-your-computer",[159],"Firefox",[155,408,411],{"href":409,"rel":410},"https:\u002F\u002Fsupport.apple.com\u002Fguide\u002Fsafari\u002Fsfri11471\u002Fmac",[159],"Safari",[155,413,416],{"href":414,"rel":415},"https:\u002F\u002Fsupport.microsoft.com\u002Fmicrosoft-edge\u002Fdelete-cookies-in-microsoft-edge-63947406-40ac-c3b8-57b9-2a946a29ae09",[159],"Edge",[18,418,419],{},"Si bloqueas las cookies técnicas, puede que el sitio no recuerde tu idioma.",[42,421,422,427,433,447,451,461,465,468,543,547,581,591,595,598,628,631,635,659],{},[18,423,424],{},[138,425,426],{},"Ultimo aggiornamento: 6 novembre 2026",[18,428,429,430,432],{},"Questa pagina spiega quali cookie e tecnologie simili usa ",[25,431,146],{},", a cosa servono e come puoi scegliere quali accettare.",[18,434,435,438,439,443,444,28],{},[25,436,437],{},"Titolare del sito:"," Mike Lorenzo, P.IVA 11327220015. Per tutto ciò che riguarda i tuoi dati personali, consulta la ",[155,440,442],{"href":157,"rel":441},[159],"Privacy policy"," oppure scrivimi dalla pagina dei ",[155,445,446],{"href":164},"servizi",[14,448,450],{"id":449},"cosa-sono-i-cookie","Cosa sono i cookie?",[18,452,453,454,457,458,460],{},"Sono piccoli file che un sito web salva nel tuo browser. Questo sito usa anche la ",[25,455,456],{},"memoria locale"," del browser (",[138,459,179],{},"), che funziona in modo simile: i dati restano sul tuo dispositivo e non vengono inviati a nessun server.",[14,462,464],{"id":463},"_1-cookie-tecnici-sempre-attivi","1. Cookie tecnici (sempre attivi)",[18,466,467],{},"Sono necessari perché il sito funzioni e ricordi le tue scelte. Secondo la normativa non richiedono il tuo consenso.",[189,469,470,483],{},[192,471,472],{},[195,473,474,477,480],{},[198,475,476],{},"Nome",[198,478,479],{},"A cosa serve",[198,481,482],{},"Durata",[208,484,485,497,516,530],{},[195,486,487,491,494],{},[213,488,489,219],{},[216,490,218],{},[213,492,493],{},"Ricordare la lingua del sito (spagnolo, italiano o inglese)",[213,495,496],{},"Fino alla chiusura del browser o alla cancellazione dei cookie",[195,498,499,510,513],{},[213,500,501,233,503,233,505,233,507,509],{},[216,502,232],{},[216,504,236],{},[216,506,239],{},[216,508,242],{}," (memoria locale)",[213,511,512],{},"Ricordare la lingua scelta, la tua risposta alla finestra \"Chi sei?\", se hai ridotto il pulsante di Telegram e se il suono è attivo",[213,514,515],{},"Finché non cancelli i dati del browser",[195,517,518,524,527],{},[213,519,520,233,522,509],{},[216,521,256],{},[216,523,259],{},[213,525,526],{},"Copia temporanea dell'elenco dei tutorial di YouTube e dell'avviso di diretta, per caricare la pagina più velocemente",[213,528,529],{},"Alcune ore; si rinnova da sola",[195,531,532,537,540],{},[213,533,534,536],{},[216,535,272],{}," (cookie di Iubenda)",[213,538,539],{},"Salvare la tua scelta nel banner dei cookie, per non chiedertela a ogni visita",[213,541,542],{},"Secondo la configurazione di Iubenda (di solito fino a 12 mesi)",[14,544,546],{"id":545},"_2-statistiche-solo-se-le-accetti","2. Statistiche (solo se le accetti)",[189,548,549,563],{},[192,550,551],{},[195,552,553,556,558,561],{},[198,554,555],{},"Servizio",[198,557,479],{},[198,559,560],{},"Cookie",[198,562,482],{},[208,564,565],{},[195,566,567,569,572,578],{},[213,568,306],{},[213,570,571],{},"Sapere quante persone visitano il sito e quali pagine vedono, in forma aggregata",[213,573,574,233,576],{},[216,575,314],{},[216,577,317],{},[213,579,580],{},"Fino a 2 anni",[18,582,323,583,586,587,28],{},[25,584,585],{},"non viene caricato"," finché non accetti i cookie di misurazione nel banner. Maggiori informazioni: ",[155,588,590],{"href":330,"rel":589},[159],"privacy di Google",[14,592,594],{"id":593},"_3-contenuti-di-altri-siti","3. Contenuti di altri siti",[18,596,597],{},"Alcune pagine mostrano video o presentazioni di altri servizi. Quando vengono caricati, questi servizi possono usare i propri cookie, secondo le loro policy:",[341,599,600,611,620],{},[344,601,602,604,605,353,607],{},[25,603,348],{}," (video, elenco dei tutorial di Blender Fácil e dirette). I video vengono mostrati con la modalità di privacy avanzata di YouTube (",[138,606,352],{},[155,608,610],{"href":330,"rel":609},[159],"Policy di Google",[344,612,613,615,616],{},[25,614,362],{}," (qualche video negli articoli), con l'opzione \"do not track\" attiva. ",[155,617,619],{"href":366,"rel":618},[159],"Policy di Vimeo",[344,621,622,624,625],{},[25,623,373],{}," (presentazioni del portfolio). ",[155,626,610],{"href":330,"rel":627},[159],[18,629,630],{},"I link ai social (Telegram, Instagram, Facebook, LinkedIn, X, ArtStation, TikTok) sono normali link: non installano cookie su questo sito finché non li clicchi.",[14,632,634],{"id":633},"come-cambiare-le-tue-preferenze","Come cambiare le tue preferenze",[341,636,637,644],{},[344,638,639,640,643],{},"Clicca su ",[25,641,642],{},"\"Preferenze cookie\""," in fondo alla pagina, oppure sul piccolo pulsante in basso a sinistra, per riaprire il banner e cambiare la tua scelta quando vuoi.",[344,645,646,647,233,650,233,653,233,656,28],{},"Puoi anche cancellare o bloccare i cookie dalle impostazioni del browser: ",[155,648,401],{"href":399,"rel":649},[159],[155,651,406],{"href":404,"rel":652},[159],[155,654,411],{"href":409,"rel":655},[159],[155,657,416],{"href":414,"rel":658},[159],[18,660,661],{},"Se blocchi i cookie tecnici, il sito potrebbe non ricordare la tua lingua.",[68,663,664,669,675,689,693,703,707,710,785,789,822,832,836,839,869,872,876,900],{},[18,665,666],{},[138,667,668],{},"Last updated: 6 November 2026",[18,670,671,672,674],{},"This page explains which cookies and similar technologies ",[25,673,146],{}," uses, what they are for and how you can choose which ones to accept.",[18,676,677,680,681,684,685,688],{},[25,678,679],{},"Site owner:"," Mike Lorenzo, VAT 11327220015. For anything related to your personal data, see the ",[155,682,442],{"href":157,"rel":683},[159]," or write to me from the ",[155,686,687],{"href":164},"services"," page.",[14,690,692],{"id":691},"what-are-cookies","What are cookies?",[18,694,695,696,699,700,702],{},"They are small files that a website stores in your browser. This site also uses the browser's ",[25,697,698],{},"local storage"," (",[138,701,179],{},"), which works in a similar way: the data stays on your device and is not sent to any server.",[14,704,706],{"id":705},"_1-technical-cookies-always-on","1. Technical cookies (always on)",[18,708,709],{},"They are needed for the site to work and to remember your choices. Under the law they do not require your consent.",[189,711,712,725],{},[192,713,714],{},[195,715,716,719,722],{},[198,717,718],{},"Name",[198,720,721],{},"What it is for",[198,723,724],{},"Duration",[208,726,727,739,758,772],{},[195,728,729,733,736],{},[213,730,731,219],{},[216,732,218],{},[213,734,735],{},"Remember the site language (Spanish, Italian or English)",[213,737,738],{},"Until you close the browser or clear cookies",[195,740,741,752,755],{},[213,742,743,233,745,233,747,233,749,751],{},[216,744,232],{},[216,746,236],{},[216,748,239],{},[216,750,242],{}," (local storage)",[213,753,754],{},"Remember the language you chose, your answer to the \"Who are you?\" window, whether you minimised the Telegram button and whether sound is on",[213,756,757],{},"Until you clear your browser data",[195,759,760,766,769],{},[213,761,762,233,764,751],{},[216,763,256],{},[216,765,259],{},[213,767,768],{},"Temporary copy of the YouTube tutorial list and the live stream notice, so the page loads faster",[213,770,771],{},"A few hours; renews itself",[195,773,774,779,782],{},[213,775,776,778],{},[216,777,272],{}," (Iubenda cookie)",[213,780,781],{},"Save your choice in the cookie banner, so you are not asked on every visit",[213,783,784],{},"As set by Iubenda (usually up to 12 months)",[14,786,788],{"id":787},"_2-statistics-only-if-you-accept-them","2. Statistics (only if you accept them)",[189,790,791,804],{},[192,792,793],{},[195,794,795,798,800,802],{},[198,796,797],{},"Service",[198,799,721],{},[198,801,297],{},[198,803,724],{},[208,805,806],{},[195,807,808,810,813,819],{},[213,809,306],{},[213,811,812],{},"Know how many people visit the site and which pages they see, in aggregate",[213,814,815,233,817],{},[216,816,314],{},[216,818,317],{},[213,820,821],{},"Up to 2 years",[18,823,323,824,827,828,28],{},[25,825,826],{},"is not loaded"," until you accept measurement cookies in the banner. More information: ",[155,829,831],{"href":330,"rel":830},[159],"Google privacy",[14,833,835],{"id":834},"_3-content-from-other-sites","3. Content from other sites",[18,837,838],{},"Some pages show videos or presentations from other services. When they load, those services may use their own cookies, according to their policies:",[341,840,841,852,861],{},[344,842,843,845,846,353,848],{},[25,844,348],{}," (videos, the Blender Fácil tutorial list and live streams). Videos are shown in YouTube's privacy-enhanced mode (",[138,847,352],{},[155,849,851],{"href":330,"rel":850},[159],"Google policy",[344,853,854,856,857],{},[25,855,362],{}," (some videos in the articles), with \"do not track\" enabled. ",[155,858,860],{"href":366,"rel":859},[159],"Vimeo policy",[344,862,863,865,866],{},[25,864,373],{}," (portfolio presentations). ",[155,867,851],{"href":330,"rel":868},[159],[18,870,871],{},"Links to social networks (Telegram, Instagram, Facebook, LinkedIn, X, ArtStation, TikTok) are plain links: they do not set cookies on this site until you click them.",[14,873,875],{"id":874},"how-to-change-your-preferences","How to change your preferences",[341,877,878,885],{},[344,879,880,881,884],{},"Click ",[25,882,883],{},"\"Cookie preferences\""," in the footer, or the small button at the bottom left, to reopen the banner and change your choice whenever you like.",[344,886,887,888,233,891,233,894,233,897,28],{},"You can also delete or block cookies in your browser settings: ",[155,889,401],{"href":399,"rel":890},[159],[155,892,406],{"href":404,"rel":893},[159],[155,895,411],{"href":409,"rel":896},[159],[155,898,416],{"href":414,"rel":899},[159],[18,901,902],{},"If you block technical cookies, the site may not remember your language.",{"title":95,"searchDepth":96,"depth":96,"links":904},[905,906,907,908,909,910,911,912,913,914,915,916,917,918,919],{"id":168,"depth":96,"text":169},{"id":183,"depth":96,"text":184},{"id":282,"depth":96,"text":283},{"id":335,"depth":96,"text":336},{"id":383,"depth":96,"text":384},{"id":449,"depth":96,"text":450},{"id":463,"depth":96,"text":464},{"id":545,"depth":96,"text":546},{"id":593,"depth":96,"text":594},{"id":633,"depth":96,"text":634},{"id":691,"depth":96,"text":692},{"id":705,"depth":96,"text":706},{"id":787,"depth":96,"text":788},{"id":834,"depth":96,"text":835},{"id":874,"depth":96,"text":875},"pagina","2026-11-06","Qué cookies y tecnologías parecidas usa brutalmachine.com, para qué sirven y cómo cambiar tus preferencias.","Which cookies and similar technologies brutalmachine.com uses, what they are for and how to change your preferences.","Quali cookie e tecnologie simili usa brutalmachine.com, a cosa servono e come cambiare le tue preferenze.",[],[],{},"\u002Fcookie-policy",{"title":130,"description":922},"cookie-policy",[297,932],"Privacidad","Cookie policy","kLs19i1EwpaoCb-QPTfZxw1fXzz60WPn-2F1HD8cmPQ",{"id":936,"title":937,"author":6,"body":938,"category":920,"date":1905,"description":1906,"description_en":1907,"description_it":1908,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":1909,"image":1910,"imageFocus":1911,"keywords":1912,"meta":1913,"navigation":113,"noindex":108,"ogImage":106,"path":1914,"period":106,"seo":1915,"seoDescription":106,"seoTitle":106,"status":106,"stem":1916,"tags":1917,"thumb":106,"title_en":937,"title_it":937,"updatedAt":106,"video":106,"__hash__":1919},"content\u002Fcv.md","CV — Mike Lorenzo",{"type":8,"value":939,"toc":1885},[940,1281,1584],[11,941,942,948,1026,1030,1033,1037,1043,1053,1062,1068,1074,1080,1086,1091,1097,1102,1108,1113,1118,1124,1130,1134,1184,1188,1193,1213,1218,1267,1271,1274,1278],{},[18,943,944,947],{},[25,945,946],{},"Maikel Lorenzo Pimentel Marrero"," · Nacionalidad italiana y cubana · Residente en Italia",[341,949,950,960,985,999,1017],{},[344,951,952,955,956],{},[25,953,954],{},"Web:"," ",[155,957,146],{"href":958,"rel":959},"https:\u002F\u002Fwww.brutalmachine.com",[159],[344,961,962,955,965,970,971,955,974,970,978,955,981],{},[25,963,964],{},"Instagram:",[155,966,969],{"href":967,"rel":968},"https:\u002F\u002Fwww.instagram.com\u002F3dartmike\u002F",[159],"@3dartmike"," · ",[25,972,973],{},"X:",[155,975,969],{"href":976,"rel":977},"https:\u002F\u002Fx.com\u002F3dartmike",[159],[25,979,980],{},"LinkedIn:",[155,982,969],{"href":983,"rel":984},"https:\u002F\u002Fwww.linkedin.com\u002Fin\u002F3dartmike\u002F",[159],[344,986,987,955,990,970,994],{},[25,988,989],{},"YouTube:",[155,991,969],{"href":992,"rel":993},"https:\u002F\u002Fwww.youtube.com\u002F@3dartmike",[159],[155,995,998],{"href":996,"rel":997},"https:\u002F\u002Fwww.youtube.com\u002F@blenderfacil",[159],"@blenderfacil",[344,1000,1001,955,1004,970,1009,955,1012],{},[25,1002,1003],{},"ArtStation:",[155,1005,1008],{"href":1006,"rel":1007},"https:\u002F\u002Fwww.artstation.com\u002Fmikelorenzoartworks",[159],"mikelorenzoartworks",[25,1010,1011],{},"Codepen:",[155,1013,1016],{"href":1014,"rel":1015},"https:\u002F\u002Fcodepen.io\u002F3dartmike",[159],"3dartmike",[344,1018,1019,955,1022],{},[25,1020,1021],{},"Facebook:",[155,1023,1008],{"href":1024,"rel":1025},"https:\u002F\u002Fwww.facebook.com\u002Fmikelorenzoartworks\u002F",[159],[14,1027,1029],{"id":1028},"sobre-mí","Sobre mí",[18,1031,1032],{},"Artista multidisciplinario: dibujante, pintor, escultor, ilustrador, animador 3D\u002F2D (Motion Designer), editor y productor de vídeo. Formador acreditado de la «Associazione Blender Italia».",[14,1034,1036],{"id":1035},"experiencia-laboral","Experiencia laboral",[18,1038,1039,1042],{},[25,1040,1041],{},"Docente de Modelado 3D (Blender)"," — Oltre Formazione, Turín (Italia) · 12\u002F2025 – actualidad\nPlanificación y conducción de cursos de formación técnica sobre Blender 3D para profesionales y estudiantes.",[18,1044,1045,1048,1049,1052],{},[25,1046,1047],{},"Diseñador gráfico"," — Bridgehead Media, San Francisco (Estados Unidos) · 03\u002F2026 – actualidad\nDiseño gráfico para publicidad localizada, en modalidad de teletrabajo (",[138,1050,1051],{},"smart working","). Colaboración con contrato a demanda.",[18,1054,1055,1058,1059,28],{},[25,1056,1057],{},"Artista 3D \u002F 2D"," — Back to the Abyss Game Studio, Montevideo (Uruguay) · 09\u002F2022 – actualidad\nCreación en 3D \u002F 2D de los niveles a partir del diseño previo. Creación de material ilustrativo y narrativo. Creación del póster para el videojuego ",[138,1060,1061],{},"Luciferian: The Conjuring Book",[18,1063,1064,1067],{},[25,1065,1066],{},"Artista 3D"," — Bepart Società Cooperativa Impresa Sociale, Brescia (Italia) · 06\u002F2023 – 07\u002F2023\nCreación de obra digital animada e interactiva para el proyecto MAUA (Museo de Arte Urbana Aumentada). Uso de Blender y Unity3D.",[18,1069,1070,1073],{},[25,1071,1072],{},"Diseñador gráfico, ilustrador y motion designer"," — 7APP s.r.l., Milán (Italia) · 08\u002F2015 – actualidad\nDiseño de aplicaciones: UX y UI (iOS, Android). Edición de fotos para presentación de productos. Creación de vídeos con animación 3D\u002F2D y materiales promocionales para la web (Social ADV) y Email Marketing. Creación de publicidad impresa. Edición de páginas web y animación 2D con CSS.",[18,1075,1076,1079],{},[25,1077,1078],{},"Motion designer"," — Filmagini Agency, Bolonia \u002F Livigno (Italia) · 05\u002F2021 – 08\u002F2021\nCreación de materiales gráficos promocionales, vídeos animados 2D\u002F3D, edición y postproducción de vídeos para el lanzamiento de la agencia creativa «Livigno Krea».",[18,1081,1082,1085],{},[25,1083,1084],{},"Animador 2D"," — GULP Limited, Mosta (Malta) · 02\u002F2015 – 04\u002F2015\nCreación de un vídeo tutorial con animación 2D para el servicio de subastas online Bidgulp: storyboard, elementos gráficos, animación, edición de vídeo y audio, y postproducción final.",[18,1087,1088,1090],{},[25,1089,1084],{}," — Kuba Tattoo, estudio de tatuajes, Pinerolo (Italia) · 11\u002F2014 – 12\u002F2014\nRealización de un vídeo promocional para el estudio: grabación, edición, animaciones 2D y postproducción final.",[18,1092,1093,1096],{},[25,1094,1095],{},"Editor de vídeo"," — Riccardo Costantini, Contemporary Art, Turín (Italia) · 10\u002F2014 – 11\u002F2014\nProducción de un vídeo promocional para la exposición «Sind Wir Berliner?», inaugurada el 8 de noviembre de 2014 en el marco de Artissima, Feria Internacional de Arte Contemporáneo de Turín. Grabación, montaje y postproducción.",[18,1098,1099,1101],{},[25,1100,1084],{}," — Skeddoc srl, Milán (Italia) · 11\u002F2013 – 01\u002F2014\nProducción de un vídeo con animación 2D para la promoción del servicio «Skeddoc» de reserva de visitas médicas: storyboard, personajes, escenarios, edición y postproducción final.",[18,1103,1104,1107],{},[25,1105,1106],{},"Prácticas pre-profesionales"," — EDI Effetti Digitali Italiani, Milán (Italia) · 04\u002F2013 – 11\u002F2013\nFormación como generalista 3D con Houdini 3D tools y Nuke para la creación de efectos especiales.",[18,1109,1110,1112],{},[25,1111,1106],{}," — 7app s.r.l., Milán (Italia) · 09\u002F2012 – 12\u002F2012\nProducción de un vídeo con animación 2D para la promoción del servicio «Skeddoc».",[18,1114,1115,1117],{},[25,1116,1106],{}," — NABA Nuova Accademia di Belle Arti, Milán (Italia) · 2009 – 2012\nAutoproducciones con gráfica 3D y 2D: «Luci nel cielo» (cortometraje animado de 7 minutos), «Cubans on the Moon» (mockumentary de 20 minutos), «Marswars» (guion de serie animada de ciencia ficción, 10 episodios) y «TopSecret» (proyectos de videoarte).",[18,1119,1120,1123],{},[25,1121,1122],{},"Diseñador de Motion Graphics, generalista 3D y asistente de producción audiovisual"," — Bismusic, Universal Music, Agencia Cubana del Rap, La Habana (Cuba) · 2003 – 2020\nResponsable de todo el flujo de trabajo 3D para videoclips: modelado, texturizado, animación y renderizado de escenarios digitales complejos, y gestión de la entrega técnica para postproducción. Colaboración directa con el director Andros Barroso. Logística de producción para la televisión nacional cubana. Videoclips realizados: «Vamos a reciclar» (Haila), «Entre fieras» y «Que equivoca'o» (Telmarys), «M con A, N con I» (Haila y Coro Diminuto), «Ansiedad» (Paulo FG), «El carro» (Descemer Bueno), «Cabioscile» (Papo Record) y «P'à què tù hablàs» (Francis del Río).",[18,1125,1126,1129],{},[25,1127,1128],{},"Profesor-instructor de Artes Plásticas \u002F webmaster"," — Ministerio de Cultura, Sibanicú (Cuba) · 05\u002F1999 – 12\u002F2003\nPreparación de cursos de artes plásticas para público de varias edades, con técnicas de pintura y escultura. Creación y curaduría de exposiciones. Creación del sitio web cultural del municipio de Sibanicú.",[14,1131,1133],{"id":1132},"educación-y-formación","Educación y formación",[341,1135,1136,1142,1148,1154,1160,1166,1172,1178],{},[344,1137,1138,1141],{},[25,1139,1140],{},"Second Level Academic Diploma in Film and New Media"," (110\u002F110 cum laude) — Nuova Accademia di Belle Arti, Milán (Italia) · 2010 – 2012. Ganador del concurso «Expanded Welcome» con beca de estudio. Materias: dirección de cine, dramaturgia multimedia, dirección de fotografía, diseño de sonido, cultura digital, proyectación multimedia, net art, entre otras.",[344,1143,1144,1147],{},[25,1145,1146],{},"Bachelor of Fine Arts (5\u002F5)"," — Instituto Superior de Arte ISA, Universidad de las Artes, La Habana (Cuba) · 2004 – 2010. Materias: gráfica digital, filosofía, estética, sociología del arte, pintura, metodología de la investigación artística y laboratorio de creación de videoclips con el director Andros Barroso.",[344,1149,1150,1153],{},[25,1151,1152],{},"Técnico medio en Artes Plásticas"," — Academia de las Artes Vicentina de la Torre, Camagüey (Cuba) · 1995 – 1999. Dibujo, pintura, escultura, grabado, historia del arte, cómic y pedagogía de las artes plásticas.",[344,1155,1156,1159],{},[25,1157,1158],{},"Certificate of participation"," — View, International Computer Graphics Conference, Turín (Italia) · 2011. Taller de matte painting con Paul Topolos (Pixar) en la Universidad de Turín.",[344,1161,1162,1165],{},[25,1163,1164],{},"Certificación en Responsive Web Design"," — freeCodeCamp · 2018. HTML5, CSS, diseño visual, accesibilidad, Flexbox, Grid y creación de proyectos.",[344,1167,1168,1171],{},[25,1169,1170],{},"Certificado en programación con motores gráficos: Unity 3D"," — Master Distancia, Zaragoza (España) · 2021 – 2022.",[344,1173,1174,1177],{},[25,1175,1176],{},"Certificados Udemy:"," Inteligencia artificial de Adobe para diseñadores y creativos (2024); Adobe Photoshop CC: el curso esencial (2024); Edición de vídeo con Adobe Premiere Pro: técnicas avanzadas (2024); Edición de vídeo con Adobe Premiere. Curso base (2024); Adobe Illustrator CC (2021).",[344,1179,1180,1183],{},[25,1181,1182],{},"Cursos Domestika:"," After Effects avanzado y Introducción a After Effects (Carlos «Zenzuke» Albarrán, 2023).",[14,1185,1187],{"id":1186},"competencias","Competencias",[18,1189,1190],{},[25,1191,1192],{},"Idiomas",[341,1194,1195,1201,1207],{},[344,1196,1197,1200],{},[25,1198,1199],{},"Español:"," lengua materna.",[344,1202,1203,1206],{},[25,1204,1205],{},"Italiano:"," comprensión auditiva C2 · comprensión lectora C2 · expresión escrita C1 · producción oral C1 · interacción oral C1.",[344,1208,1209,1212],{},[25,1210,1211],{},"Inglés:"," comprensión auditiva B1 · comprensión lectora B1 · expresión escrita B1 · producción oral B1 · interacción oral B1.",[18,1214,1215],{},[25,1216,1217],{},"Capacidades técnicas",[341,1219,1220,1226,1232,1238,1244,1250,1256,1261],{},[344,1221,1222,1225],{},[25,1223,1224],{},"Edición y postproducción de vídeo:"," DaVinci Resolve, Adobe Premiere, Adobe After Effects, AVID Media Composer.",[344,1227,1228,1231],{},[25,1229,1230],{},"Animación 3D \u002F 2D:"," Autodesk 3ds Max, Blender 3D.",[344,1233,1234,1237],{},[25,1235,1236],{},"Edición de fotos e imágenes:"," Adobe Photoshop, Lightroom.",[344,1239,1240,1243],{},[25,1241,1242],{},"Diseño vectorial e ilustración:"," Adobe Illustrator, Sketch, Adobe InDesign.",[344,1245,1246,1249],{},[25,1247,1248],{},"Creación de videojuegos:"," Unity 3D.",[344,1251,1252,1255],{},[25,1253,1254],{},"Edición de sonido:"," Adobe Audition, Audacity.",[344,1257,1258,1260],{},[25,1259,954],{}," HTML5 + CSS3, WordPress y SEO.",[344,1262,1263,1266],{},[25,1264,1265],{},"Redes sociales:"," Facebook, Instagram, LinkedIn y YouTube.",[14,1268,1270],{"id":1269},"redes-y-afiliaciones","Redes y afiliaciones",[18,1272,1273],{},"Desde 1999 soy miembro del registro de creadores de obras de arte de Cuba, y desde 2010 miembro de la SGAE (Sociedad General de Autores y Editores de España).",[14,1275,1277],{"id":1276},"referencias","Referencias",[18,1279,1280],{},"Disponibles previa solicitud.",[42,1282,1283,1288,1343,1347,1350,1354,1360,1366,1373,1378,1384,1389,1395,1400,1406,1411,1417,1422,1428,1434,1440,1444,1494,1498,1503,1522,1527,1570,1574,1577,1581],{},[18,1284,1285,1287],{},[25,1286,946],{}," · Nazionalità italiana e cubana · Residente in Italia",[341,1289,1290,1297,1314,1324,1336],{},[344,1291,1292,955,1294],{},[25,1293,954],{},[155,1295,146],{"href":958,"rel":1296},[159],[344,1298,1299,955,1301,970,1304,955,1306,970,1309,955,1311],{},[25,1300,964],{},[155,1302,969],{"href":967,"rel":1303},[159],[25,1305,973],{},[155,1307,969],{"href":976,"rel":1308},[159],[25,1310,980],{},[155,1312,969],{"href":983,"rel":1313},[159],[344,1315,1316,955,1318,970,1321],{},[25,1317,989],{},[155,1319,969],{"href":992,"rel":1320},[159],[155,1322,998],{"href":996,"rel":1323},[159],[344,1325,1326,955,1328,970,1331,955,1333],{},[25,1327,1003],{},[155,1329,1008],{"href":1006,"rel":1330},[159],[25,1332,1011],{},[155,1334,1016],{"href":1014,"rel":1335},[159],[344,1337,1338,955,1340],{},[25,1339,1021],{},[155,1341,1008],{"href":1024,"rel":1342},[159],[14,1344,1346],{"id":1345},"chi-sono","Chi sono",[18,1348,1349],{},"Artista multidisciplinare: disegnatore, pittore, scultore, illustratore, animatore 3D\u002F2D (Motion Designer), montatore e produttore video. Formatore accreditato dell'«Associazione Blender Italia».",[14,1351,1353],{"id":1352},"esperienza-lavorativa","Esperienza lavorativa",[18,1355,1356,1359],{},[25,1357,1358],{},"Docente di Modellazione 3D (Blender)"," — Oltre Formazione, Torino (Italia) · 12\u002F2025 – oggi\nProgettazione e conduzione di corsi di formazione tecnica su Blender 3D per professionisti e studenti.",[18,1361,1362,1365],{},[25,1363,1364],{},"Graphic designer"," — Bridgehead Media, San Francisco (Stati Uniti) · 03\u002F2026 – oggi\nGrafica per pubblicità localizzata, in smart working. Collaborazione con contratto a chiamata.",[18,1367,1368,1370,1371,28],{},[25,1369,1057],{}," — Back to the Abyss Game Studio, Montevideo (Uruguay) · 09\u002F2022 – oggi\nCreazione in 3D \u002F 2D dei livelli a partire dal design. Creazione di materiale illustrativo e narrativo. Realizzazione del poster del videogioco ",[138,1372,1061],{},[18,1374,1375,1377],{},[25,1376,1066],{}," — Bepart Società Cooperativa Impresa Sociale, Brescia (Italia) · 06\u002F2023 – 07\u002F2023\nCreazione di un'opera digitale animata e interattiva per il progetto MAUA (Museo di Arte Urbana Aumentata). Uso di Blender e Unity3D.",[18,1379,1380,1383],{},[25,1381,1382],{},"Graphic designer, illustratore e motion designer"," — 7APP s.r.l., Milano (Italia) · 08\u002F2015 – oggi\nDesign di app: UX e UI (iOS, Android). Fotoritocco per la presentazione dei prodotti. Video con animazione 3D\u002F2D e materiali promozionali per il web (Social ADV) e l'email marketing. Pubblicità a stampa. Gestione di pagine web e animazione 2D con CSS.",[18,1385,1386,1388],{},[25,1387,1078],{}," — Filmagini Agency, Bologna \u002F Livigno (Italia) · 05\u002F2021 – 08\u002F2021\nMateriali grafici promozionali, video animati 2D\u002F3D, montaggio e postproduzione video per il lancio dell'agenzia creativa «Livigno Krea».",[18,1390,1391,1394],{},[25,1392,1393],{},"Animatore 2D"," — GULP Limited, Mosta (Malta) · 02\u002F2015 – 04\u002F2015\nVideo tutorial con animazione 2D per il servizio di aste online Bidgulp: storyboard, elementi grafici, animazione, montaggio video e audio e postproduzione finale.",[18,1396,1397,1399],{},[25,1398,1393],{}," — Kuba Tattoo, studio di tatuaggi, Pinerolo (Italia) · 11\u002F2014 – 12\u002F2014\nVideo promozionale per lo studio: riprese, montaggio, animazioni 2D e postproduzione finale.",[18,1401,1402,1405],{},[25,1403,1404],{},"Video editor"," — Riccardo Costantini, Contemporary Art, Torino (Italia) · 10\u002F2014 – 11\u002F2014\nVideo promozionale per la mostra «Sind Wir Berliner?», inaugurata l'8 novembre 2014 nell'ambito di Artissima, Fiera Internazionale d'Arte Contemporanea di Torino. Riprese, montaggio e postproduzione.",[18,1407,1408,1410],{},[25,1409,1393],{}," — Skeddoc srl, Milano (Italia) · 11\u002F2013 – 01\u002F2014\nVideo con animazione 2D per la promozione del servizio «Skeddoc» di prenotazione di visite mediche: storyboard, personaggi, scenografie, montaggio e postproduzione finale.",[18,1412,1413,1416],{},[25,1414,1415],{},"Stage"," — EDI Effetti Digitali Italiani, Milano (Italia) · 04\u002F2013 – 11\u002F2013\nFormazione come generalista 3D con Houdini e Nuke per la creazione di effetti speciali.",[18,1418,1419,1421],{},[25,1420,1415],{}," — 7app s.r.l., Milano (Italia) · 09\u002F2012 – 12\u002F2012\nVideo con animazione 2D per la promozione del servizio «Skeddoc».",[18,1423,1424,1427],{},[25,1425,1426],{},"Progetti accademici"," — NABA Nuova Accademia di Belle Arti, Milano (Italia) · 2009 – 2012\nAutoproduzioni con grafica 3D e 2D: «Luci nel cielo» (cortometraggio animato di 7 minuti), «Cubans on the Moon» (mockumentary di 20 minuti), «Marswars» (sceneggiatura di una serie animata di fantascienza in 10 episodi) e «TopSecret» (progetti di videoarte).",[18,1429,1430,1433],{},[25,1431,1432],{},"Motion graphics designer, generalista 3D e assistente di produzione audiovisiva"," — Bismusic, Universal Music, Agencia Cubana del Rap, L'Avana (Cuba) · 2003 – 2020\nResponsabile dell'intero flusso di lavoro 3D per videoclip: modellazione, texturing, animazione e rendering di scenari digitali complessi, e consegna tecnica per la postproduzione. Collaborazione diretta con il regista Andros Barroso. Logistica di produzione per la televisione nazionale cubana. Videoclip realizzati: «Vamos a reciclar» (Haila), «Entre fieras» e «Que equivoca'o» (Telmarys), «M con A, N con I» (Haila e Coro Diminuto), «Ansiedad» (Paulo FG), «El carro» (Descemer Bueno), «Cabioscile» (Papo Record) e «P'à què tù hablàs» (Francis del Río).",[18,1435,1436,1439],{},[25,1437,1438],{},"Docente-istruttore di Arti Visive \u002F webmaster"," — Ministero della Cultura, Sibanicú (Cuba) · 05\u002F1999 – 12\u002F2003\nCorsi di arti visive per persone di diverse età, con tecniche di pittura e scultura. Ideazione e cura di mostre. Creazione del sito web culturale del comune di Sibanicú.",[14,1441,1443],{"id":1442},"istruzione-e-formazione","Istruzione e formazione",[341,1445,1446,1452,1458,1464,1470,1476,1482,1488],{},[344,1447,1448,1451],{},[25,1449,1450],{},"Diploma Accademico di Secondo Livello in Cinema e Nuovi Media"," (110\u002F110 cum laude) — Nuova Accademia di Belle Arti, Milano (Italia) · 2010 – 2012. Vincitore del concorso «Expanded Welcome» con borsa di studio. Materie: regia cinematografica, drammaturgia multimediale, direzione della fotografia, sound design, cultura digitale, progettazione multimediale, net art e altre.",[344,1453,1454,1457],{},[25,1455,1456],{},"Laurea in Belle Arti (5\u002F5)"," — Instituto Superior de Arte ISA, Universidad de las Artes, L'Avana (Cuba) · 2004 – 2010. Materie: grafica digitale, filosofia, estetica, sociologia dell'arte, pittura, metodologia della ricerca artistica e laboratorio di videoclip con il regista Andros Barroso.",[344,1459,1460,1463],{},[25,1461,1462],{},"Diploma tecnico in Arti Visive"," — Academia de las Artes Vicentina de la Torre, Camagüey (Cuba) · 1995 – 1999. Disegno, pittura, scultura, incisione, storia dell'arte, fumetto e didattica delle arti visive.",[344,1465,1466,1469],{},[25,1467,1468],{},"Attestato di partecipazione"," — View, International Computer Graphics Conference, Torino (Italia) · 2011. Workshop di matte painting con Paul Topolos (Pixar) all'Università di Torino.",[344,1471,1472,1475],{},[25,1473,1474],{},"Certificazione in Responsive Web Design"," — freeCodeCamp · 2018. HTML5, CSS, design visivo, accessibilità, Flexbox, Grid e realizzazione di progetti.",[344,1477,1478,1481],{},[25,1479,1480],{},"Certificato in programmazione con motori grafici: Unity 3D"," — Master Distancia, Saragozza (Spagna) · 2021 – 2022.",[344,1483,1484,1487],{},[25,1485,1486],{},"Certificati Udemy:"," Intelligenza artificiale di Adobe per designer e creativi (2024); Adobe Photoshop CC: il corso essenziale (2024); Montaggio video con Adobe Premiere Pro: tecniche avanzate (2024); Montaggio video con Adobe Premiere: corso base (2024); Adobe Illustrator CC (2021).",[344,1489,1490,1493],{},[25,1491,1492],{},"Corsi Domestika:"," After Effects avanzato e Introduzione ad After Effects (Carlos «Zenzuke» Albarrán, 2023).",[14,1495,1497],{"id":1496},"competenze","Competenze",[18,1499,1500],{},[25,1501,1502],{},"Lingue",[341,1504,1505,1511,1516],{},[344,1506,1507,1510],{},[25,1508,1509],{},"Spagnolo:"," madrelingua.",[344,1512,1513,1515],{},[25,1514,1205],{}," ascolto C2 · lettura C2 · scrittura C1 · produzione orale C1 · interazione orale C1.",[344,1517,1518,1521],{},[25,1519,1520],{},"Inglese:"," ascolto B1 · lettura B1 · scrittura B1 · produzione orale B1 · interazione orale B1.",[18,1523,1524],{},[25,1525,1526],{},"Competenze tecniche",[341,1528,1529,1534,1539,1544,1549,1554,1559,1564],{},[344,1530,1531,1225],{},[25,1532,1533],{},"Montaggio e postproduzione video:",[344,1535,1536,1231],{},[25,1537,1538],{},"Animazione 3D \u002F 2D:",[344,1540,1541,1237],{},[25,1542,1543],{},"Fotoritocco ed editing di immagini:",[344,1545,1546,1243],{},[25,1547,1548],{},"Grafica vettoriale e illustrazione:",[344,1550,1551,1249],{},[25,1552,1553],{},"Sviluppo di videogiochi:",[344,1555,1556,1255],{},[25,1557,1558],{},"Editing audio:",[344,1560,1561,1563],{},[25,1562,954],{}," HTML5 + CSS3, WordPress e SEO.",[344,1565,1566,1569],{},[25,1567,1568],{},"Social network:"," Facebook, Instagram, LinkedIn e YouTube.",[14,1571,1573],{"id":1572},"reti-e-affiliazioni","Reti e affiliazioni",[18,1575,1576],{},"Dal 1999 sono iscritto al registro dei creatori di opere d'arte di Cuba e dal 2010 sono socio della SGAE (Sociedad General de Autores y Editores de España).",[14,1578,1580],{"id":1579},"referenze","Referenze",[18,1582,1583],{},"Disponibili su richiesta.",[68,1585,1586,1591,1646,1650,1653,1657,1663,1668,1676,1682,1688,1693,1699,1704,1709,1714,1720,1725,1731,1737,1743,1747,1794,1798,1803,1823,1828,1871,1875,1878,1882],{},[18,1587,1588,1590],{},[25,1589,946],{}," · Italian and Cuban citizen · Based in Italy",[341,1592,1593,1600,1617,1627,1639],{},[344,1594,1595,955,1597],{},[25,1596,954],{},[155,1598,146],{"href":958,"rel":1599},[159],[344,1601,1602,955,1604,970,1607,955,1609,970,1612,955,1614],{},[25,1603,964],{},[155,1605,969],{"href":967,"rel":1606},[159],[25,1608,973],{},[155,1610,969],{"href":976,"rel":1611},[159],[25,1613,980],{},[155,1615,969],{"href":983,"rel":1616},[159],[344,1618,1619,955,1621,970,1624],{},[25,1620,989],{},[155,1622,969],{"href":992,"rel":1623},[159],[155,1625,998],{"href":996,"rel":1626},[159],[344,1628,1629,955,1631,970,1634,955,1636],{},[25,1630,1003],{},[155,1632,1008],{"href":1006,"rel":1633},[159],[25,1635,1011],{},[155,1637,1016],{"href":1014,"rel":1638},[159],[344,1640,1641,955,1643],{},[25,1642,1021],{},[155,1644,1008],{"href":1024,"rel":1645},[159],[14,1647,1649],{"id":1648},"about-me","About me",[18,1651,1652],{},"Multidisciplinary artist: draughtsman, painter, sculptor, illustrator, 3D\u002F2D animator (Motion Designer), video editor and producer. Accredited trainer of the «Associazione Blender Italia».",[14,1654,1656],{"id":1655},"work-experience","Work experience",[18,1658,1659,1662],{},[25,1660,1661],{},"3D Modelling Teacher (Blender)"," — Oltre Formazione, Turin (Italy) · 12\u002F2025 – present\nPlanning and teaching technical training courses on Blender 3D for professionals and students.",[18,1664,1665,1667],{},[25,1666,1364],{}," — Bridgehead Media, San Francisco (United States) · 03\u002F2026 – present\nGraphic design for localized advertising, working remotely. On-demand contract.",[18,1669,1670,1673,1674,28],{},[25,1671,1672],{},"3D \u002F 2D Artist"," — Back to the Abyss Game Studio, Montevideo (Uruguay) · 09\u002F2022 – present\n3D \u002F 2D creation of game levels from the level design. Illustration and narrative material. Poster for the video game ",[138,1675,1061],{},[18,1677,1678,1681],{},[25,1679,1680],{},"3D Artist"," — Bepart Società Cooperativa Impresa Sociale, Brescia (Italy) · 06\u002F2023 – 07\u002F2023\nAnimated, interactive digital artwork for the MAUA project (Museum of Augmented Urban Art), made with Blender and Unity3D.",[18,1683,1684,1687],{},[25,1685,1686],{},"Graphic designer, illustrator and motion designer"," — 7APP s.r.l., Milan (Italy) · 08\u002F2015 – present\nApp design: UX and UI (iOS, Android). Photo editing for product presentations. 3D\u002F2D animated videos and promotional material for the web (social ads) and email marketing. Print advertising. Web page editing and 2D animation with CSS.",[18,1689,1690,1692],{},[25,1691,1078],{}," — Filmagini Agency, Bologna \u002F Livigno (Italy) · 05\u002F2021 – 08\u002F2021\nPromotional graphics, 2D\u002F3D animated videos, video editing and post-production for the launch of the creative agency «Livigno Krea».",[18,1694,1695,1698],{},[25,1696,1697],{},"2D Animator"," — GULP Limited, Mosta (Malta) · 02\u002F2015 – 04\u002F2015\n2D animated video tutorial for the Bidgulp online auction service: storyboard, graphics, animation, video and audio editing and final post-production.",[18,1700,1701,1703],{},[25,1702,1697],{}," — Kuba Tattoo, tattoo studio, Pinerolo (Italy) · 11\u002F2014 – 12\u002F2014\nPromotional video for the studio: shooting, editing, 2D animation and final post-production.",[18,1705,1706,1708],{},[25,1707,1404],{}," — Riccardo Costantini, Contemporary Art, Turin (Italy) · 10\u002F2014 – 11\u002F2014\nPromotional video for the exhibition «Sind Wir Berliner?», opened on 8 November 2014 as part of Artissima, the International Contemporary Art Fair of Turin. Shooting, editing and post-production.",[18,1710,1711,1713],{},[25,1712,1697],{}," — Skeddoc srl, Milan (Italy) · 11\u002F2013 – 01\u002F2014\n2D animated video promoting the «Skeddoc» medical appointment booking service: storyboard, characters, backgrounds, editing and final post-production.",[18,1715,1716,1719],{},[25,1717,1718],{},"Internship"," — EDI Effetti Digitali Italiani, Milan (Italy) · 04\u002F2013 – 11\u002F2013\nTraining as a 3D generalist with Houdini and Nuke for visual effects.",[18,1721,1722,1724],{},[25,1723,1718],{}," — 7app s.r.l., Milan (Italy) · 09\u002F2012 – 12\u002F2012\n2D animated video promoting the «Skeddoc» service.",[18,1726,1727,1730],{},[25,1728,1729],{},"Academic projects"," — NABA Nuova Accademia di Belle Arti, Milan (Italy) · 2009 – 2012\nSelf-produced 3D and 2D works: «Luci nel cielo» (7-minute animated short), «Cubans on the Moon» (20-minute mockumentary), «Marswars» (script for a 10-episode sci-fi animated series) and «TopSecret» (video art projects).",[18,1732,1733,1736],{},[25,1734,1735],{},"Motion graphics designer, 3D generalist and audiovisual production assistant"," — Bismusic, Universal Music, Agencia Cubana del Rap, Havana (Cuba) · 2003 – 2020\nIn charge of the whole 3D workflow for music videos: modelling, texturing, animation and rendering of complex digital sets, and technical delivery for post-production. Worked directly with director Andros Barroso. Production logistics for Cuban national television. Music videos: «Vamos a reciclar» (Haila), «Entre fieras» and «Que equivoca'o» (Telmarys), «M con A, N con I» (Haila and Coro Diminuto), «Ansiedad» (Paulo FG), «El carro» (Descemer Bueno), «Cabioscile» (Papo Record) and «P'à què tù hablàs» (Francis del Río).",[18,1738,1739,1742],{},[25,1740,1741],{},"Visual arts teacher \u002F webmaster"," — Ministry of Culture, Sibanicú (Cuba) · 05\u002F1999 – 12\u002F2003\nVisual arts courses for people of all ages, with painting and sculpture techniques. Organizing and curating exhibitions. Building the cultural website of the municipality of Sibanicú.",[14,1744,1746],{"id":1745},"education-and-training","Education and training",[341,1748,1749,1754,1759,1765,1770,1776,1782,1788],{},[344,1750,1751,1753],{},[25,1752,1140],{}," (110\u002F110 cum laude) — Nuova Accademia di Belle Arti, Milan (Italy) · 2010 – 2012. Winner of the «Expanded Welcome» competition with a scholarship. Subjects: film directing, multimedia dramaturgy, cinematography, sound design, digital culture, multimedia design, net art and more.",[344,1755,1756,1758],{},[25,1757,1146],{}," — Instituto Superior de Arte ISA, Universidad de las Artes, Havana (Cuba) · 2004 – 2010. Subjects: digital graphics, philosophy, aesthetics, sociology of art, painting, artistic research methodology and a music video workshop with director Andros Barroso.",[344,1760,1761,1764],{},[25,1762,1763],{},"Technical diploma in Visual Arts"," — Academia de las Artes Vicentina de la Torre, Camagüey (Cuba) · 1995 – 1999. Drawing, painting, sculpture, printmaking, art history, comics and visual arts teaching.",[344,1766,1767,1769],{},[25,1768,1158],{}," — View, International Computer Graphics Conference, Turin (Italy) · 2011. Matte painting workshop with Paul Topolos (Pixar) at the University of Turin.",[344,1771,1772,1775],{},[25,1773,1774],{},"Responsive Web Design Certification"," — freeCodeCamp · 2018. HTML5, CSS, visual design, accessibility, Flexbox, Grid and project building.",[344,1777,1778,1781],{},[25,1779,1780],{},"Certificate in game engine programming: Unity 3D"," — Master Distancia, Zaragoza (Spain) · 2021 – 2022.",[344,1783,1784,1787],{},[25,1785,1786],{},"Udemy certificates:"," Adobe AI for designers and creatives (2024); Adobe Photoshop CC: the essential course (2024); Video editing with Adobe Premiere Pro: advanced techniques (2024); Video editing with Adobe Premiere: basic course (2024); Adobe Illustrator CC (2021).",[344,1789,1790,1793],{},[25,1791,1792],{},"Domestika courses:"," Advanced After Effects and Introduction to After Effects (Carlos «Zenzuke» Albarrán, 2023).",[14,1795,1797],{"id":1796},"skills","Skills",[18,1799,1800],{},[25,1801,1802],{},"Languages",[341,1804,1805,1811,1817],{},[344,1806,1807,1810],{},[25,1808,1809],{},"Spanish:"," native.",[344,1812,1813,1816],{},[25,1814,1815],{},"Italian:"," listening C2 · reading C2 · writing C1 · spoken production C1 · spoken interaction C1.",[344,1818,1819,1822],{},[25,1820,1821],{},"English:"," listening B1 · reading B1 · writing B1 · spoken production B1 · spoken interaction B1.",[18,1824,1825],{},[25,1826,1827],{},"Technical skills",[341,1829,1830,1835,1840,1845,1850,1855,1860,1865],{},[344,1831,1832,1225],{},[25,1833,1834],{},"Video editing and post-production:",[344,1836,1837,1231],{},[25,1838,1839],{},"3D \u002F 2D animation:",[344,1841,1842,1237],{},[25,1843,1844],{},"Photo and image editing:",[344,1846,1847,1243],{},[25,1848,1849],{},"Vector design and illustration:",[344,1851,1852,1249],{},[25,1853,1854],{},"Game development:",[344,1856,1857,1255],{},[25,1858,1859],{},"Audio editing:",[344,1861,1862,1864],{},[25,1863,954],{}," HTML5 + CSS3, WordPress and SEO.",[344,1866,1867,1870],{},[25,1868,1869],{},"Social media:"," Facebook, Instagram, LinkedIn and YouTube.",[14,1872,1874],{"id":1873},"networks-and-memberships","Networks and memberships",[18,1876,1877],{},"Since 1999 I have been a member of the Cuban register of creators of works of art, and since 2010 a member of SGAE (Sociedad General de Autores y Editores de España).",[14,1879,1881],{"id":1880},"references","References",[18,1883,1884],{},"Available on request.",{"title":95,"searchDepth":96,"depth":96,"links":1886},[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904],{"id":1028,"depth":96,"text":1029},{"id":1035,"depth":96,"text":1036},{"id":1132,"depth":96,"text":1133},{"id":1186,"depth":96,"text":1187},{"id":1269,"depth":96,"text":1270},{"id":1276,"depth":96,"text":1277},{"id":1345,"depth":96,"text":1346},{"id":1352,"depth":96,"text":1353},{"id":1442,"depth":96,"text":1443},{"id":1496,"depth":96,"text":1497},{"id":1572,"depth":96,"text":1573},{"id":1579,"depth":96,"text":1580},{"id":1648,"depth":96,"text":1649},{"id":1655,"depth":96,"text":1656},{"id":1745,"depth":96,"text":1746},{"id":1796,"depth":96,"text":1797},{"id":1873,"depth":96,"text":1874},{"id":1880,"depth":96,"text":1881},"2026-11-05","Currículum de Mike Lorenzo: artista multidisciplinar, animador 3D\u002F2D y motion designer.","Résumé of Mike Lorenzo: multidisciplinary artist, 3D\u002F2D animator and motion designer.","Curriculum di Mike Lorenzo: artista multidisciplinare, animatore 3D\u002F2D e motion designer.",[],"\u002Fimages\u002Fpaginas\u002Fsobre-mi\u002FMike-profile.jpg","center top",[],{},"\u002Fcv",{"title":937,"description":1906},"cv",[1918],"CV","rn6CA0G8a7xYfq4WP9lj6p-fIvIEJKybAQDF5ObGYmg",{"id":1921,"title":1922,"author":6,"body":1923,"category":920,"date":1905,"description":2376,"description_en":2377,"description_it":2378,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":2379,"image":2380,"imageFocus":106,"keywords":2381,"meta":2382,"navigation":113,"noindex":108,"ogImage":106,"path":164,"period":106,"seo":2383,"seoDescription":106,"seoTitle":106,"status":106,"stem":165,"tags":2384,"thumb":106,"title_en":2391,"title_it":2392,"updatedAt":106,"video":106,"__hash__":2393},"content\u002Fservicios.md","Servicios — Mundos virtuales, videojuegos, ilustración y animación 3D",{"type":8,"value":1924,"toc":2353},[1925,2089,2219,2350],[11,1926,1927,1956,1960,1975,1978,1981,1985,2005,2009,2027,2031,2039,2043,2059,2063,2075,2077,2081],{},[18,1928,1933],{"className":1929},[1930,1931,1932],"not-prose","my-8","text-center",[155,1934,1955],{"href":1935,"className":1936},"#formulario",[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"inline-flex","items-center","justify-center","gap-3","px-8","py-5","rounded-2xl","bg-orange-500","hover:bg-orange-400","cta-servicios","font-extrabold","text-base","sm:text-lg","uppercase","tracking-wider","transition-all","shadow-[0_0_40px_rgba(249,115,22,0.45)]","hover:scale-[1.03]","Cuéntame tu proyecto →",[14,1957,1959],{"id":1958},"tienes-un-videojuego-en-la-cabeza-y-no-sabes-por-dónde-empezar","¿Tienes un videojuego en la cabeza y no sabes por dónde empezar?",[18,1961,1962,1963,1966,1967,1970,1971,28],{},"Te puedo ayudar. Llevo más de veinte años construyendo mundos: primero con lápiz y tinta, después con gráfica 3D para videoclips y videoarte, y hoy con ",[25,1964,1965],{},"Unity"," y ",[25,1968,1969],{},"Blender",", desarrollando mis propios videojuegos como ",[155,1972,1974],{"href":1973},"\u002Fproyectos\u002Fmoon-monoliths-rts","Moon's Monoliths",[18,1976,1977],{},"Conozco el camino completo, desde la primera idea hasta un prototipo que se puede jugar, y sé dónde se atasca la mayoría de los proyectos.",[1979,1980],"hr",{},[14,1982,1984],{"id":1983},"desarrollo-de-videojuegos","🎮 Desarrollo de videojuegos",[341,1986,1987,1993,1999],{},[344,1988,1989,1992],{},[25,1990,1991],{},"De la idea al prototipo:"," te ayudo a convertir tu idea en un documento de diseño claro y en un primer prototipo jugable en Unity.",[344,1994,1995,1998],{},[25,1996,1997],{},"Mentoría y acompañamiento:"," sesiones para desbloquear tu proyecto, ordenar prioridades y aprender a resolver los problemas por ti mismo.",[344,2000,2001,2004],{},[25,2002,2003],{},"Arte y assets para tu juego:"," modelos 3D low-poly, entornos, personajes, interfaces y concept art con un estilo coherente.",[14,2006,2008],{"id":2007},"mundos-y-galerías-virtuales","🧊 Mundos y galerías virtuales",[341,2010,2011,2021],{},[344,2012,2013,2016,2017,28],{},[25,2014,2015],{},"Galerías virtuales 3D:"," espacios interactivos en primera persona para exponer obras de arte, como mis galerías ",[155,2018,2020],{"href":2019},"\u002Fgaleria\u002Fgalerias-virtuales","«Resaca Mística» y «Academia»",[344,2022,2023,2026],{},[25,2024,2025],{},"Escenarios y arquitecturas imposibles:"," mundos para videojuegos, experiencias interactivas, videoclips o presentaciones.",[14,2028,2030],{"id":2029},"ilustración-y-concept-art","🎨 Ilustración y concept art",[341,2032,2033,2036],{},[344,2034,2035],{},"Ilustración digital y tradicional (tinta, puntillismo, carboncillo, acrílico).",[344,2037,2038],{},"Concept art de personajes, criaturas y entornos para juegos y proyectos audiovisuales.",[14,2040,2042],{"id":2041},"animación-3d2d-edición-de-vídeo-y-postproducción","🎬 Animación 3D\u002F2D, edición de vídeo y postproducción",[341,2044,2045,2048,2051],{},[344,2046,2047],{},"Animación 3D y 2D, motion design para publicidad y redes sociales.",[344,2049,2050],{},"Edición de vídeo, postproducción y efectos visuales.",[344,2052,2053,2054,2058],{},"Escenarios 3D para videoclips, una experiencia que empezó en Cuba en 2004 junto al director Andros Barroso (",[155,2055,2057],{"href":2056},"\u002Fgaleria\u002Fvideos-musicales-3d","ver videoclips",").",[14,2060,2062],{"id":2061},"formación-en-blender","🎓 Formación en Blender",[18,2064,2065,2066,2069,2070,2074],{},"Soy ",[25,2067,2068],{},"instructor certificado de Blender en Italia"," y tengo el canal ",[155,2071,2073],{"href":2072},"\u002Fproyectos\u002Fblender-facil","Blender fácil"," con tutoriales en español. Puedo darte clases individuales o formación para equipos.",[1979,2076],{},[14,2078,2080],{"id":2079},"️-cuéntame-tu-proyecto","✉️ Cuéntame tu proyecto",[18,2082,2083,2084,28],{},"Rellena el formulario y te respondo con una propuesta. Trabajo en español e italiano. También puedes escribirme por ",[155,2085,2088],{"href":2086,"rel":2087},"https:\u002F\u002Ft.me\u002FMikeLorenzoArtist",[159],"Telegram",[42,2090,2091,2098,2102,2113,2116,2118,2122,2142,2146,2163,2167,2175,2179,2193,2197,2207,2209,2213],{},[18,2092,2094],{"className":2093},[1930,1931,1932],[155,2095,2097],{"href":1935,"className":2096},[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"Raccontami il tuo progetto →",[14,2099,2101],{"id":2100},"hai-un-videogioco-in-testa-e-non-sai-da-dove-cominciare","Hai un videogioco in testa e non sai da dove cominciare?",[18,2103,2104,2105,2107,2108,2110,2111,28],{},"Posso aiutarti. Da più di vent’anni costruisco mondi: prima con matita e inchiostro, poi con la grafica 3D per videoclip e videoarte, e oggi con ",[25,2106,1965],{}," e ",[25,2109,1969],{},", sviluppando i miei videogiochi come ",[155,2112,1974],{"href":1973},[18,2114,2115],{},"Conosco tutto il percorso, dalla prima idea fino a un prototipo giocabile, e so dove si bloccano la maggior parte dei progetti.",[1979,2117],{},[14,2119,2121],{"id":2120},"sviluppo-di-videogiochi","🎮 Sviluppo di videogiochi",[341,2123,2124,2130,2136],{},[344,2125,2126,2129],{},[25,2127,2128],{},"Dall’idea al prototipo:"," ti aiuto a trasformare la tua idea in un documento di design chiaro e in un primo prototipo giocabile in Unity.",[344,2131,2132,2135],{},[25,2133,2134],{},"Mentoring e affiancamento:"," sessioni per sbloccare il tuo progetto, stabilire le priorità e imparare a risolvere i problemi da solo.",[344,2137,2138,2141],{},[25,2139,2140],{},"Arte e asset per il tuo gioco:"," modelli 3D low-poly, ambienti, personaggi, interfacce e concept art con uno stile coerente.",[14,2143,2145],{"id":2144},"mondi-e-gallerie-virtuali","🧊 Mondi e gallerie virtuali",[341,2147,2148,2157],{},[344,2149,2150,2153,2154,28],{},[25,2151,2152],{},"Gallerie virtuali 3D:"," spazi interattivi in prima persona per esporre opere d’arte, come le mie gallerie ",[155,2155,2156],{"href":2019},"«Resaca Mística» e «Academia»",[344,2158,2159,2162],{},[25,2160,2161],{},"Scenari e architetture impossibili:"," mondi per videogiochi, esperienze interattive, videoclip o presentazioni.",[14,2164,2166],{"id":2165},"illustrazione-e-concept-art","🎨 Illustrazione e concept art",[341,2168,2169,2172],{},[344,2170,2171],{},"Illustrazione digitale e tradizionale (inchiostro, puntinismo, carboncino, acrilico).",[344,2173,2174],{},"Concept art di personaggi, creature e ambienti per videogiochi e progetti audiovisivi.",[14,2176,2178],{"id":2177},"animazione-3d2d-montaggio-video-e-post-produzione","🎬 Animazione 3D\u002F2D, montaggio video e post-produzione",[341,2180,2181,2184,2187],{},[344,2182,2183],{},"Animazione 3D e 2D, motion design per la pubblicità e i social network.",[344,2185,2186],{},"Montaggio video, post-produzione ed effetti visivi.",[344,2188,2189,2190,2058],{},"Scenografie 3D per videoclip, un’esperienza iniziata a Cuba nel 2004 con il regista Andros Barroso (",[155,2191,2192],{"href":2056},"guarda i videoclip",[14,2194,2196],{"id":2195},"formazione-in-blender","🎓 Formazione in Blender",[18,2198,2199,2200,2203,2204,2206],{},"Sono ",[25,2201,2202],{},"istruttore certificato di Blender in Italia"," e ho il canale ",[155,2205,2073],{"href":2072}," con tutorial in spagnolo. Posso offrirti lezioni individuali o formazione per team.",[1979,2208],{},[14,2210,2212],{"id":2211},"️-raccontami-il-tuo-progetto","✉️ Raccontami il tuo progetto",[18,2214,2215,2216,28],{},"Compila il modulo e ti risponderò con una proposta. Lavoro in italiano e spagnolo. Puoi anche scrivermi su ",[155,2217,2088],{"href":2086,"rel":2218},[159],[68,2220,2221,2228,2232,2243,2246,2248,2252,2272,2276,2294,2298,2306,2310,2324,2328,2338,2340,2344],{},[18,2222,2224],{"className":2223},[1930,1931,1932],[155,2225,2227],{"href":1935,"className":2226},[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"Tell me about your project →",[14,2229,2231],{"id":2230},"have-a-video-game-in-your-head-and-dont-know-where-to-start","Have a video game in your head and don’t know where to start?",[18,2233,2234,2235,2237,2238,2240,2241,28],{},"I can help. For more than twenty years I have been building worlds: first with pencil and ink, then with 3D graphics for music videos and video art, and today with ",[25,2236,1965],{}," and ",[25,2239,1969],{},", developing my own video games such as ",[155,2242,1974],{"href":1973},[18,2244,2245],{},"I know the whole journey, from the first idea to a playable prototype, and I know where most projects get stuck.",[1979,2247],{},[14,2249,2251],{"id":2250},"video-game-development","🎮 Video game development",[341,2253,2254,2260,2266],{},[344,2255,2256,2259],{},[25,2257,2258],{},"From idea to prototype:"," I help you turn your idea into a clear design document and a first playable prototype in Unity.",[344,2261,2262,2265],{},[25,2263,2264],{},"Mentoring and support:"," sessions to get your project unstuck, set priorities and learn to solve problems on your own.",[344,2267,2268,2271],{},[25,2269,2270],{},"Art and assets for your game:"," low-poly 3D models, environments, characters, interfaces and concept art with a consistent style.",[14,2273,2275],{"id":2274},"virtual-worlds-and-galleries","🧊 Virtual worlds and galleries",[341,2277,2278,2288],{},[344,2279,2280,2283,2284,2287],{},[25,2281,2282],{},"3D virtual galleries:"," interactive first-person spaces to exhibit artworks, like my ",[155,2285,2286],{"href":2019},"«Resaca Mística» and «Academia»"," galleries.",[344,2289,2290,2293],{},[25,2291,2292],{},"Impossible sets and architectures:"," worlds for video games, interactive experiences, music videos or presentations.",[14,2295,2297],{"id":2296},"illustration-and-concept-art","🎨 Illustration and concept art",[341,2299,2300,2303],{},[344,2301,2302],{},"Digital and traditional illustration (ink, pointillism, charcoal, acrylic).",[344,2304,2305],{},"Concept art for characters, creatures and environments for games and audiovisual projects.",[14,2307,2309],{"id":2308},"_3d2d-animation-video-editing-and-post-production","🎬 3D\u002F2D animation, video editing and post-production",[341,2311,2312,2315,2318],{},[344,2313,2314],{},"3D and 2D animation, motion design for advertising and social media.",[344,2316,2317],{},"Video editing, post-production and visual effects.",[344,2319,2320,2321,2058],{},"3D sets for music videos, an experience that began in Cuba in 2004 with director Andros Barroso (",[155,2322,2323],{"href":2056},"watch the music videos",[14,2325,2327],{"id":2326},"blender-training","🎓 Blender training",[18,2329,2330,2331,2334,2335,2337],{},"I am a ",[25,2332,2333],{},"certified Blender instructor in Italy"," and I run the ",[155,2336,2073],{"href":2072}," channel with tutorials in Spanish. I can give you one-to-one lessons or team training.",[1979,2339],{},[14,2341,2343],{"id":2342},"️-tell-me-about-your-project","✉️ Tell me about your project",[18,2345,2346,2347,28],{},"Fill in the form and I will reply with a proposal. I work in Spanish and Italian. You can also message me on ",[155,2348,2088],{"href":2086,"rel":2349},[159],[2351,2352],"project-form",{},{"title":95,"searchDepth":96,"depth":96,"links":2354},[2355,2356,2357,2358,2359,2360,2361,2362,2363,2364,2365,2366,2367,2368,2369,2370,2371,2372,2373,2374,2375],{"id":1958,"depth":96,"text":1959},{"id":1983,"depth":96,"text":1984},{"id":2007,"depth":96,"text":2008},{"id":2029,"depth":96,"text":2030},{"id":2041,"depth":96,"text":2042},{"id":2061,"depth":96,"text":2062},{"id":2079,"depth":96,"text":2080},{"id":2100,"depth":96,"text":2101},{"id":2120,"depth":96,"text":2121},{"id":2144,"depth":96,"text":2145},{"id":2165,"depth":96,"text":2166},{"id":2177,"depth":96,"text":2178},{"id":2195,"depth":96,"text":2196},{"id":2211,"depth":96,"text":2212},{"id":2230,"depth":96,"text":2231},{"id":2250,"depth":96,"text":2251},{"id":2274,"depth":96,"text":2275},{"id":2296,"depth":96,"text":2297},{"id":2308,"depth":96,"text":2309},{"id":2326,"depth":96,"text":2327},{"id":2342,"depth":96,"text":2343},"Te ayudo a construir mundos virtuales y a crear tu videojuego en Unity y Blender. También ilustración, concept art, animación 3D\u002F2D, edición de vídeo y postproducción.","I help you build virtual worlds and create your video game with Unity and Blender. Also illustration, concept art, 3D\u002F2D animation, video editing and post-production.","Ti aiuto a costruire mondi virtuali e a creare il tuo videogioco con Unity e Blender. Inoltre illustrazione, concept art, animazione 3D\u002F2D, montaggio video e post-produzione.",[],"\u002Fimages\u002Fslider\u002Fgalerias-virtuales.jpg",[],{},{"title":1922,"description":2376},[2385,2386,1965,1969,2387,2388,2389,2390],"Servicios","Videojuegos","Mundos Virtuales","Ilustración","Animación 3D","Postproducción","Services — Virtual Worlds, Video Games, Illustration & 3D Animation","Servizi — Mondi virtuali, videogiochi, illustrazione e animazione 3D","UNqF0WO5Z6PQZpIxNWPiCOPULKTMof5cp31fRZMuSvo",{"id":2395,"title":2396,"author":6,"body":2397,"category":2848,"date":1905,"description":2849,"description_en":2850,"description_it":2851,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":2852,"image":2853,"imageFocus":2854,"keywords":2855,"meta":2856,"navigation":113,"noindex":108,"ogImage":106,"path":2857,"period":106,"seo":2858,"seoDescription":106,"seoTitle":106,"status":106,"stem":2859,"tags":2860,"thumb":106,"title_en":2861,"title_it":2862,"updatedAt":106,"video":106,"__hash__":2863},"content\u002Fvideos-para-amigos.md","Videos que usted puede enviar a un amigo",{"type":8,"value":2398,"toc":2837},[2399,2563,2700],[11,2400,2401,2404,2408,2451,2455,2486,2490],{},[18,2402,2403],{},"Videos de animación para enviar a un amigo. Pulsa en cualquier miniatura para verlo en YouTube.",[14,2405,2407],{"id":2406},"_2021","2021",[2409,2410,2417],"div",{"className":2411},[2412,2413,2414,2415,2416,1930],"grid","grid-cols-1","sm:grid-cols-2","lg:grid-cols-3","gap-5",[155,2418,2433,2443],{"href":2419,"target":2420,"rel":2421,"className":2424},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=1jqtLPtv308","_blank",[2422,2423],"noopener","noreferrer",[2425,2426,2427,2428,2429,2430,2431,2432],"block","overflow-hidden","rounded-xl","border","border-zinc-800","bg-zinc-900\u002F50","hover:border-orange-500\u002F60","transition-colors",[2434,2435],"img",{"src":2436,"alt":2437,"loading":2438,"className":2439},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F1jqtLPtv308\u002Fhqdefault.jpg","Feliz dia de brujas con gatos","lazy",[2440,2441,2442],"w-full","aspect-video","object-cover",[18,2444,2450],{"className":2445},[2446,2447,2448,2449],"p-4","text-sm","font-bold","text-zinc-200","▷ Feliz dia de brujas con gatos",[14,2452,2454],{"id":2453},"_2019-animación-3d","2019 · Animación 3D",[2409,2456,2458,2472],{"className":2457},[2412,2413,2414,2415,2416,1930],[155,2459,2463,2468],{"href":2460,"target":2420,"rel":2461,"className":2462},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=Zv-jzFLikqg",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2464],{"src":2465,"alt":2466,"loading":2438,"className":2467},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FZv-jzFLikqg\u002Fhqdefault.jpg","Cuidado la noche de brujas",[2440,2441,2442],[18,2469,2471],{"className":2470},[2446,2447,2448,2449],"▷ Cuidado la noche de brujas",[155,2473,2477,2482],{"href":2474,"target":2420,"rel":2475,"className":2476},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=-lW8KTkR5C4",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2478],{"src":2479,"alt":2480,"loading":2438,"className":2481},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F-lW8KTkR5C4\u002Fhqdefault.jpg","Feliz cumpleaños en moto",[2440,2441,2442],[18,2483,2485],{"className":2484},[2446,2447,2448,2449],"▷ Feliz cumpleaños en moto",[14,2487,2489],{"id":2488},"_2014-animación-2d","2014 · Animación 2D",[2409,2491,2493,2507,2521,2535,2549],{"className":2492},[2412,2413,2414,2415,2416,1930],[155,2494,2498,2503],{"href":2495,"target":2420,"rel":2496,"className":2497},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=9_9kC3HPrwU",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2499],{"src":2500,"alt":2501,"loading":2438,"className":2502},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F9_9kC3HPrwU\u002Fhqdefault.jpg","Feliz dia de brujas",[2440,2441,2442],[18,2504,2506],{"className":2505},[2446,2447,2448,2449],"▷ Feliz dia de brujas",[155,2508,2512,2517],{"href":2509,"target":2420,"rel":2510,"className":2511},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=qHTjBdVdNDw",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2513],{"src":2514,"alt":2515,"loading":2438,"className":2516},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FqHTjBdVdNDw\u002Fhqdefault.jpg","Feliz cumpleaños desde el espacio",[2440,2441,2442],[18,2518,2520],{"className":2519},[2446,2447,2448,2449],"▷ Feliz cumpleaños desde el espacio",[155,2522,2526,2531],{"href":2523,"target":2420,"rel":2524,"className":2525},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=DssHDp7buts",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2527],{"src":2528,"alt":2529,"loading":2438,"className":2530},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FDssHDp7buts\u002Fhqdefault.jpg","Feliz Navidad",[2440,2441,2442],[18,2532,2534],{"className":2533},[2446,2447,2448,2449],"▷ Feliz Navidad",[155,2536,2540,2545],{"href":2537,"target":2420,"rel":2538,"className":2539},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=bEmzT8YGhW0",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2541],{"src":2542,"alt":2543,"loading":2438,"className":2544},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FbEmzT8YGhW0\u002Fhqdefault.jpg","Un San Valentin Caliente",[2440,2441,2442],[18,2546,2548],{"className":2547},[2446,2447,2448,2449],"▷ Un San Valentin Caliente",[155,2550,2554,2559],{"href":2551,"target":2420,"rel":2552,"className":2553},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=EVESeNfBV_E",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2555],{"src":2556,"alt":2557,"loading":2438,"className":2558},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FEVESeNfBV_E\u002Fhqdefault.jpg","8 de marzo en el paraíso terrenal",[2440,2441,2442],[18,2560,2562],{"className":2561},[2446,2447,2448,2449],"▷ 8 de marzo en el paraíso terrenal",[42,2564,2565,2568,2571,2588,2592,2623,2627],{},[18,2566,2567],{},"Video di animazione da inviare a un amico. Clicca su una miniatura per vederlo su YouTube.",[14,2569,2407],{"id":2570},"_2021-1",[2409,2572,2574],{"className":2573},[2412,2413,2414,2415,2416,1930],[155,2575,2579,2584],{"href":2576,"target":2420,"rel":2577,"className":2578},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=0Ax51ebLh30",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2580],{"src":2581,"alt":2582,"loading":2438,"className":2583},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F0Ax51ebLh30\u002Fhqdefault.jpg","Buon Halloween con i gatti!",[2440,2441,2442],[18,2585,2587],{"className":2586},[2446,2447,2448,2449],"▷ Buon Halloween con i gatti!",[14,2589,2591],{"id":2590},"_2019-animazione-3d","2019 · Animazione 3D",[2409,2593,2595,2609],{"className":2594},[2412,2413,2414,2415,2416,1930],[155,2596,2600,2605],{"href":2597,"target":2420,"rel":2598,"className":2599},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=TNToMFtRT2c",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2601],{"src":2602,"alt":2603,"loading":2438,"className":2604},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FTNToMFtRT2c\u002Fhqdefault.jpg","Scherzetto di Halloween",[2440,2441,2442],[18,2606,2608],{"className":2607},[2446,2447,2448,2449],"▷ Scherzetto di Halloween",[155,2610,2614,2619],{"href":2611,"target":2420,"rel":2612,"className":2613},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=ohIRME8FM_U",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2615],{"src":2616,"alt":2617,"loading":2438,"className":2618},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FohIRME8FM_U\u002Fhqdefault.jpg","Tanti Auguri en Moto",[2440,2441,2442],[18,2620,2622],{"className":2621},[2446,2447,2448,2449],"▷ Tanti Auguri en Moto",[14,2624,2626],{"id":2625},"_2014-animazione-2d","2014 · Animazione 2D",[2409,2628,2630,2644,2658,2672,2686],{"className":2629},[2412,2413,2414,2415,2416,1930],[155,2631,2635,2640],{"href":2632,"target":2420,"rel":2633,"className":2634},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=UAmHuT78MR4",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2636],{"src":2637,"alt":2638,"loading":2438,"className":2639},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FUAmHuT78MR4\u002Fhqdefault.jpg","Buon Halloween",[2440,2441,2442],[18,2641,2643],{"className":2642},[2446,2447,2448,2449],"▷ Buon Halloween",[155,2645,2649,2654],{"href":2646,"target":2420,"rel":2647,"className":2648},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=mE9taaLWzkk",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2650],{"src":2651,"alt":2652,"loading":2438,"className":2653},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FmE9taaLWzkk\u002Fhqdefault.jpg","Tanti Auguri dallo Spazio",[2440,2441,2442],[18,2655,2657],{"className":2656},[2446,2447,2448,2449],"▷ Tanti Auguri dallo Spazio",[155,2659,2663,2668],{"href":2660,"target":2420,"rel":2661,"className":2662},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=Eq6ScyrNsK0",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2664],{"src":2665,"alt":2666,"loading":2438,"className":2667},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FEq6ScyrNsK0\u002Fhqdefault.jpg","Buon Natale",[2440,2441,2442],[18,2669,2671],{"className":2670},[2446,2447,2448,2449],"▷ Buon Natale",[155,2673,2677,2682],{"href":2674,"target":2420,"rel":2675,"className":2676},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=GC7iRXlLBaE",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2678],{"src":2679,"alt":2680,"loading":2438,"className":2681},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FGC7iRXlLBaE\u002Fhqdefault.jpg","Un San Valentino di Fuoco",[2440,2441,2442],[18,2683,2685],{"className":2684},[2446,2447,2448,2449],"▷ Un San Valentino di Fuoco",[155,2687,2691,2696],{"href":2688,"target":2420,"rel":2689,"className":2690},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=xE3jLCcwtks",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2692],{"src":2693,"alt":2694,"loading":2438,"className":2695},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FxE3jLCcwtks\u002Fhqdefault.jpg","8 marzo nel paradiso terrestre",[2440,2441,2442],[18,2697,2699],{"className":2698},[2446,2447,2448,2449],"▷ 8 marzo nel paradiso terrestre",[68,2701,2702,2705,2708,2725,2729,2760,2764],{},[18,2703,2704],{},"Animated videos to send to a friend. Click any thumbnail to watch it on YouTube.",[14,2706,2407],{"id":2707},"_2021-2",[2409,2709,2711],{"className":2710},[2412,2413,2414,2415,2416,1930],[155,2712,2716,2721],{"href":2713,"target":2420,"rel":2714,"className":2715},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=9vzcropV6q8",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2717],{"src":2718,"alt":2719,"loading":2438,"className":2720},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F9vzcropV6q8\u002Fhqdefault.jpg","Halloween with cats",[2440,2441,2442],[18,2722,2724],{"className":2723},[2446,2447,2448,2449],"▷ Halloween with cats",[14,2726,2728],{"id":2727},"_2019-3d-animation","2019 · 3D animation",[2409,2730,2732,2746],{"className":2731},[2412,2413,2414,2415,2416,1930],[155,2733,2737,2742],{"href":2734,"target":2420,"rel":2735,"className":2736},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=IJLzr1yQi9I",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2738],{"src":2739,"alt":2740,"loading":2438,"className":2741},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FIJLzr1yQi9I\u002Fhqdefault.jpg","Halloween's trick",[2440,2441,2442],[18,2743,2745],{"className":2744},[2446,2447,2448,2449],"▷ Halloween's trick",[155,2747,2751,2756],{"href":2748,"target":2420,"rel":2749,"className":2750},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=sHONlxceMEY",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2752],{"src":2753,"alt":2754,"loading":2438,"className":2755},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FsHONlxceMEY\u002Fhqdefault.jpg","Happy Birthday on Motorcycle",[2440,2441,2442],[18,2757,2759],{"className":2758},[2446,2447,2448,2449],"▷ Happy Birthday on Motorcycle",[14,2761,2763],{"id":2762},"_2014-2d-animation","2014 · 2D animation",[2409,2765,2767,2781,2795,2809,2823],{"className":2766},[2412,2413,2414,2415,2416,1930],[155,2768,2772,2777],{"href":2769,"target":2420,"rel":2770,"className":2771},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=SqQNOq1xzFA",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2773],{"src":2774,"alt":2775,"loading":2438,"className":2776},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FSqQNOq1xzFA\u002Fhqdefault.jpg","Happy Halloween",[2440,2441,2442],[18,2778,2780],{"className":2779},[2446,2447,2448,2449],"▷ Happy Halloween",[155,2782,2786,2791],{"href":2783,"target":2420,"rel":2784,"className":2785},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=knIXLHZYcW8",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2787],{"src":2788,"alt":2789,"loading":2438,"className":2790},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FknIXLHZYcW8\u002Fhqdefault.jpg","Happy Birthday from Space",[2440,2441,2442],[18,2792,2794],{"className":2793},[2446,2447,2448,2449],"▷ Happy Birthday from Space",[155,2796,2800,2805],{"href":2797,"target":2420,"rel":2798,"className":2799},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=1gJ1PrPf89k",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2801],{"src":2802,"alt":2803,"loading":2438,"className":2804},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F1gJ1PrPf89k\u002Fhqdefault.jpg","Merry Christmas",[2440,2441,2442],[18,2806,2808],{"className":2807},[2446,2447,2448,2449],"▷ Merry Christmas",[155,2810,2814,2819],{"href":2811,"target":2420,"rel":2812,"className":2813},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=9eXh0Ha4Eko",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2815],{"src":2816,"alt":2817,"loading":2438,"className":2818},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002F9eXh0Ha4Eko\u002Fhqdefault.jpg","A Hot Valentine's Day",[2440,2441,2442],[18,2820,2822],{"className":2821},[2446,2447,2448,2449],"▷ A Hot Valentine's Day",[155,2824,2828,2833],{"href":2825,"target":2420,"rel":2826,"className":2827},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=joDDRQdvawk",[2422,2423],[2425,2426,2427,2428,2429,2430,2431,2432],[2434,2829],{"src":2830,"alt":2831,"loading":2438,"className":2832},"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002FjoDDRQdvawk\u002Fhqdefault.jpg","Women's Day in Earthly Paradise",[2440,2441,2442],[18,2834,2836],{"className":2835},[2446,2447,2448,2449],"▷ Women's Day in Earthly Paradise",{"title":95,"searchDepth":96,"depth":96,"links":2838},[2839,2840,2841,2842,2843,2844,2845,2846,2847],{"id":2406,"depth":96,"text":2407},{"id":2453,"depth":96,"text":2454},{"id":2488,"depth":96,"text":2489},{"id":2570,"depth":96,"text":2407},{"id":2590,"depth":96,"text":2591},{"id":2625,"depth":96,"text":2626},{"id":2707,"depth":96,"text":2407},{"id":2727,"depth":96,"text":2728},{"id":2762,"depth":96,"text":2763},"videos","Videos de animación para enviar a un amigo.","Animated videos to send to a friend.","Video di animazione da inviare a un amico.",[],"\u002Fimages\u002Fpaginas\u002Fvideos-para-amigos\u002Fvideos-para-amigos.jpg","center",[],{},"\u002Fvideos-para-amigos",{"title":2396,"description":2849},"videos-para-amigos",[119,2389,120,122],"Videos you can send to a friend","Video da inviare a un amico","yc9FgRylQ_nB6IXHAAsPI9ERUXJp7u7Ero_jKTJ8aHI",{"id":2865,"title":2866,"author":6,"body":2867,"category":101,"date":3172,"description":3173,"description_en":3174,"description_it":3175,"engine":2904,"extension":107,"externalLabel":106,"externalUrl":2965,"featured":113,"gallery":3176,"image":3178,"imageFocus":106,"keywords":3187,"meta":3188,"navigation":113,"noindex":108,"ogImage":106,"path":1973,"period":106,"seo":3189,"seoDescription":106,"seoTitle":106,"status":3190,"stem":3191,"tags":3192,"thumb":3195,"title_en":3196,"title_it":3197,"updatedAt":106,"video":106,"__hash__":3198},"content\u002Fproyectos\u002Fmoon-monoliths-rts.md","Moon's Monoliths — Proyecto de Videojuego RTS",{"type":8,"value":2868,"toc":3161},[2869,2972,3067],[11,2870,2871,2875,2881,2885,2895,2910,2913,2933,2939,2943,2958],{},[14,2872,2874],{"id":2873},"un-viaje-personal-hacia-el-silencio-lunar","Un viaje personal hacia el silencio lunar",[18,2876,2877,2880],{},[25,2878,2879],{},"Moon Monoliths"," es un proyecto personal indie creado con mucha calma y paciencia. Como desarrollador en solitario, estoy construyendo esta experiencia paso a paso, priorizando el detalle y la atmósfera sobre la rapidez.",[14,2882,2884],{"id":2883},"la-historia","La Historia",[18,2886,2887,2888,1966,2891,2894],{},"La humanidad ha regresado a la Luna para recolectar ",[25,2889,2890],{},"regolito",[25,2892,2893],{},"Helio-3"," para alimentar las centrales eléctricas de la Tierra, pero en el silencio del espacio, no estamos solos.",[18,2896,2897,2898,2901,2902,2905,2906,2909],{},"Este es un juego de estrategia en tiempo real (",[25,2899,2900],{},"RTS",") desarrollado en ",[25,2903,2904],{},"Unity 6",". La supervivencia depende de tu capacidad para gestionar recursos y desentrañar un misterio antiguo: una raza extraterrestre que acecha entre las sombras, camuflada como ",[25,2907,2908],{},"monolitos de piedra",". Estas estructuras emiten poderosos campos electromagnéticos que destruyen las unidades humanas.",[18,2911,2912],{},"Como comandante de la misión lunar, deberás:",[341,2914,2915,2921,2927],{},[344,2916,2917,2920],{},[25,2918,2919],{},"Extraer Regolito:"," Gestionar la minería para asegurar el suministro energético terrestre.",[344,2922,2923,2926],{},[25,2924,2925],{},"Limpiar la Zona:"," Asegurar el perímetro humano frente a la creciente influencia extraterrestre.",[344,2928,2929,2932],{},[25,2930,2931],{},"Investigar:"," Descubrir tecnología alienígena y revelar la historia oculta de esta raza.",[18,2934,2935],{},[2434,2936],{"alt":2937,"src":2938},"Escena de la ciudad (en desarrollo)","\u002Fimages\u002Fproyectos\u002Fmoon-monoliths-rts\u002FEscena-de-la-ciudad-del-juego-Moon-Monoliths-en-desarrollo.jpg",[14,2940,2942],{"id":2941},"el-boceto-del-boceto-origen-del-proyecto","El boceto del boceto (Origen del proyecto)",[18,2944,2945,2946,2949,2950,2953,2954,2957],{},"Para aprender a desarrollar un juego de estrategia en tiempo real, realicé un máster en el software ",[25,2947,2948],{},"Unity3D"," en la escuela online ",[138,2951,2952],{},"MasterD",". El primer prototipo (",[138,2955,2956],{},"Trabajo final - Moon's Monoliths",") me dio una idea clara de a qué me enfrentaba a nivel técnico en la creación de un juego tipo RTS en Unity, y quiero agradecer públicamente al profesor Mario por su ayuda en aquella etapa inicial.",[18,2959,2960,2961,2968,2969,28],{},"Para seguir de cerca el desarrollo de este proyecto, puedes visitar la página web oficial ",[25,2962,2963],{},[155,2964,2967],{"href":2965,"rel":2966},"https:\u002F\u002Fmoonmonoliths.com",[159],"moonmonoliths.com"," o ponerte en contacto directo escribiendo a ",[216,2970,2971],{},"info@moonmonoliths.com",[42,2973,2974,2978,2983,2987,2998,3011,3014,3034,3039,3043,3056],{},[14,2975,2977],{"id":2976},"un-viaggio-personale-nel-silenzio-lunare","Un viaggio personale nel silenzio lunare",[18,2979,2980,2982],{},[25,2981,2879],{}," è un progetto personale indie creato con molta calma e pazienza. Come sviluppatore solitario, sto costruendo questa esperienza passo dopo passo, dando priorità al dettaglio e all’atmosfera rispetto alla velocità.",[14,2984,2986],{"id":2985},"la-storia","La Storia",[18,2988,2989,2990,2993,2994,2997],{},"L’umanità è tornata sulla Luna per raccogliere ",[25,2991,2992],{},"regolite"," ed ",[25,2995,2996],{},"Elio-3"," con cui alimentare le centrali elettriche della Terra, ma nel silenzio dello spazio non siamo soli.",[18,2999,3000,3001,3003,3004,3006,3007,3010],{},"È un gioco di strategia in tempo reale (",[25,3002,2900],{},") sviluppato in ",[25,3005,2904],{},". La sopravvivenza dipende dalla tua capacità di gestire le risorse e di svelare un antico mistero: una razza aliena che si nasconde nell’ombra, mimetizzata da ",[25,3008,3009],{},"monoliti di pietra",". Queste strutture emettono potenti campi elettromagnetici che distruggono le unità umane.",[18,3012,3013],{},"Come comandante della missione lunare, dovrai:",[341,3015,3016,3022,3028],{},[344,3017,3018,3021],{},[25,3019,3020],{},"Estrarre la Regolite:"," Gestire l’attività mineraria per garantire l’approvvigionamento energetico della Terra.",[344,3023,3024,3027],{},[25,3025,3026],{},"Bonificare la Zona:"," Mettere in sicurezza il perimetro umano contro la crescente influenza aliena.",[344,3029,3030,3033],{},[25,3031,3032],{},"Indagare:"," Scoprire la tecnologia aliena e rivelare la storia nascosta di questa razza.",[18,3035,3036],{},[2434,3037],{"alt":3038,"src":2938},"Scena della città (in sviluppo)",[14,3040,3042],{"id":3041},"lo-schizzo-dello-schizzo-origine-del-progetto","Lo schizzo dello schizzo (Origine del progetto)",[18,3044,3045,3046,3048,3049,3051,3052,3055],{},"Per imparare a sviluppare un gioco di strategia in tempo reale, ho frequentato un master su ",[25,3047,2948],{}," presso la scuola online ",[138,3050,2952],{},". Il primo prototipo (",[138,3053,3054],{},"Progetto finale - Moon's Monoliths",") mi ha dato un’idea chiara di cosa significhi, a livello tecnico, creare un RTS in Unity, e voglio ringraziare pubblicamente il professor Mario per il suo aiuto in quella fase iniziale.",[18,3057,3058,3059,3064,3065,28],{},"Per seguire da vicino lo sviluppo del progetto puoi visitare il sito ufficiale ",[25,3060,3061],{},[155,3062,2967],{"href":2965,"rel":3063},[159]," o scrivere direttamente a ",[216,3066,2971],{},[68,3068,3069,3073,3078,3082,3092,3105,3108,3128,3133,3137,3150],{},[14,3070,3072],{"id":3071},"a-personal-journey-into-the-lunar-silence","A personal journey into the lunar silence",[18,3074,3075,3077],{},[25,3076,2879],{}," is a personal indie project built with a lot of calm and patience. As a solo developer, I am building this experience step by step, prioritizing detail and atmosphere over speed.",[14,3079,3081],{"id":3080},"the-story","The Story",[18,3083,3084,3085,2237,3088,3091],{},"Humanity has returned to the Moon to harvest ",[25,3086,3087],{},"regolith",[25,3089,3090],{},"Helium-3"," to power Earth’s power plants, but in the silence of space, we are not alone.",[18,3093,3094,3095,3097,3098,3100,3101,3104],{},"It is a real-time strategy game (",[25,3096,2900],{},") developed in ",[25,3099,2904],{},". Survival depends on your ability to manage resources and unravel an ancient mystery: an alien race lurking in the shadows, disguised as ",[25,3102,3103],{},"stone monoliths",". These structures emit powerful electromagnetic fields that destroy human units.",[18,3106,3107],{},"As commander of the lunar mission, you will have to:",[341,3109,3110,3116,3122],{},[344,3111,3112,3115],{},[25,3113,3114],{},"Mine Regolith:"," Manage the mining operation to secure Earth’s energy supply.",[344,3117,3118,3121],{},[25,3119,3120],{},"Clear the Zone:"," Secure the human perimeter against the growing alien influence.",[344,3123,3124,3127],{},[25,3125,3126],{},"Investigate:"," Uncover alien technology and reveal the hidden history of this race.",[18,3129,3130],{},[2434,3131],{"alt":3132,"src":2938},"City scene (in development)",[14,3134,3136],{"id":3135},"the-sketch-of-the-sketch-origin-of-the-project","The sketch of the sketch (Origin of the project)",[18,3138,3139,3140,3142,3143,3145,3146,3149],{},"To learn how to develop a real-time strategy game, I took a master’s course in ",[25,3141,2948],{}," at the online school ",[138,3144,2952],{},". The first prototype (",[138,3147,3148],{},"Final project - Moon's Monoliths",") gave me a clear idea of the technical challenges of building an RTS in Unity, and I want to publicly thank professor Mario for his help in that early stage.",[18,3151,3152,3153,3158,3159,28],{},"To follow the development closely, visit the official website ",[25,3154,3155],{},[155,3156,2967],{"href":2965,"rel":3157},[159]," or write directly to ",[216,3160,2971],{},{"title":95,"searchDepth":96,"depth":96,"links":3162},[3163,3164,3165,3166,3167,3168,3169,3170,3171],{"id":2873,"depth":96,"text":2874},{"id":2883,"depth":96,"text":2884},{"id":2941,"depth":96,"text":2942},{"id":2976,"depth":96,"text":2977},{"id":2985,"depth":96,"text":2986},{"id":3041,"depth":96,"text":3042},{"id":3071,"depth":96,"text":3072},{"id":3080,"depth":96,"text":3081},{"id":3135,"depth":96,"text":3136},"2026-02-01","RTS 3D en la Luna desarrollado en Unity 6 con temática de misterio espacial, extracción de regolito\u002FHelio-3 y defensa ante estructuras alienígenas.","3D Real-Time Strategy game on the Moon developed in Unity 6 featuring space mystery, Helium-3 \u002F regolith mining and defense against alien monoliths.","RTS 3D sulla Luna sviluppato in Unity 6, tra mistero spaziale, estrazione di regolite\u002FElio-3 e difesa contro strutture aliene.",[3177,3180,3183,3184],{"src":3178,"title":3179,"alt":3179},"\u002Fimages\u002Fproyectos\u002Fmoon-monoliths-rts\u002FMM-Proyecto-de-juego-RTS-Mike-Lorenzo.jpg","Moon's Monoliths — proyecto RTS",{"src":3181,"title":3182,"alt":3182},"\u002Fimages\u002Fproyectos\u002Fmoon-monoliths-rts\u002FMM-Logo-v2.jpg","Logo de Moon's Monoliths",{"src":2938,"title":2937,"alt":2937},{"src":3185,"title":3186,"alt":3186},"\u002Fimages\u002Fproyectos\u002Fmoon-monoliths-rts\u002Ftrafico-ciudad.jpg","Tráfico en la ciudad",[],{},{"title":2866,"description":3173},"En desarrollo","proyectos\u002Fmoon-monoliths-rts",[2386,2900,3193,1965,3194,2879],"Indie Game","Ciencia Ficción","\u002Fimages\u002Fproyectos\u002Fmoon-monoliths-rts\u002Fmoon-monoliths-miniatura.jpg","Moon's Monoliths — 3D Sci-Fi RTS Game Project","Moon's Monoliths — Progetto di Videogioco RTS","iNkM1N_zvr7JMOvCB-GCngSuJc0-aUJU4uX5-NUjVWQ",{"id":3200,"title":3201,"author":6,"body":3202,"category":920,"date":3172,"description":3774,"description_en":3775,"description_it":3776,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":3777,"image":1910,"imageFocus":106,"keywords":3787,"meta":3788,"navigation":113,"noindex":108,"ogImage":106,"path":3789,"period":106,"seo":3790,"seoDescription":106,"seoTitle":106,"status":106,"stem":3791,"tags":3792,"thumb":106,"title_en":3798,"title_it":3799,"updatedAt":106,"video":106,"__hash__":3800},"content\u002Fsobre-mi.md","Mike Lorenzo — Artista Multidisciplinario (Quién soy, CV y Contacto)",{"type":8,"value":3203,"toc":3760},[3204,3402,3579,3757],[11,3205,3206,3210,3225,3239,3241,3245,3248,3281,3295,3297,3305,3309,3314,3332,3350,3352,3356,3359],{},[14,3207,3209],{"id":3208},"un-sitio-web-llamado-brutalmachine","Un sitio web llamado Brutalmachine",[18,3211,3212,3213,699,3215,3218,3219,3222,3223,28],{},"Hola, me llamo ",[25,3214,6],{},[138,3216,3217],{},"Maikel Lorenzo","), soy un ",[25,3220,3221],{},"artista cubano multidisciplinario"," residente en Italia y te doy la bienvenida a ",[25,3224,146],{},[18,3226,3227,3230,3231,3235,3236,28],{},[25,3228,3229],{},"Brutalmachine"," era el nombre de un viejo proyecto de videojuego que quedó guardado en algún cajón (ver ",[155,3232,3234],{"href":3233},"\u002Fgaleria\u002Fprimeros-experimentos-3d","Primeros experimentos con gráfica 3D en 2003","), pero que se convirtió en mi dominio oficial desde un lejano ",[25,3237,3238],{},"2004",[1979,3240],{},[14,3242,3244],{"id":3243},"formación-académica-y-trayectoria-artística","Formación Académica y Trayectoria Artística",[18,3246,3247],{},"Como artista plástico y visual he tenido una formación académica en tres instituciones clave:",[3249,3250,3251,3261,3271],"ol",{},[344,3252,3253,3256,3257,2058],{},[25,3254,3255],{},"Academia de Bellas Artes «Vicentina de la Torre» (Camagüey, Cuba, 1995–1999):"," Graduado en Artes Plásticas (ver colección ",[155,3258,3260],{"href":3259},"\u002Fgaleria\u002Facademia","Academia",[344,3262,3263,3266,3267,2058],{},[25,3264,3265],{},"ISA — Instituto Superior de Arte de La Habana (La Habana, Cuba, 2010):"," Licenciatura en Artes Plásticas, con tesis de graduación enfocada en la simulación 3D y el videoarte (",[155,3268,3270],{"href":3269},"\u002Fgaleria\u002Ftop-secrets","Apollo 11 Top Secret",[344,3272,3273,3276,3277,3280],{},[25,3274,3275],{},"NABA — Nuova Accademia di Belle Arti de Milán (Milán, Italia, 2013):"," Licenciatura en ",[138,3278,3279],{},"Film and New Media"," (Cine y Nuevos Medios).",[18,3282,3283,3284,3287,3288,3291,3292,28],{},"Con los años he aprendido a editar vídeos, a hacer la post-producción, a realizar ",[25,3285,3286],{},"animaciones en 3D y 2D",", a diseñar logos, plegables y páginas web, a pintar y dibujar con varias técnicas como el ",[25,3289,3290],{},"acrílico, el óleo, la acuarela, el carboncillo y el puntillismo",", a modelar en cerámica y a desarrollar ",[25,3293,3294],{},"videojuegos y experiencias interactivas en Unity y Blender",[1979,3296],{},[18,3298,3299,3300],{},"📄 ",[25,3301,3302],{},[155,3303,3304],{"href":1914},"Consulta mi CV completo",[14,3306,3308],{"id":3307},"arte-cubano-interactivo-y-desarrollo-de-videojuegos","Arte Cubano Interactivo y Desarrollo de Videojuegos",[18,3310,3311],{},[138,3312,3313],{},"El arte tiene que usar las herramientas de su tiempo.",[18,3315,3316,3317,3320,3321,3323,3324,3327,3328,3331],{},"Además de mi obra gráfica y de haber producido junto al director ",[25,3318,3319],{},"Andros Barroso"," los primeros videoclips en animación 3D en Cuba entre 2004 y 2007 (",[155,3322,2057],{"href":2056},"), mi trabajo actual une el arte plástico con el ",[25,3325,3326],{},"desarrollo independiente de videojuegos"," y las ",[25,3329,3330],{},"galerías virtuales en 3D",", destacando proyectos como:",[341,3333,3334,3342],{},[344,3335,3336,3341],{},[25,3337,3338,3340],{},[155,3339,1974],{"href":1973},":"," Videojuego RTS de ciencia ficción en la Luna desarrollado en Unity 6.",[344,3343,3344,3349],{},[25,3345,3346,3340],{},[155,3347,3348],{"href":2019},"Galerías Virtuales 3D"," Espacios interactivos creados con Blender y Unity.",[1979,3351],{},[14,3353,3355],{"id":3354},"contacto-y-redes-sociales","Contacto y Redes Sociales",[18,3357,3358],{},"¿Necesitas materializar alguna idea como imagen, animación 3D, videojuego o diseño?",[341,3360,3361,3371,3380,3394],{},[344,3362,3363,955,3366,3370],{},[25,3364,3365],{},"Telegram:",[155,3367,3369],{"href":2086,"rel":3368},[159],"@MikeLorenzoArtist"," o el formulario de abajo",[344,3372,3373,955,3376],{},[25,3374,3375],{},"Canal de YouTube:",[155,3377,3379],{"href":992,"rel":3378},[159],"youtube.com\u002F@3dartmike",[344,3381,3382,955,3385,970,3388,970,3391],{},[25,3383,3384],{},"Hashtags de seguimiento en redes:",[216,3386,3387],{},"#flotanteinfinitoartworks",[216,3389,3390],{},"#habana2100",[216,3392,3393],{},"#pmdotworks",[344,3395,3396,955,3399],{},[25,3397,3398],{},"Bitcoin (Donaciones \u002F Pagos):",[216,3400,3401],{},"3JbZHU9Mmb3MRqGeo2QtBNVeQChmRQUzMD",[42,3403,3404,3408,3422,3433,3435,3439,3442,3468,3482,3484,3491,3495,3500,3517,3534,3536,3540,3543],{},[14,3405,3407],{"id":3406},"un-sito-web-chiamato-brutalmachine","Un sito web chiamato Brutalmachine",[18,3409,3410,3411,699,3413,3415,3416,3419,3420,28],{},"Ciao, mi chiamo ",[25,3412,6],{},[138,3414,3217],{},"), sono un ",[25,3417,3418],{},"artista cubano multidisciplinare"," che vive in Italia e ti do il benvenuto su ",[25,3421,146],{},[18,3423,3424,3426,3427,3430,3431,28],{},[25,3425,3229],{}," era il nome di un vecchio progetto di videogioco rimasto chiuso in un cassetto (vedi ",[155,3428,3429],{"href":3233},"Primi esperimenti di grafica 3D nel 2003","), ma che è diventato il mio dominio ufficiale fin dal lontano ",[25,3432,3238],{},[1979,3434],{},[14,3436,3438],{"id":3437},"formazione-accademica-e-percorso-artistico","Formazione Accademica e Percorso Artistico",[18,3440,3441],{},"Come artista visivo ho avuto una formazione accademica in tre istituzioni fondamentali:",[3249,3443,3444,3452,3460],{},[344,3445,3446,3449,3450,2058],{},[25,3447,3448],{},"Accademia di Belle Arti «Vicentina de la Torre» (Camagüey, Cuba, 1995–1999):"," Diploma in Arti Visive (vedi la collezione ",[155,3451,3260],{"href":3259},[344,3453,3454,3457,3458,2058],{},[25,3455,3456],{},"ISA — Instituto Superior de Arte dell’Avana (L’Avana, Cuba, 2010):"," Laurea in Arti Visive, con una tesi incentrata sulla simulazione 3D e sulla videoarte (",[155,3459,3270],{"href":3269},[344,3461,3462,3465,3466,28],{},[25,3463,3464],{},"NABA — Nuova Accademia di Belle Arti (Milano, Italia, 2013):"," Laurea in ",[138,3467,3279],{},[18,3469,3470,3471,3474,3475,3478,3479,28],{},"Negli anni ho imparato a montare video, a fare post-produzione, a realizzare ",[25,3472,3473],{},"animazioni 3D e 2D",", a progettare loghi, pieghevoli e siti web, a dipingere e disegnare con diverse tecniche come ",[25,3476,3477],{},"acrilico, olio, acquerello, carboncino e puntinismo",", a modellare la ceramica e a sviluppare ",[25,3480,3481],{},"videogiochi ed esperienze interattive con Unity e Blender",[1979,3483],{},[18,3485,3299,3486],{},[25,3487,3488],{},[155,3489,3490],{"href":1914},"Leggi il mio CV completo",[14,3492,3494],{"id":3493},"arte-cubana-interattiva-e-sviluppo-di-videogiochi","Arte Cubana Interattiva e Sviluppo di Videogiochi",[18,3496,3497],{},[138,3498,3499],{},"L’arte deve usare gli strumenti del suo tempo.",[18,3501,3502,3503,3505,3506,3508,3509,3512,3513,3516],{},"Oltre alla mia opera grafica e ad aver prodotto con il regista ",[25,3504,3319],{}," i primi videoclip in animazione 3D a Cuba tra il 2004 e il 2007 (",[155,3507,2192],{"href":2056},"), il mio lavoro attuale unisce l’arte visiva allo ",[25,3510,3511],{},"sviluppo indipendente di videogiochi"," e alle ",[25,3514,3515],{},"gallerie virtuali in 3D",", con progetti come:",[341,3518,3519,3526],{},[344,3520,3521,3525],{},[25,3522,3523,3340],{},[155,3524,1974],{"href":1973}," Videogioco RTS di fantascienza ambientato sulla Luna, sviluppato in Unity 6.",[344,3527,3528,3533],{},[25,3529,3530,3340],{},[155,3531,3532],{"href":2019},"Gallerie Virtuali 3D"," Spazi interattivi creati con Blender e Unity.",[1979,3535],{},[14,3537,3539],{"id":3538},"contatti-e-social","Contatti e Social",[18,3541,3542],{},"Hai bisogno di dare forma a un’idea con un’immagine, un’animazione 3D, un videogioco o un progetto grafico?",[341,3544,3545,3553,3561,3572],{},[344,3546,3547,955,3549,3552],{},[25,3548,3365],{},[155,3550,3369],{"href":2086,"rel":3551},[159]," o il modulo qui sotto",[344,3554,3555,955,3558],{},[25,3556,3557],{},"Canale YouTube:",[155,3559,3379],{"href":992,"rel":3560},[159],[344,3562,3563,955,3566,970,3568,970,3570],{},[25,3564,3565],{},"Hashtag da seguire sui social:",[216,3567,3387],{},[216,3569,3390],{},[216,3571,3393],{},[344,3573,3574,955,3577],{},[25,3575,3576],{},"Bitcoin (Donazioni \u002F Pagamenti):",[216,3578,3401],{},[68,3580,3581,3585,3599,3610,3612,3616,3619,3647,3661,3663,3670,3674,3679,3695,3712,3714,3718,3721],{},[14,3582,3584],{"id":3583},"a-website-called-brutalmachine","A website called Brutalmachine",[18,3586,3587,3588,699,3590,3592,3593,3596,3597,28],{},"Hi, my name is ",[25,3589,6],{},[138,3591,3217],{},"), a ",[25,3594,3595],{},"Cuban multidisciplinary artist"," living in Italy, and welcome to ",[25,3598,146],{},[18,3600,3601,3603,3604,3607,3608,28],{},[25,3602,3229],{}," was the name of an old video game project that ended up in a drawer (see ",[155,3605,3606],{"href":3233},"First experiments with 3D graphics in 2003","), but it became my official domain back in ",[25,3609,3238],{},[1979,3611],{},[14,3613,3615],{"id":3614},"education-and-artistic-career","Education and Artistic Career",[18,3617,3618],{},"As a visual artist I trained at three key institutions:",[3249,3620,3621,3631,3639],{},[344,3622,3623,3626,3627,3630],{},[25,3624,3625],{},"«Vicentina de la Torre» Academy of Fine Arts (Camagüey, Cuba, 1995–1999):"," Diploma in Fine Arts (see the ",[155,3628,3629],{"href":3259},"Academy"," collection).",[344,3632,3633,3636,3637,2058],{},[25,3634,3635],{},"ISA — Higher Institute of Art of Havana (Havana, Cuba, 2010):"," BA in Fine Arts, with a thesis focused on 3D simulation and video art (",[155,3638,3270],{"href":3269},[344,3640,3641,3644,3645,28],{},[25,3642,3643],{},"NABA — Nuova Accademia di Belle Arti (Milan, Italy, 2013):"," BA in ",[138,3646,3279],{},[18,3648,3649,3650,3653,3654,3657,3658,28],{},"Over the years I have learned to edit videos, do post-production, create ",[25,3651,3652],{},"3D and 2D animations",", design logos, brochures and websites, paint and draw with techniques such as ",[25,3655,3656],{},"acrylic, oil, watercolor, charcoal and pointillism",", model ceramics, and develop ",[25,3659,3660],{},"video games and interactive experiences in Unity and Blender",[1979,3662],{},[18,3664,3299,3665],{},[25,3666,3667],{},[155,3668,3669],{"href":1914},"Read my full CV",[14,3671,3673],{"id":3672},"interactive-cuban-art-and-video-game-development","Interactive Cuban Art and Video Game Development",[18,3675,3676],{},[138,3677,3678],{},"Art must use the tools of its time.",[18,3680,3681,3682,3684,3685,3687,3688,2237,3691,3694],{},"Besides my graphic work and having produced, with director ",[25,3683,3319],{},", the first 3D animated music videos in Cuba between 2004 and 2007 (",[155,3686,2323],{"href":2056},"), my current work brings together fine art, ",[25,3689,3690],{},"independent video game development",[25,3692,3693],{},"3D virtual galleries",", with projects such as:",[341,3696,3697,3704],{},[344,3698,3699,3703],{},[25,3700,3701,3340],{},[155,3702,1974],{"href":1973}," A sci-fi RTS video game set on the Moon, developed in Unity 6.",[344,3705,3706,3711],{},[25,3707,3708,3340],{},[155,3709,3710],{"href":2019},"3D Virtual Galleries"," Interactive spaces created with Blender and Unity.",[1979,3713],{},[14,3715,3717],{"id":3716},"contact-and-social-media","Contact and Social Media",[18,3719,3720],{},"Need to bring an idea to life as an image, a 3D animation, a video game or a design?",[341,3722,3723,3731,3739,3750],{},[344,3724,3725,955,3727,3730],{},[25,3726,3365],{},[155,3728,3369],{"href":2086,"rel":3729},[159]," or the form below",[344,3732,3733,955,3736],{},[25,3734,3735],{},"YouTube channel:",[155,3737,3379],{"href":992,"rel":3738},[159],[344,3740,3741,955,3744,970,3746,970,3748],{},[25,3742,3743],{},"Hashtags to follow:",[216,3745,3387],{},[216,3747,3390],{},[216,3749,3393],{},[344,3751,3752,955,3755],{},[25,3753,3754],{},"Bitcoin (Donations \u002F Payments):",[216,3756,3401],{},[2351,3758],{"variant":3759},"contact",{"title":95,"searchDepth":96,"depth":96,"links":3761},[3762,3763,3764,3765,3766,3767,3768,3769,3770,3771,3772,3773],{"id":3208,"depth":96,"text":3209},{"id":3243,"depth":96,"text":3244},{"id":3307,"depth":96,"text":3308},{"id":3354,"depth":96,"text":3355},{"id":3406,"depth":96,"text":3407},{"id":3437,"depth":96,"text":3438},{"id":3493,"depth":96,"text":3494},{"id":3538,"depth":96,"text":3539},{"id":3583,"depth":96,"text":3584},{"id":3614,"depth":96,"text":3615},{"id":3672,"depth":96,"text":3673},{"id":3716,"depth":96,"text":3717},"Biografía, trayectoria académica (Camagüey, ISA La Habana, NABA Milán), evolución hacia el desarrollo de videojuegos indie y datos de contacto de Mike Lorenzo.","Biography, academic background (Camagüey, ISA Havana, NABA Milan), evolution into indie video game development and contact information for Mike Lorenzo.","Biografia, percorso accademico (Camagüey, ISA L’Avana, NABA Milano), evoluzione verso lo sviluppo di videogiochi indie e contatti di Mike Lorenzo.",[3778,3779,3782,3785],{"src":1910,"title":6,"alt":6},{"src":3780,"title":3781,"alt":3781},"\u002Fimages\u002Fpaginas\u002Fsobre-mi\u002FMike-Lorenzo-quien-soy.jpg","Mike Lorenzo — quién soy",{"src":3783,"title":3784,"alt":3784},"\u002Fimages\u002Fpaginas\u002Fsobre-mi\u002FMike-Lorenzo-quien-soy-II.jpg","Mike Lorenzo — quién soy (II)",{"src":3786,"title":3217,"alt":3217},"\u002Fimages\u002Fpaginas\u002Fsobre-mi\u002Fmaikel-lorenzo.jpg",[],{},"\u002Fsobre-mi",{"title":3201,"description":3774},"sobre-mi",[6,3793,1918,3794,3795,3796,3797,124],"Biografía","Contacto","ISA","NABA","Cuba","Mike Lorenzo — Multidisciplinary Artist (About Me, CV & Contact)","Mike Lorenzo — Artista Multidisciplinare (Chi sono, CV e Contatti)","3H3T2JVLOf6z8zzY7jRphrMoE9J7y9VbVkOfOin1H1U",{"id":3802,"title":3803,"author":6,"body":3804,"category":4108,"date":4109,"description":4110,"description_en":4111,"description_it":4112,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":4113,"image":4121,"imageFocus":106,"keywords":4147,"meta":4148,"navigation":113,"noindex":108,"ogImage":106,"path":4149,"period":106,"seo":4150,"seoDescription":106,"seoTitle":106,"status":106,"stem":4108,"tags":4151,"thumb":106,"title_en":4155,"title_it":4156,"updatedAt":106,"video":106,"__hash__":4157},"content\u002Fshop.md","Tienda de artículos basados en los dibujos y diseños de Mike Lorenzo",{"type":8,"value":3805,"toc":4100},[3806,3910,4004],[11,3807,3808,3812,3832,3842,3844,3848,3898],{},[14,3809,3811],{"id":3810},"los-t-shirts-y-posters-de-mike-lorenzo","Los T-Shirts y Posters de Mike Lorenzo",[18,3813,3814,3815,3818,3819,3823,3824,1966,3828,28],{},"No sé si es porque vivo actualmente en Italia —el país de la moda—, pero en los últimos años he lanzado varias colecciones de ",[25,3816,3817],{},"T-Shirts"," y artículos ilustrados que usan mis dibujos como diseños: desde el estilo puntillista y el grabado medieval de ",[155,3820,3822],{"href":3821},"\u002Fblog\u002Fopus-in-te","Opus in te"," hasta las visiones ciberpunk de ",[155,3825,3827],{"href":3826},"\u002Fgaleria\u002Fhabana-2100","Habana Año 2100",[155,3829,3831],{"href":3830},"\u002Fgaleria\u002Fcuba-rubik","Cuba Rubik",[18,3833,3834,3835,1966,3838,3841],{},"Usamos las plataformas ",[25,3836,3837],{},"Teeser",[25,3839,3840],{},"La Tostadora"," para producir y enviar los pedidos a cualquier parte del mundo con impresión de alta calidad.",[1979,3843],{},[14,3845,3847],{"id":3846},"categorías-de-la-tienda","Categorías de la Tienda",[341,3849,3850,3856,3862,3874,3880,3886,3892],{},[344,3851,3852,3855],{},[25,3853,3854],{},"👜 Bolsas (Tote Bags):"," Diseños en blanco y negro y a todo color.",[344,3857,3858,3861],{},[25,3859,3860],{},"👚 Camisetas de Mujer:"," De manga larga y de manga corta con ilustraciones originales.",[344,3863,3864,3867,3868,233,3870,1966,3872,28],{},[25,3865,3866],{},"👕 Camisetas de Hombre:"," Diseños exclusivos de las series ",[138,3869,3827],{},[138,3871,3822],{},[138,3873,3831],{},[344,3875,3876,3879],{},[25,3877,3878],{},"🖼 Posters y Cuadros:"," Impresiones artísticas enmarcadas o en lámina («No es el original, pero es una bellísima copia»).",[344,3881,3882,3885],{},[25,3883,3884],{},"📱 Fundas para iPhone:"," Diseños en blanco y negro y a color.",[344,3887,3888,3891],{},[25,3889,3890],{},"🧥 Sudaderas (Hoodies):"," Diseños de colección para invierno.",[344,3893,3894,3897],{},[25,3895,3896],{},"🧒 Ropa Infantil:"," Diseños ilustrados para los más chicos.",[3899,3900,3903],"callout",{"title":3901,"type":3902},"Pedidos personalizados de Pósters o Láminas","info",[18,3904,3905,3906,3909],{},"Si deseas un póster de algún dibujo específico en dimensiones personalizadas, puedes escribirme por ",[155,3907,2088],{"href":2086,"rel":3908},[159]," indicando la obra y el tamaño deseado.",[42,3911,3912,3916,3931,3939,3941,3945,3994],{},[14,3913,3915],{"id":3914},"le-t-shirt-e-i-poster-di-mike-lorenzo","Le T-Shirt e i Poster di Mike Lorenzo",[18,3917,3918,3919,3922,3923,3925,3926,2107,3929,28],{},"Non so se sia perché vivo in Italia —il paese della moda—, ma negli ultimi anni ho lanciato diverse collezioni di ",[25,3920,3921],{},"T-Shirt"," e articoli illustrati che usano i miei disegni: dallo stile puntinista e dall’incisione medievale di ",[155,3924,3822],{"href":3821}," fino alle visioni cyberpunk di ",[155,3927,3928],{"href":3826},"L’Avana Anno 2100",[155,3930,3831],{"href":3830},[18,3932,3933,3934,2107,3936,3938],{},"Usiamo le piattaforme ",[25,3935,3837],{},[25,3937,3840],{}," per produrre e spedire gli ordini in tutto il mondo con stampa di alta qualità.",[1979,3940],{},[14,3942,3944],{"id":3943},"categorie-dello-shop","Categorie dello Shop",[341,3946,3947,3953,3959,3971,3977,3982,3988],{},[344,3948,3949,3952],{},[25,3950,3951],{},"👜 Borse (Tote Bag):"," Design in bianco e nero e a colori.",[344,3954,3955,3958],{},[25,3956,3957],{},"👚 Magliette da Donna:"," A maniche lunghe e corte con illustrazioni originali.",[344,3960,3961,3964,3965,233,3967,2107,3969,28],{},[25,3962,3963],{},"👕 Magliette da Uomo:"," Design esclusivi delle serie ",[138,3966,3827],{},[138,3968,3822],{},[138,3970,3831],{},[344,3972,3973,3976],{},[25,3974,3975],{},"🖼 Poster e Quadri:"," Stampe artistiche incorniciate o su carta («Non è l’originale, ma è una copia bellissima»).",[344,3978,3979,3952],{},[25,3980,3981],{},"📱 Cover per iPhone:",[344,3983,3984,3987],{},[25,3985,3986],{},"🧥 Felpe:"," Design da collezione per l’inverno.",[344,3989,3990,3993],{},[25,3991,3992],{},"🧒 Abbigliamento per Bambini:"," Design illustrati per i più piccoli.",[3899,3995,3997],{"title":3996,"type":3902},"Ordini personalizzati di Poster o Stampe",[18,3998,3999,4000,4003],{},"Se desideri un poster di un disegno specifico in dimensioni personalizzate, puoi scrivermi su ",[155,4001,2088],{"href":2086,"rel":4002},[159]," indicando l’opera e la misura desiderata.",[68,4005,4006,4010,4025,4033,4035,4039,4090],{},[14,4007,4009],{"id":4008},"mike-lorenzos-t-shirts-and-posters","Mike Lorenzo’s T-Shirts and Posters",[18,4011,4012,4013,4016,4017,4019,4020,2237,4023,28],{},"I don’t know if it’s because I live in Italy —the country of fashion—, but in recent years I have launched several collections of ",[25,4014,4015],{},"T-shirts"," and illustrated products that use my drawings as designs: from the pointillist style and medieval engraving of ",[155,4018,3822],{"href":3821}," to the cyberpunk visions of ",[155,4021,4022],{"href":3826},"Havana Year 2100",[155,4024,3831],{"href":3830},[18,4026,4027,4028,2237,4030,4032],{},"We use the ",[25,4029,3837],{},[25,4031,3840],{}," platforms to produce and ship orders worldwide with high-quality printing.",[1979,4034],{},[14,4036,4038],{"id":4037},"shop-categories","Shop Categories",[341,4040,4041,4047,4053,4066,4072,4078,4084],{},[344,4042,4043,4046],{},[25,4044,4045],{},"👜 Tote Bags:"," Black-and-white and full-color designs.",[344,4048,4049,4052],{},[25,4050,4051],{},"👚 Women’s T-shirts:"," Long and short sleeves with original illustrations.",[344,4054,4055,4058,4059,233,4061,2237,4063,4065],{},[25,4056,4057],{},"👕 Men’s T-shirts:"," Exclusive designs from the ",[138,4060,3827],{},[138,4062,3822],{},[138,4064,3831],{}," series.",[344,4067,4068,4071],{},[25,4069,4070],{},"🖼 Posters and Framed Prints:"," Framed or unframed art prints («It’s not the original, but it’s a beautiful copy»).",[344,4073,4074,4077],{},[25,4075,4076],{},"📱 iPhone Cases:"," Black-and-white and color designs.",[344,4079,4080,4083],{},[25,4081,4082],{},"🧥 Hoodies:"," Collectible designs for winter.",[344,4085,4086,4089],{},[25,4087,4088],{},"🧒 Kids’ Clothing:"," Illustrated designs for the little ones.",[3899,4091,4093],{"title":4092,"type":3902},"Custom Poster and Print Orders",[18,4094,4095,4096,4099],{},"If you’d like a poster of a specific drawing in a custom size, message me on ",[155,4097,2088],{"href":2086,"rel":4098},[159]," with the artwork and the size you want.",{"title":95,"searchDepth":96,"depth":96,"links":4101},[4102,4103,4104,4105,4106,4107],{"id":3810,"depth":96,"text":3811},{"id":3846,"depth":96,"text":3847},{"id":3914,"depth":96,"text":3915},{"id":3943,"depth":96,"text":3944},{"id":4008,"depth":96,"text":4009},{"id":4037,"depth":96,"text":4038},"shop","2026-01-15","Camisetas (T-Shirts), bolsas, pósters, cuadros, sudaderas y accesorios con los dibujos puntillistas, ciberpunk y diseños 3D\u002F2D de Mike Lorenzo.","T-Shirts, tote bags, posters, framed prints, hoodies and accessories featuring pointillist, cyberpunk and 3D\u002F2D designs by Mike Lorenzo.","T-shirt, borse, poster, quadri, felpe e accessori con i disegni puntinisti, cyberpunk e i design 3D\u002F2D di Mike Lorenzo.",[4114,4117,4120,4123,4126,4129,4132,4135,4138,4141,4144],{"src":4115,"title":4116,"alt":4116},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fmike-lorenzo-teeser-banner.jpg","Tienda en Teeser",{"src":4118,"title":4119,"alt":4119},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fmike-lorenzo-tienda-la-tostadora.jpg","Tienda en La Tostadora",{"src":4121,"title":4122,"alt":4122},"\u002Fimages\u002Fpaginas\u002Fshop\u002FTshirts.jpg","T-Shirts de la serie",{"src":4124,"title":4125,"alt":4125},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fbolsas-del-artista-mike-lorenzo.jpg","Bolsas",{"src":4127,"title":4128,"alt":4128},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fcamiseta-mujer-manga-larga-del-artista-mike-lorenzo.jpg","Camisetas de mujer",{"src":4130,"title":4131,"alt":4131},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fcamiseta-hombre-del-artista-mike-lorenzo.jpg","Camisetas de hombre",{"src":4133,"title":4134,"alt":4134},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fcuadro-de-submarino-rojo-del-artista-mike-lorenzo.jpg","Pósters y cuadros",{"src":4136,"title":4137,"alt":4137},"\u002Fimages\u002Fpaginas\u002Fshop\u002Ffundas-para-smartphone-del-artista-mike-lorenzo.jpg","Fundas para smartphone",{"src":4139,"title":4140,"alt":4140},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fsudaderas-del-artista-mike-lorenzo.jpg","Sudaderas",{"src":4142,"title":4143,"alt":4143},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fropa-infantil-del-artista-mike-lorenzo.jpg","Ropa infantil",{"src":4145,"title":4146,"alt":4146},"\u002Fimages\u002Fpaginas\u002Fshop\u002Fmascarillas-del-artista-mike-lorenzo.jpg","Mascarillas",[],{},"\u002Fshop",{"title":3803,"description":4110},[4152,3817,4153,3837,3840,4154],"Shop","Posters","Merch","Shop — Merch & Prints Based on Drawings and Designs by Mike Lorenzo","Shop di articoli basati sui disegni e i design di Mike Lorenzo","2r6nqT9zlRz_icEfZ5IkeZaxPyx6MYa0yVD38OYDlCU",{"id":4159,"title":4160,"author":6,"body":4161,"category":4274,"date":4275,"description":4276,"description_en":4277,"description_it":4278,"engine":4279,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":4280,"image":4281,"imageFocus":106,"keywords":4282,"meta":4283,"navigation":113,"noindex":108,"ogImage":106,"path":4284,"period":4285,"seo":4286,"seoDescription":106,"seoTitle":106,"status":106,"stem":4287,"tags":4288,"thumb":4294,"title_en":4295,"title_it":4296,"updatedAt":106,"video":106,"__hash__":4297},"content\u002Fgaleria\u002Fportfolio-3d-2d.md","Portfolio 3D \u002F 2D de Mike Lorenzo (2004–2025)",{"type":8,"value":4162,"toc":4259},[4163,4199,4229],[11,4164,4165,4169,4172,4177,4182,4186,4190],{},[14,4166,4168],{"id":4167},"selección-de-trabajos-creados-entre-2004-y-2025","Selección de trabajos creados entre 2004 y 2025",[18,4170,4171],{},"Dos presentaciones con una selección de mis trabajos de gráfica 3D y 2D para vídeos publicitarios, redes sociales, videoclips musicales, galerías virtuales y videojuegos. Las diapositivas avanzan solas; también puedes pasarlas con las flechas o verlas a pantalla completa.",[4173,4174,4176],"h3",{"id":4175},"portfolio-3d-2d-en-inglés","Portfolio 3D \u002F 2D (en inglés)",[4178,4179],"slides-embed",{"src":4180,"title":4181},"https:\u002F\u002Fdocs.google.com\u002Fpresentation\u002Fd\u002Fe\u002F2PACX-1vSqZ1PFaZEihJxY52NpfXVOzdSpWKyMMRbG0WBgYZFGJfR17v3fDylbTkhApaH1he0LywHqKIeTYqOC\u002Fpubembed?start=false&loop=true&delayms=3000","3D \u002F 2D Portfolio — Mike Lorenzo",[4173,4183,4185],{"id":4184},"portfolio-en-italiano","Portfolio en italiano",[4178,4187],{"src":4188,"title":4189},"https:\u002F\u002Fdocs.google.com\u002Fpresentation\u002Fd\u002Fe\u002F2PACX-1vSQJMicCH38z1TQYoKW7MV6Yv7ohVNKxZCqjzi8TQ6xNP83w1OuL29ynhE3j_dBQvLYPvAyYMWuRX_I\u002Fpubembed?start=false&loop=false&delayms=3000","Portfolio Mike Lorenzo (italiano)",[18,4191,4192,4193,4195,4196,28],{},"¿Necesitas imágenes o vídeos para tu idea? Mira mis ",[155,4194,165],{"href":164}," o escríbeme por ",[155,4197,2088],{"href":2086,"rel":4198},[159],[42,4200,4201,4205,4208,4212,4214,4218,4220],{},[14,4202,4204],{"id":4203},"selezione-di-lavori-realizzati-tra-il-2004-e-il-2025","Selezione di lavori realizzati tra il 2004 e il 2025",[18,4206,4207],{},"Due presentazioni con una selezione dei miei lavori di grafica 3D e 2D per video pubblicitari, social network, videoclip musicali, gallerie virtuali e videogiochi. Le slide scorrono da sole; puoi anche usare le frecce o guardarle a schermo intero.",[4173,4209,4211],{"id":4210},"portfolio-in-italiano","Portfolio in italiano",[4178,4213],{"src":4188,"title":4189},[4173,4215,4217],{"id":4216},"portfolio-3d-2d-in-inglese","Portfolio 3D \u002F 2D (in inglese)",[4178,4219],{"src":4180,"title":4181},[18,4221,4222,4223,4225,4226,28],{},"Ti servono immagini o video per la tua idea? Guarda i miei ",[155,4224,446],{"href":164}," o scrivimi su ",[155,4227,2088],{"href":2086,"rel":4228},[159],[68,4230,4231,4235,4238,4242,4244,4248,4250],{},[14,4232,4234],{"id":4233},"selection-of-works-created-between-2004-and-2025","Selection of works created between 2004 and 2025",[18,4236,4237],{},"Two presentations with a selection of my 3D and 2D work for commercials, social media, music videos, virtual galleries and video games. The slides advance on their own; you can also use the arrows or watch them full screen.",[4173,4239,4241],{"id":4240},"_3d-2d-portfolio","3D \u002F 2D Portfolio",[4178,4243],{"src":4180,"title":4181},[4173,4245,4247],{"id":4246},"portfolio-in-italian","Portfolio in Italian",[4178,4249],{"src":4188,"title":4189},[18,4251,4252,4253,4255,4256,28],{},"Need images or videos for your idea? Have a look at my ",[155,4254,687],{"href":164}," or message me on ",[155,4257,2088],{"href":2086,"rel":4258},[159],{"title":95,"searchDepth":96,"depth":96,"links":4260},[4261,4266,4270],{"id":4167,"depth":96,"text":4168,"children":4262},[4263,4265],{"id":4175,"depth":4264,"text":4176},3,{"id":4184,"depth":4264,"text":4185},{"id":4203,"depth":96,"text":4204,"children":4267},[4268,4269],{"id":4210,"depth":4264,"text":4211},{"id":4216,"depth":4264,"text":4217},{"id":4233,"depth":96,"text":4234,"children":4271},[4272,4273],{"id":4240,"depth":4264,"text":4241},{"id":4246,"depth":4264,"text":4247},"grafica-3d","2025-09-09","Dos presentaciones con una selección de mis trabajos de gráfica 3D y 2D: vídeos publicitarios, videoclips, galerías virtuales y videojuegos.","Two presentations with a selection of my 3D and 2D work: commercials, music videos, virtual galleries and video games.","Due presentazioni con una selezione dei miei lavori di grafica 3D e 2D: video pubblicitari, videoclip, gallerie virtuali e videogiochi.","3D \u002F 2D",[],"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fmike-lorenzo-portfolio-3d-2d.jpg",[],{},"\u002Fgaleria\u002Fportfolio-3d-2d","2004–2025",{"title":4160,"description":4276},"galeria\u002Fportfolio-3d-2d",[4289,4290,119,2389,4291,4292,4293,2386],"Portfolio","3D","Motion Design","Publicidad","Galerías Virtuales","\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002FPortfolio-3D-IT.jpg","3D \u002F 2D Portfolio by Mike Lorenzo (2004–2025)","Portfolio 3D \u002F 2D di Mike Lorenzo (2004–2025)","i3LuDmevq2OaCNylImQHUtYqwCCcSspvMTmLUMmmb9E",{"id":4299,"title":4300,"author":6,"body":4301,"category":2848,"date":4275,"description":4660,"description_en":4661,"description_it":4662,"engine":4663,"extension":107,"externalLabel":106,"externalUrl":992,"featured":113,"gallery":4664,"image":4698,"imageFocus":106,"keywords":4699,"meta":4700,"navigation":113,"noindex":108,"ogImage":106,"path":4701,"period":4702,"seo":4703,"seoDescription":106,"seoTitle":106,"status":106,"stem":4704,"tags":4705,"thumb":106,"title_en":4706,"title_it":4707,"updatedAt":106,"video":4708,"__hash__":4709},"content\u002Fgaleria\u002Fvideos-demo-reels.md","Demo Reels, Motion Design (2003–2025) y Vídeos Festivos",{"type":8,"value":4302,"toc":4652},[4303,4422,4538],[11,4304,4305,4309,4315,4361,4363,4367,4370],{},[14,4306,4308],{"id":4307},"demo-reels-y-portfolio-3d-2d","Demo Reels y Portfolio 3D \u002F 2D",[18,4310,4311,4312,4314],{},"Recopilación de mi trabajo en producción audiovisual, gráfica 3D y 2D, desde los primeros cortos experimentales en 2003 hasta proyectos recientes de ",[25,4313,4291],{},", galerías virtuales y videojuegos:",[341,4316,4317,4323,4329,4339,4345,4355],{},[344,4318,4319,4322],{},[25,4320,4321],{},"Portfolio of 3D \u002F 2D works (English & Italiano):"," Presentación integral de trabajos creados con gráfica 3D y 2D para vídeos publicitarios, redes sociales, videoclips musicales, galerías virtuales y videojuegos.",[344,4324,4325,4328],{},[25,4326,4327],{},"Demo Reel general (2003 – Actualidad):"," Playlist con la evolución de mis trabajos de animación.",[344,4330,4331,4334,4335,4338],{},[25,4332,4333],{},"Motion Designs for Online Advertising Campaigns (2015–2020):"," En colaboración con ",[25,4336,4337],{},"7APP"," de Christian Grassi (Italia), creé animaciones 2D\u002F3D para campañas online de comercio electrónico y publicidad.",[344,4340,4341,4344],{},[25,4342,4343],{},"Vídeo para el servicio Skeddoc:"," Animación explicativa sobre cómo funciona la aplicación para hacer reservaciones médicas online.",[344,4346,4347,4350,4351,4354],{},[25,4348,4349],{},"Vídeo promocional para el estudio Kuba Tattoo:"," Promoción audiovisual del trabajo del artista del tatuaje Daniele Giacomino (",[138,4352,4353],{},"Kuba",") en Pozzuoli, Italia.",[344,4356,4357,4360],{},[25,4358,4359],{},"La cuarentena del conejo de Pasqua (2020):"," Corto animado creado e inspirado durante la cuarentena del año 2020.",[1979,4362],{},[14,4364,4366],{"id":4365},"vídeos-para-enviar-a-los-amigos-arte-para-compartir","Vídeos para enviar a los amigos (Arte para compartir)",[18,4368,4369],{},"Siempre he pensado que una parte del arte que uno hace debe ser donado a las personas. Por eso creé una colección de vídeos animados para compartir en fechas memorables:",[341,4371,4372,4384,4397,4405,4414],{},[344,4373,4374,955,4377,4380,4381,28],{},[25,4375,4376],{},"Vídeos de cumpleaños:",[138,4378,4379],{},"«Feliz cumpleaños en Moto»"," (remake en 3D) y ",[138,4382,4383],{},"«Feliz cumpleaños desde el espacio»",[344,4385,4386,955,4389,4392,4393,4396],{},[25,4387,4388],{},"Día de San Valentín:",[138,4390,4391],{},"«Un San Valentín Caliente»"," (inspirado en caballeros medievales y dragones) y speedpainting inspirado en ",[138,4394,4395],{},"El Principito"," de Antoine de Saint-Exupéry.",[344,4398,4399,955,4402,28],{},[25,4400,4401],{},"8 de marzo (Día Internacional de la Mujer):",[138,4403,4404],{},"«8 de marzo en el paraíso terrenal»",[344,4406,4407,955,4410,4413],{},[25,4408,4409],{},"Día de Brujas \u002F Halloween:",[138,4411,4412],{},"«Feliz día de brujas»"," inspirado en el apetito de los zombies.",[344,4415,4416,955,4419,28],{},[25,4417,4418],{},"Navidad:",[138,4420,4421],{},"«Feliz Navidad»",[42,4423,4424,4428,4434,4477,4479,4483,4486],{},[14,4425,4427],{"id":4426},"demo-reel-e-portfolio-3d-2d","Demo Reel e Portfolio 3D \u002F 2D",[18,4429,4430,4431,4433],{},"Una raccolta del mio lavoro nella produzione audiovisiva e nella grafica 3D e 2D, dai primi corti sperimentali del 2003 fino ai recenti progetti di ",[25,4432,4291],{},", gallerie virtuali e videogiochi:",[341,4435,4436,4441,4447,4456,4462,4471],{},[344,4437,4438,4440],{},[25,4439,4321],{}," Presentazione completa di lavori realizzati con grafica 3D e 2D per video pubblicitari, social network, videoclip musicali, gallerie virtuali e videogiochi.",[344,4442,4443,4446],{},[25,4444,4445],{},"Demo Reel generale (2003 – oggi):"," Playlist con l’evoluzione dei miei lavori di animazione.",[344,4448,4449,4452,4453,4455],{},[25,4450,4451],{},"Motion Design per campagne pubblicitarie online (2015–2020):"," In collaborazione con ",[25,4454,4337],{}," di Christian Grassi (Italia), ho creato animazioni 2D\u002F3D per campagne online di e-commerce e pubblicità.",[344,4457,4458,4461],{},[25,4459,4460],{},"Video per il servizio Skeddoc:"," Animazione esplicativa sul funzionamento dell’app per prenotare visite mediche online.",[344,4463,4464,4467,4468,4470],{},[25,4465,4466],{},"Video promozionale per lo studio Kuba Tattoo:"," Promozione audiovisiva del lavoro del tatuatore Daniele Giacomino (",[138,4469,4353],{},") a Pozzuoli.",[344,4472,4473,4476],{},[25,4474,4475],{},"La quarantena del coniglio di Pasqua (2020):"," Corto animato creato e ispirato durante la quarantena del 2020.",[1979,4478],{},[14,4480,4482],{"id":4481},"video-da-mandare-agli-amici-arte-da-condividere","Video da mandare agli amici (Arte da condividere)",[18,4484,4485],{},"Ho sempre pensato che una parte dell’arte che si fa debba essere regalata alle persone. Per questo ho creato una collezione di video animati da condividere nelle date speciali:",[341,4487,4488,4500,4513,4521,4530],{},[344,4489,4490,955,4493,4496,4497,28],{},[25,4491,4492],{},"Video di compleanno:",[138,4494,4495],{},"«Buon compleanno in moto»"," (remake in 3D) e ",[138,4498,4499],{},"«Buon compleanno dallo spazio»",[344,4501,4502,955,4505,4508,4509,4512],{},[25,4503,4504],{},"San Valentino:",[138,4506,4507],{},"«Un San Valentino bollente»"," (ispirato a cavalieri medievali e draghi) e uno speedpainting ispirato al ",[138,4510,4511],{},"Piccolo Principe"," di Antoine de Saint-Exupéry.",[344,4514,4515,955,4518,28],{},[25,4516,4517],{},"8 marzo (Giornata internazionale della donna):",[138,4519,4520],{},"«8 marzo nel paradiso terrestre»",[344,4522,4523,955,4526,4529],{},[25,4524,4525],{},"Halloween:",[138,4527,4528],{},"«Buon Halloween»",", ispirato all’appetito degli zombie.",[344,4531,4532,955,4535,28],{},[25,4533,4534],{},"Natale:",[138,4536,4537],{},"«Buon Natale»",[68,4539,4540,4544,4550,4593,4595,4599,4602],{},[14,4541,4543],{"id":4542},"demo-reels-and-3d-2d-portfolio","Demo Reels and 3D \u002F 2D Portfolio",[18,4545,4546,4547,4549],{},"A compilation of my work in audiovisual production and 3D and 2D graphics, from my first experimental shorts in 2003 to recent ",[25,4548,4291],{}," projects, virtual galleries and video games:",[341,4551,4552,4557,4563,4572,4578,4587],{},[344,4553,4554,4556],{},[25,4555,4321],{}," A complete presentation of work created with 3D and 2D graphics for commercials, social media, music videos, virtual galleries and video games.",[344,4558,4559,4562],{},[25,4560,4561],{},"General Demo Reel (2003 – present):"," A playlist showing how my animation work has evolved.",[344,4564,4565,4568,4569,4571],{},[25,4566,4567],{},"Motion Design for Online Advertising Campaigns (2015–2020):"," In collaboration with Christian Grassi’s ",[25,4570,4337],{}," (Italy), I created 2D\u002F3D animations for online e-commerce and advertising campaigns.",[344,4573,4574,4577],{},[25,4575,4576],{},"Video for the Skeddoc service:"," An explainer animation showing how the app for booking medical appointments online works.",[344,4579,4580,4583,4584,4586],{},[25,4581,4582],{},"Promotional video for Kuba Tattoo studio:"," Audiovisual promotion of the work of tattoo artist Daniele Giacomino (",[138,4585,4353],{},") in Pozzuoli, Italy.",[344,4588,4589,4592],{},[25,4590,4591],{},"The Easter Bunny’s Quarantine (2020):"," An animated short created and inspired during the 2020 lockdown.",[1979,4594],{},[14,4596,4598],{"id":4597},"videos-to-send-to-friends-art-to-share","Videos to send to friends (Art to share)",[18,4600,4601],{},"I have always thought that part of the art you make should be given to people. That is why I created a collection of animated videos to share on special occasions:",[341,4603,4604,4616,4628,4636,4644],{},[344,4605,4606,955,4609,4612,4613,28],{},[25,4607,4608],{},"Birthday videos:",[138,4610,4611],{},"«Happy Birthday on a Motorbike»"," (3D remake) and ",[138,4614,4615],{},"«Happy Birthday from Space»",[344,4617,4618,955,4621,4624,4625,28],{},[25,4619,4620],{},"Valentine’s Day:",[138,4622,4623],{},"«A Hot Valentine’s Day»"," (inspired by medieval knights and dragons) and a speedpainting inspired by Antoine de Saint-Exupéry’s ",[138,4626,4627],{},"The Little Prince",[344,4629,4630,955,4633,28],{},[25,4631,4632],{},"March 8 (International Women’s Day):",[138,4634,4635],{},"«March 8 in the Earthly Paradise»",[344,4637,4638,955,4640,4643],{},[25,4639,4525],{},[138,4641,4642],{},"«Happy Halloween»",", inspired by the appetite of zombies.",[344,4645,4646,955,4649,28],{},[25,4647,4648],{},"Christmas:",[138,4650,4651],{},"«Merry Christmas»",{"title":95,"searchDepth":96,"depth":96,"links":4653},[4654,4655,4656,4657,4658,4659],{"id":4307,"depth":96,"text":4308},{"id":4365,"depth":96,"text":4366},{"id":4426,"depth":96,"text":4427},{"id":4481,"depth":96,"text":4482},{"id":4542,"depth":96,"text":4543},{"id":4597,"depth":96,"text":4598},"Recopilación de Demo Reels de animación 3D\u002F2D, campañas publicitarias junto a 7APP y vídeos animados creados para compartir.","Compilation of 3D\u002F2D animation Demo Reels, advertising campaigns with 7APP and animated videos created to share.","Raccolta di Demo Reel di animazione 3D\u002F2D, campagne pubblicitarie con 7APP e video animati creati per essere condivisi.","Motion Design \u002F 3D \u002F 2D",[4665,4667,4670,4672,4675,4678,4681,4684,4687,4690,4693,4695],{"src":4281,"title":4666,"alt":4666},"Portfolio 3D \u002F 2D",{"src":4668,"title":4669,"alt":4669},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fmike-lorenzo-portafolio-3d-art.jpg","Portafolio 3D Art",{"src":4294,"title":4671,"alt":4671},"Portfolio 3D (Italiano)",{"src":4673,"title":4674,"alt":4674},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fminiatura-demo-reel-Mike-Lorenzo.png","Demo Reel",{"src":4676,"title":4677,"alt":4677},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fmike-lorenzo-demo-reel.jpg","Demo Reel (miniatura)",{"src":4679,"title":4680,"alt":4680},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fmike-lorenzo-publicidad-online.jpg","Motion design para publicidad online (7APP)",{"src":4682,"title":4683,"alt":4683},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fskeddoc-video.png","Vídeo para Skeddoc",{"src":4685,"title":4686,"alt":4686},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fkuba-tattoo.png","Vídeo para Kuba Tattoo",{"src":4688,"title":4689,"alt":4689},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fconejo-de-pascua-video-mike-lorenzo.jpg","La cuarentena del conejo de Pascua",{"src":4691,"title":4692,"alt":4692},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fslider-el-conejo-de-pascua-en-cuarentena-2.jpg","La cuarentena del conejo de Pascua (2)",{"src":4694,"title":2557,"alt":2557},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002F8-marzo-video-mike-lorenzo.jpg",{"src":4696,"title":4697,"alt":4697},"\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fmike-lorenzo-video.jpg","Vídeos para compartir","\u002Fimages\u002Fvideos\u002Fvideos-demo-reels\u002Fdemo-reel-miniatura.jpg",[],{},"\u002Fgaleria\u002Fvideos-demo-reels","2003–2025",{"title":4300,"description":4660},"galeria\u002Fvideos-demo-reels",[119,2389,120,4291,4674,4292,2390,122,4290],"Demo Reels, Motion Design (2003–2025) & Holiday Videos","Demo Reel, Motion Design (2003–2025) e Video per le Feste","https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=AN4ESfgc2i8","ZiwsAv4sFJbpdT0J6dqy24SsxuGPa6Kes0g8BsM9obU",{"id":4711,"title":4712,"author":6,"body":4713,"category":4986,"date":4987,"description":4988,"description_en":4989,"description_it":4990,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":4991,"image":4993,"imageFocus":106,"keywords":5013,"meta":5014,"navigation":113,"noindex":108,"ogImage":106,"path":3821,"period":5015,"seo":5016,"seoDescription":106,"seoTitle":106,"status":106,"stem":5017,"tags":5018,"thumb":106,"title_en":5023,"title_it":5024,"updatedAt":106,"video":106,"__hash__":5025},"content\u002Fblog\u002Fopus-in-te.md","Serie de dibujos: «Opus in te»",{"type":8,"value":4714,"toc":4975},[4715,4804,4890],[11,4716,4717,4721,4737,4749,4755,4759,4766,4769,4773,4776,4787,4793],{},[14,4718,4720],{"id":4719},"el-significado-de-opus-in-te","El significado de «Opus in te»",[18,4722,4723,4724,4727,4728,233,4731,1966,4734,28],{},"Esta serie de dibujos llamada ",[25,4725,4726],{},"«Opus in te»"," está inspirada en algo que había escuchado hace tiempo y que se refería a que el 99% de los problemas de los hombres vienen de ",[138,4729,4730],{},"\"lo que hablan\"",[138,4732,4733],{},"\"de lo que comen\"",[138,4735,4736],{},"\"a dónde quieren entrar con su pene\"",[18,4738,4739,4741,4742,4745,4746,28],{},[25,4740,4726],{}," es una frase en latín que quiere decir ",[25,4743,4744],{},"«Trabajo en ti»",", o que debería traducirse e interpretarse como ",[138,4747,4748],{},"mejora o perfeccionamiento interior",[18,4750,4751],{},[2434,4752],{"alt":4753,"src":4754},"Opus in te — color","\u002Fimages\u002Fblog\u002Fopus-in-te\u002FOpus-in-te-color-Mike-Lorenzo.jpg",[14,4756,4758],{"id":4757},"estética-de-grabado-medieval-y-alquimia","Estética de grabado medieval y alquimia",[18,4760,4761,4762,4765],{},"La serie se sumerge en la estética de un ",[25,4763,4764],{},"grabado medieval"," al adoptar como figura central a un demonio, a menudo señalado como la fuente de nuestros infortunios y sometido a dar martillazos sobre un yunque.",[18,4767,4768],{},"La búsqueda de la autosuperación es un desafío arduo y complejo, una especie de travesía infernal para muchos. Es por ello que, de manera irónica, he designado al diablo como protagonista de estos pecados, responsabilizándolo y presentándolo como un obrero que debe ponerse a trabajar en el proceso de mejora personal.",[14,4770,4772],{"id":4771},"proceso-de-creación-y-variaciones","Proceso de creación y variaciones",[18,4774,4775],{},"Durante la producción de la serie, experimenté con varios fondos y composiciones:",[341,4777,4778,4784],{},[344,4779,4780,4783],{},[25,4781,4782],{},"Versión 1, Versión 2 y Versión 3:"," Exploración de contrastes entre la figura central en el yunque, el paisaje arbolado y la arquitectura del castillo al fondo.",[344,4785,4786],{},"Los dibujos fueron creados por partes separadas que a su vez fueron escaneadas y después unidas en modo digital. El dibujo en sí no tiene una simbología oculta o demás capas de lecturas: traté de crear un diseño simple y sencillo con carácter medieval.",[18,4788,4789],{},[2434,4790],{"alt":4791,"src":4792},"Tres versiones del fondo","\u002Fimages\u002Fblog\u002Fopus-in-te\u002FTres-versiones-del-fondo-Opus-in-te-Blog.jpg",[18,4794,4795,4796,4799,4800,4803],{},"La combinación de diferentes posturas, junto con diversas paletas de colores y valores en tonos grises, ha dado lugar a un conjunto de ",[25,4797,4798],{},"60 variaciones distintas",", disponibles tanto en ",[155,4801,4802],{"href":4149},"tiendas de T-Shirts"," como en colecciones digitales.",[42,4805,4806,4810,4825,4837,4842,4846,4853,4856,4860,4863,4874,4879],{},[14,4807,4809],{"id":4808},"il-significato-di-opus-in-te","Il significato di «Opus in te»",[18,4811,4812,4813,4815,4816,233,4819,2107,4822,28],{},"Questa serie di disegni chiamata ",[25,4814,4726],{}," è ispirata a una cosa che avevo sentito tempo fa: il 99% dei problemi degli uomini viene da ",[138,4817,4818],{},"\"ciò che dicono\"",[138,4820,4821],{},"\"da ciò che mangiano\"",[138,4823,4824],{},"\"da dove vogliono infilare il loro pene\"",[18,4826,4827,4829,4830,4833,4834,28],{},[25,4828,4726],{}," è una frase latina che significa ",[25,4831,4832],{},"«Lavoro in te»",", e che andrebbe tradotta e interpretata come ",[138,4835,4836],{},"miglioramento o perfezionamento interiore",[18,4838,4839],{},[2434,4840],{"alt":4841,"src":4754},"Opus in te — colore",[14,4843,4845],{"id":4844},"estetica-dellincisione-medievale-e-alchimia","Estetica dell’incisione medievale e alchimia",[18,4847,4848,4849,4852],{},"La serie si immerge nell’estetica di un’",[25,4850,4851],{},"incisione medievale",", adottando come figura centrale un demone, spesso indicato come la fonte delle nostre disgrazie, costretto a martellare su un’incudine.",[18,4854,4855],{},"La ricerca del miglioramento di sé è una sfida ardua e complessa, una specie di traversata infernale per molti. Per questo, in modo ironico, ho scelto il diavolo come protagonista di questi peccati, rendendolo responsabile e presentandolo come un operaio che deve mettersi al lavoro nel processo di miglioramento personale.",[14,4857,4859],{"id":4858},"processo-di-creazione-e-variazioni","Processo di creazione e variazioni",[18,4861,4862],{},"Durante la produzione della serie ho sperimentato con diversi sfondi e composizioni:",[341,4864,4865,4871],{},[344,4866,4867,4870],{},[25,4868,4869],{},"Versione 1, Versione 2 e Versione 3:"," Esplorazione dei contrasti tra la figura centrale sull’incudine, il paesaggio alberato e l’architettura del castello sullo sfondo.",[344,4872,4873],{},"I disegni sono stati creati per parti separate, poi scansionate e infine unite in digitale. Il disegno in sé non ha una simbologia nascosta o altri livelli di lettura: ho cercato di creare un design semplice ed essenziale con un carattere medievale.",[18,4875,4876],{},[2434,4877],{"alt":4878,"src":4792},"Tre versioni dello sfondo",[18,4880,4881,4882,4885,4886,4889],{},"La combinazione di pose diverse, insieme a varie palette di colori e valori in toni di grigio, ha dato vita a un insieme di ",[25,4883,4884],{},"60 variazioni diverse",", disponibili sia negli ",[155,4887,4888],{"href":4149},"shop di T-Shirt"," sia in collezioni digitali.",[68,4891,4892,4896,4911,4923,4927,4931,4938,4941,4945,4948,4959,4964],{},[14,4893,4895],{"id":4894},"the-meaning-of-opus-in-te","The meaning of «Opus in te»",[18,4897,4898,4899,4901,4902,233,4905,2237,4908,28],{},"This drawing series, called ",[25,4900,4726],{},", was inspired by something I had heard a long time ago: that 99% of men’s problems come from ",[138,4903,4904],{},"\"what they say\"",[138,4906,4907],{},"\"what they eat\"",[138,4909,4910],{},"\"where they want to put their penis\"",[18,4912,4913,4915,4916,4919,4920,28],{},[25,4914,4726],{}," is a Latin phrase meaning ",[25,4917,4918],{},"«Work in you»",", which should be understood as ",[138,4921,4922],{},"inner improvement or self-perfection",[18,4924,4925],{},[2434,4926],{"alt":4753,"src":4754},[14,4928,4930],{"id":4929},"medieval-engraving-aesthetics-and-alchemy","Medieval engraving aesthetics and alchemy",[18,4932,4933,4934,4937],{},"The series immerses itself in the aesthetics of a ",[25,4935,4936],{},"medieval engraving",", taking as its central figure a demon, often blamed as the source of our misfortunes, forced to hammer away at an anvil.",[18,4939,4940],{},"The pursuit of self-improvement is a hard and complex challenge, a kind of journey through hell for many. That is why, ironically, I chose the devil as the protagonist of these sins, holding him responsible and presenting him as a worker who has to get down to work on personal improvement.",[14,4942,4944],{"id":4943},"creative-process-and-variations","Creative process and variations",[18,4946,4947],{},"While producing the series I experimented with several backgrounds and compositions:",[341,4949,4950,4956],{},[344,4951,4952,4955],{},[25,4953,4954],{},"Version 1, Version 2 and Version 3:"," Exploring contrasts between the central figure at the anvil, the wooded landscape and the castle architecture in the background.",[344,4957,4958],{},"The drawings were made in separate parts that were scanned and then joined digitally. The drawing itself has no hidden symbolism or other layers of meaning: I tried to create a simple, straightforward design with a medieval character.",[18,4960,4961],{},[2434,4962],{"alt":4963,"src":4792},"Three background versions",[18,4965,4966,4967,4970,4971,4974],{},"Combining different poses with various color palettes and grayscale values produced a set of ",[25,4968,4969],{},"60 different variations",", available both in ",[155,4972,4973],{"href":4149},"T-shirt shops"," and in digital collections.",{"title":95,"searchDepth":96,"depth":96,"links":4976},[4977,4978,4979,4980,4981,4982,4983,4984,4985],{"id":4719,"depth":96,"text":4720},{"id":4757,"depth":96,"text":4758},{"id":4771,"depth":96,"text":4772},{"id":4808,"depth":96,"text":4809},{"id":4844,"depth":96,"text":4845},{"id":4858,"depth":96,"text":4859},{"id":4894,"depth":96,"text":4895},{"id":4929,"depth":96,"text":4930},{"id":4943,"depth":96,"text":4944},"blog","2024-01-29","Serie inspirada en la estética del grabado medieval y la alquimia interior (\"Trabajo en ti\"), con 60 variaciones digitales entre el dibujo tradicional y el color.","Series inspired by medieval engraving aesthetics and inner alchemy (\"Work on yourself\"), featuring 60 digital variations.","Serie ispirata all’estetica dell’incisione medievale e all’alchimia interiore («Lavoro su di te»), con 60 variazioni digitali tra disegno tradizionale e colore.",[4992,4994,4995,4998,5001,5004,5005,5008,5011],{"src":4993,"title":3822,"alt":3822},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FImagen-Hero-Opus-in-te.jpg",{"src":4754,"title":4753,"alt":4753},{"src":4996,"title":4997,"alt":4997},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FOpus-in-te-naranja-Mike-Lorenzo.jpg","Opus in te — naranja",{"src":4999,"title":5000,"alt":5000},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FOpus-in-te-gris-Mike-Lorenzo.jpg","Opus in te — gris",{"src":5002,"title":5003,"alt":5003},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FOpus-in-te-blanco-Mike-Lorenzo.jpg","Opus in te — blanco",{"src":4792,"title":4791,"alt":4791},{"src":5006,"title":5007,"alt":5007},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FMike-Lorenzo-diablos-artstatio-color.png","Variaciones de color de los diablos",{"src":5009,"title":5010,"alt":5010},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FDiablo-intestinos-450x417-1.gif","Diablo (animación)",{"src":5012,"title":4122,"alt":4122},"\u002Fimages\u002Fblog\u002Fopus-in-te\u002FTshirts.jpg",[],{},"2024",{"title":4712,"description":4988},"blog\u002Fopus-in-te",[5019,5020,5021,3822,3817,5022],"Dibujo","Grabado","Arte Digital","NFT","Drawing Series: «Opus in te»","Serie di disegni: «Opus in te»","2ioQFXkgwYOcvTuUtiDMI2u_AkyonFOiZ_IiYfhXseo",{"id":5027,"title":5028,"author":6,"body":5029,"category":4274,"date":5390,"description":5391,"description_en":5392,"description_it":5393,"engine":5394,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":5395,"image":5397,"imageFocus":106,"keywords":5420,"meta":5421,"navigation":113,"noindex":108,"ogImage":106,"path":2019,"period":5422,"seo":5423,"seoDescription":106,"seoTitle":106,"status":106,"stem":5424,"tags":5425,"thumb":106,"title_en":5428,"title_it":5429,"updatedAt":106,"video":106,"__hash__":5430},"content\u002Fgaleria\u002Fgalerias-virtuales.md","Galerías virtuales de Mike Lorenzo (Blender + Unity)",{"type":8,"value":5030,"toc":5376},[5031,5151,5263],[11,5032,5033,5037,5048,5061,5064,5068,5106,5108,5112,5124,5130,5134,5148],{},[14,5034,5036],{"id":5035},"arte-interactivo-y-arquitecturas-imposibles","Arte interactivo y arquitecturas imposibles",[18,5038,5039,5040,5043,5044,1966,5046,3340],{},"En esta página están recogidas todas las ",[25,5041,5042],{},"galerías virtuales"," que he desarrollado. Las galerías son creadas usando los softwares ",[25,5045,1969],{},[25,5047,1965],{},[341,5049,5050,5056],{},[344,5051,5052,5053,5055],{},"En ",[25,5054,1969],{}," realizo la modelación y texturización de los escenarios virtuales.",[344,5057,5052,5058,5060],{},[25,5059,1965],{}," agrego la iluminación en tiempo real y la parte interactiva en primera persona.",[18,5062,5063],{},"Las galerías virtuales están pensadas para mostrar mis obras creando escenarios fantásticos y arquitecturas imposibles, muchas con referencia a lugares que tienen un valor emotivo para mí y que están conectadas con el período en el que fueron producidas las obras.",[14,5065,5067],{"id":5066},"cómo-moverse-dentro-de-las-galerías-virtuales-pc","Cómo moverse dentro de las galerías virtuales (PC)",[341,5069,5070,5076,5082,5088,5094,5100],{},[344,5071,5072,5075],{},[25,5073,5074],{},"Tecla W:"," Moverte hacia adelante.",[344,5077,5078,5081],{},[25,5079,5080],{},"Tecla A:"," Moverte a la izquierda.",[344,5083,5084,5087],{},[25,5085,5086],{},"Tecla D:"," Moverte a la derecha.",[344,5089,5090,5093],{},[25,5091,5092],{},"Tecla S:"," Moverte hacia atrás.",[344,5095,5096,5099],{},[25,5097,5098],{},"Mouse:"," Escoger la dirección hacia donde quieres moverte y mirar alrededor.",[344,5101,5102,5105],{},[25,5103,5104],{},"Tecla Esc:"," Salir de la interacción de la galería.",[1979,5107],{},[14,5109,5111],{"id":5110},"_1-galería-virtual-resaca-mística","1. Galería virtual «Resaca Mística»",[18,5113,5114,5115,5119,5120,5123],{},"Esta galería contiene las obras de la serie ",[155,5116,5118],{"href":5117},"\u002Fgaleria\u002Fresaca-mistica","Resaca Mística (2001–2002)"," y su arquitectura abovedada en ladrillo está inspirada en las cúpulas del ",[25,5121,5122],{},"Instituto Superior de Arte (ISA)"," de La Habana.",[5125,5126],"gallery-button",{"href":5127,"label":5128,"note":5129},"\u002Fvirtual\u002Fresaca-mistica\u002Findex.html","▶ Visitar la galería virtual","Funciona en PC, tablet y móvil.",[14,5131,5133],{"id":5132},"_2-galería-virtual-academia","2. Galería virtual «Academia»",[18,5135,5136,5137,5140,5141,5144,5145,28],{},"En esta galería hay una selección de obras del período de la ",[155,5138,5139],{"href":3259},"Academia (1995–1999)",". La galería está ambientada dentro de una versión libre del ",[25,5142,5143],{},"«Albatros»",", la nave fantástica voladora de hélices de la novela de Julio Verne llamada ",[138,5146,5147],{},"«Robur el conquistador»",[5125,5149],{"href":5150,"label":5128,"note":5129},"\u002Fvirtual\u002Facademia\u002Findex.html",[42,5152,5153,5157,5168,5181,5184,5188,5225,5227,5231,5240,5244,5248,5261],{},[14,5154,5156],{"id":5155},"arte-interattiva-e-architetture-impossibili","Arte interattiva e architetture impossibili",[18,5158,5159,5160,5163,5164,2107,5166,3340],{},"In questa pagina sono raccolte tutte le ",[25,5161,5162],{},"gallerie virtuali"," che ho sviluppato. Le gallerie sono create con i software ",[25,5165,1969],{},[25,5167,1965],{},[341,5169,5170,5176],{},[344,5171,5172,5173,5175],{},"In ",[25,5174,1969],{}," realizzo la modellazione e il texturing degli scenari virtuali.",[344,5177,5172,5178,5180],{},[25,5179,1965],{}," aggiungo l’illuminazione in tempo reale e la parte interattiva in prima persona.",[18,5182,5183],{},"Le gallerie virtuali sono pensate per mostrare le mie opere creando scenari fantastici e architetture impossibili, molte con riferimenti a luoghi che hanno per me un valore affettivo e che sono legati al periodo in cui le opere sono state realizzate.",[14,5185,5187],{"id":5186},"come-muoversi-nelle-gallerie-virtuali-pc","Come muoversi nelle gallerie virtuali (PC)",[341,5189,5190,5196,5202,5208,5214,5219],{},[344,5191,5192,5195],{},[25,5193,5194],{},"Tasto W:"," Avanti.",[344,5197,5198,5201],{},[25,5199,5200],{},"Tasto A:"," Sinistra.",[344,5203,5204,5207],{},[25,5205,5206],{},"Tasto D:"," Destra.",[344,5209,5210,5213],{},[25,5211,5212],{},"Tasto S:"," Indietro.",[344,5215,5216,5218],{},[25,5217,5098],{}," Scegli la direzione in cui muoverti e guardati intorno.",[344,5220,5221,5224],{},[25,5222,5223],{},"Tasto Esc:"," Esci dall’interazione con la galleria.",[1979,5226],{},[14,5228,5230],{"id":5229},"_1-galleria-virtuale-resaca-mística","1. Galleria virtuale «Resaca Mística»",[18,5232,5233,5234,5236,5237,5239],{},"Questa galleria contiene le opere della serie ",[155,5235,5118],{"href":5117}," e la sua architettura a volte in mattoni è ispirata alle cupole dell’",[25,5238,5122],{}," dell’Avana.",[5125,5241],{"href":5127,"label":5242,"note":5243},"▶ Visita la galleria virtuale","Funziona su PC, tablet e smartphone.",[14,5245,5247],{"id":5246},"_2-galleria-virtuale-academia","2. Galleria virtuale «Academia»",[18,5249,5250,5251,5254,5255,5257,5258,28],{},"In questa galleria c’è una selezione di opere del periodo dell’",[155,5252,5253],{"href":3259},"Accademia (1995–1999)",". La galleria è ambientata all’interno di una versione libera dell’",[25,5256,5143],{},", la fantastica aeronave a eliche del romanzo di Jules Verne ",[138,5259,5260],{},"«Robur il conquistatore»",[5125,5262],{"href":5150,"label":5242,"note":5243},[68,5264,5265,5269,5280,5292,5295,5299,5336,5338,5342,5352,5356,5360,5374],{},[14,5266,5268],{"id":5267},"interactive-art-and-impossible-architectures","Interactive art and impossible architectures",[18,5270,5271,5272,5275,5276,2237,5278,3340],{},"This page gathers all the ",[25,5273,5274],{},"virtual galleries"," I have developed. The galleries are built with ",[25,5277,1969],{},[25,5279,1965],{},[341,5281,5282,5287],{},[344,5283,5172,5284,5286],{},[25,5285,1969],{}," I model and texture the virtual sets.",[344,5288,5172,5289,5291],{},[25,5290,1965],{}," I add real-time lighting and the interactive first-person experience.",[18,5293,5294],{},"The virtual galleries are designed to show my work in fantastic settings and impossible architectures, many of them referencing places that have emotional value for me and are connected to the period when the works were made.",[14,5296,5298],{"id":5297},"how-to-move-inside-the-virtual-galleries-pc","How to move inside the virtual galleries (PC)",[341,5300,5301,5307,5313,5319,5325,5330],{},[344,5302,5303,5306],{},[25,5304,5305],{},"W key:"," Move forward.",[344,5308,5309,5312],{},[25,5310,5311],{},"A key:"," Move left.",[344,5314,5315,5318],{},[25,5316,5317],{},"D key:"," Move right.",[344,5320,5321,5324],{},[25,5322,5323],{},"S key:"," Move backward.",[344,5326,5327,5329],{},[25,5328,5098],{}," Choose the direction you want to move in and look around.",[344,5331,5332,5335],{},[25,5333,5334],{},"Esc key:"," Exit the gallery.",[1979,5337],{},[14,5339,5341],{"id":5340},"_1-resaca-mística-virtual-gallery","1. «Resaca Mística» virtual gallery",[18,5343,5344,5345,5347,5348,5351],{},"This gallery holds the works of the ",[155,5346,5118],{"href":5117}," series, and its vaulted brick architecture is inspired by the domes of the ",[25,5349,5350],{},"Higher Institute of Art (ISA)"," in Havana.",[5125,5353],{"href":5127,"label":5354,"note":5355},"▶ Visit the virtual gallery","Works on PC, tablet and phone.",[14,5357,5359],{"id":5358},"_2-academia-virtual-gallery","2. «Academia» virtual gallery",[18,5361,5362,5363,5366,5367,5370,5371,28],{},"This gallery shows a selection of works from the ",[155,5364,5365],{"href":3259},"Academy (1995–1999)"," period. It is set inside a free interpretation of the ",[25,5368,5369],{},"«Albatross»",", the fantastic propeller airship from Jules Verne’s novel ",[138,5372,5373],{},"«Robur the Conqueror»",[5125,5375],{"href":5150,"label":5354,"note":5355},{"title":95,"searchDepth":96,"depth":96,"links":5377},[5378,5379,5380,5381,5382,5383,5384,5385,5386,5387,5388,5389],{"id":5035,"depth":96,"text":5036},{"id":5066,"depth":96,"text":5067},{"id":5110,"depth":96,"text":5111},{"id":5132,"depth":96,"text":5133},{"id":5155,"depth":96,"text":5156},{"id":5186,"depth":96,"text":5187},{"id":5229,"depth":96,"text":5230},{"id":5246,"depth":96,"text":5247},{"id":5267,"depth":96,"text":5268},{"id":5297,"depth":96,"text":5298},{"id":5340,"depth":96,"text":5341},{"id":5358,"depth":96,"text":5359},"2022-01-21","Recorridos virtuales interactivos en 3D desarrollados con Blender y Unity para exponer las series «Resaca Mística» (inspirada en el ISA) y «Academia» (nave Albatros de Julio Verne).","Interactive 3D virtual walkthroughs built with Blender and Unity showcasing the «Mystic Hangover» (ISA domes) and «Academy» (Jules Verne Albatross) series.","Percorsi virtuali interattivi in 3D sviluppati con Blender e Unity per esporre le serie «Resaca Mística» (ispirata all’ISA) e «Academia» (l’aeronave Albatros di Jules Verne).","Blender + Unity 3D",[5396,5399,5402,5405,5408,5411,5414,5417],{"src":5397,"title":5398,"alt":5398},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fgalerias-virtuales-mike-lorenzo.jpg","Galerías virtuales",{"src":5400,"title":5401,"alt":5401},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fgalerias-virtuales-mike-lorenzo-2.jpg","Galerías virtuales (2)",{"src":5403,"title":5404,"alt":5404},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fgalerias-virtuales-mike-lorenzo-3.jpg","Galerías virtuales (3)",{"src":5406,"title":5407,"alt":5407},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fgaleria-virtual-resaca-mistica.jpg","Galería virtual «Resaca Mística»",{"src":5409,"title":5410,"alt":5410},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Falbatros-galeria-virtual.jpg","Galería virtual «Academia» (Albatros)",{"src":5412,"title":5413,"alt":5413},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fgaleria-virtual-Mike-Lorenzo.jpg","Galería virtual",{"src":5415,"title":5416,"alt":5416},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002FMike-lorenzo-galeria-3d.jpg","Galería 3D",{"src":5418,"title":5419,"alt":5419},"\u002Fimages\u002Fgrafica-3d\u002Fgalerias-virtuales\u002Fvisita-la-galeria-virtual.gif","Visita la galería virtual",[],{},"2022",{"title":5028,"description":5391},"galeria\u002Fgalerias-virtuales",[4293,2387,5426,5427,4290,1969,1965],"Arte Interactivo","Instalación Virtual","Virtual 3D Galleries by Mike Lorenzo (Blender + Unity)","Gallerie virtuali di Mike Lorenzo (Blender + Unity)","pWMGBrXu37t3yNbpBlZWvvEBfuIUwwSjHeaF5YaT6n4",{"id":5432,"title":5433,"author":6,"body":5434,"category":5603,"date":5604,"description":5605,"description_en":5606,"description_it":5607,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":5608,"image":5610,"imageFocus":106,"keywords":5621,"meta":5622,"navigation":113,"noindex":108,"ogImage":106,"path":5623,"period":2407,"seo":5624,"seoDescription":106,"seoTitle":106,"status":106,"stem":5625,"tags":5626,"thumb":106,"title_en":5630,"title_it":5631,"updatedAt":106,"video":106,"__hash__":5632},"content\u002Fgaleria\u002Fcelebracion-del-cerdo.md","La celebración del cerdo",{"type":8,"value":5435,"toc":5595},[5436,5485,5539],[11,5437,5438,5447,5451,5460,5463,5467],{},[5439,5440,5441],"blockquote",{},[18,5442,5443,5446],{},[138,5444,5445],{},"\"El cerdo es un animal inmundo, que come, duerme, se mata y alimenta al mundo.\""," — Refrán popular",[14,5448,5450],{"id":5449},"la-idea-detrás-de-la-serie","La idea detrás de la serie",[18,5452,5453,5455,5456,5459],{},[25,5454,5433],{}," es una serie de dibujos desarrollada con una nueva simbología y retomando la técnica del ",[25,5457,5458],{},"carboncillo sobre cartulina"," (con formato original de 20×15 cm), cuyos dibujos son posteriormente escaneados y retocados digitalmente.",[18,5461,5462],{},"La serie pretende trabajar simbólicamente el gusto histórico por la carne de cerdo en la cultura cubana: el denominador común en las celebraciones y el imaginario popular cuando se quiere comer bien.",[14,5464,5466],{"id":5465},"obras-destacadas-de-la-serie","Obras destacadas de la serie",[341,5468,5469,5475,5480],{},[344,5470,5471,5474],{},[25,5472,5473],{},"«El cerdo del Capitolio»"," (2021)",[344,5476,5477,5474],{},[25,5478,5479],{},"«La Patria»",[344,5481,5482,5474],{},[25,5483,5484],{},"«El sueño de la bestia»",[42,5486,5487,5495,5499,5511,5514,5518],{},[5439,5488,5489],{},[18,5490,5491,5494],{},[138,5492,5493],{},"\"Il maiale è un animale immondo, che mangia, dorme, si macella e sfama il mondo.\""," — Proverbio popolare cubano",[14,5496,5498],{"id":5497},"lidea-dietro-la-serie","L’idea dietro la serie",[18,5500,5501,699,5503,5506,5507,5510],{},[25,5502,5433],{},[138,5504,5505],{},"La celebrazione del maiale",") è una serie di disegni sviluppata con una nuova simbologia e riprendendo la tecnica del ",[25,5508,5509],{},"carboncino su cartoncino"," (formato originale 20×15 cm); i disegni vengono poi scansionati e ritoccati digitalmente.",[18,5512,5513],{},"La serie lavora in modo simbolico sul gusto storico per la carne di maiale nella cultura cubana: il denominatore comune delle feste e dell’immaginario popolare quando si vuole mangiare bene.",[14,5515,5517],{"id":5516},"opere-principali-della-serie","Opere principali della serie",[341,5519,5520,5528,5532],{},[344,5521,5522,699,5524,5527],{},[25,5523,5473],{},[138,5525,5526],{},"Il maiale del Campidoglio",", 2021)",[344,5529,5530,5474],{},[25,5531,5479],{},[344,5533,5534,699,5536,5527],{},[25,5535,5484],{},[138,5537,5538],{},"Il sogno della bestia",[68,5540,5541,5549,5553,5565,5568,5572],{},[5439,5542,5543],{},[18,5544,5545,5548],{},[138,5546,5547],{},"\"The pig is an unclean animal that eats, sleeps, gets slaughtered and feeds the world.\""," — Cuban popular saying",[14,5550,5552],{"id":5551},"the-idea-behind-the-series","The idea behind the series",[18,5554,5555,699,5557,5560,5561,5564],{},[25,5556,5433],{},[138,5558,5559],{},"The Celebration of the Pig",") is a drawing series developed with a new symbolism, returning to the technique of ",[25,5562,5563],{},"charcoal on cardboard"," (original format 20×15 cm); the drawings are then scanned and digitally retouched.",[18,5566,5567],{},"The series works symbolically with the historical love of pork in Cuban culture: the common denominator of celebrations and of the popular imagination whenever people want to eat well.",[14,5569,5571],{"id":5570},"featured-works-from-the-series","Featured works from the series",[341,5573,5574,5581,5588],{},[344,5575,5576,699,5578,5527],{},[25,5577,5473],{},[138,5579,5580],{},"The Capitol Pig",[344,5582,5583,699,5585,5527],{},[25,5584,5479],{},[138,5586,5587],{},"The Homeland",[344,5589,5590,699,5592,5527],{},[25,5591,5484],{},[138,5593,5594],{},"The Dream of the Beast",{"title":95,"searchDepth":96,"depth":96,"links":5596},[5597,5598,5599,5600,5601,5602],{"id":5449,"depth":96,"text":5450},{"id":5465,"depth":96,"text":5466},{"id":5497,"depth":96,"text":5498},{"id":5516,"depth":96,"text":5517},{"id":5551,"depth":96,"text":5552},{"id":5570,"depth":96,"text":5571},"arte","2021-12-17","Serie de dibujos en carboncillo sobre cartulina retocados digitalmente que explora simbólicamente el gusto por la carne de cerdo en la cultura cubana.","Digitally retouched charcoal on cardboard drawing series symbolically exploring Cuban culinary culture and mythology.","Serie di disegni a carboncino su cartoncino ritoccati digitalmente che esplora in modo simbolico il gusto per la carne di maiale nella cultura cubana.",[5609,5612,5615,5618],{"src":5610,"title":5611,"alt":5611},"\u002Fimages\u002Farte\u002Fcelebracion-del-cerdo\u002F1-el-sueno-de-la-bestia.jpg","El sueno de la bestia",{"src":5613,"title":5614,"alt":5614},"\u002Fimages\u002Farte\u002Fcelebracion-del-cerdo\u002F1-La-Patria-1.jpg","La Patria 1",{"src":5616,"title":5617,"alt":5617},"\u002Fimages\u002Farte\u002Fcelebracion-del-cerdo\u002F3-El-vuelo-de-la-bestia.jpg","El vuelo de la bestia",{"src":5619,"title":5620,"alt":5620},"\u002Fimages\u002Farte\u002Fcelebracion-del-cerdo\u002Fel-cerdo-del-capitolio-Mike-Lorenzo-Arte-Cubano.jpg","El cerdo del capitolio Mike Lorenzo Arte Cubano",[],{},"\u002Fgaleria\u002Fcelebracion-del-cerdo",{"title":5433,"description":5605},"galeria\u002Fcelebracion-del-cerdo",[5019,5627,5628,3797,5629],"Carboncillo","Simbología","Arte Contemporáneo","The Celebration of the Pig (La celebración del cerdo)","La celebrazione del maiale (La celebración del cerdo)","VypybrKnM3kvDAgfYc9I_Lk2kE7h6vnqzIBmuLCRLmE",{"id":5634,"title":5635,"author":6,"body":5636,"category":5603,"date":5697,"description":5698,"description_en":5699,"description_it":5700,"engine":5701,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":5702,"image":5704,"imageFocus":106,"keywords":5748,"meta":5749,"navigation":113,"noindex":108,"ogImage":106,"path":5750,"period":2407,"seo":5751,"seoDescription":106,"seoTitle":106,"status":106,"stem":5752,"tags":5753,"thumb":106,"title_en":5756,"title_it":5757,"updatedAt":106,"video":106,"__hash__":5758},"content\u002Fgaleria\u002Fisla-cajas-cerradas.md","La isla de las cajas cerradas",{"type":8,"value":5637,"toc":5692},[5638,5654,5673],[11,5639,5640,5644,5651],{},[14,5641,5643],{"id":5642},"proyecto-de-instalación-virtual-en-blender","Proyecto de instalación virtual en Blender",[18,5645,5646,5648,5649,28],{},[25,5647,5635],{}," es un proyecto de instalación virtual y animación 3D donde todas las imágenes y composiciones espaciales han sido modeladas, texturizadas y renderizadas usando el software ",[25,5650,1969],{},[18,5652,5653],{},"La obra representa la geografía insular conformada por una densa acumulación de casetas, techos de zinc, maderas y pequeñas embarcaciones varadas sobre la arena, explorando los conceptos de aislamiento, hábitat y memoria colectiva a través de la gráfica tridimensional.",[42,5655,5656,5660,5670],{},[14,5657,5659],{"id":5658},"progetto-di-installazione-virtuale-in-blender","Progetto di installazione virtuale in Blender",[18,5661,5662,699,5664,5667,5668,28],{},[25,5663,5635],{},[138,5665,5666],{},"L’isola delle scatole chiuse",") è un progetto di installazione virtuale e animazione 3D in cui tutte le immagini e le composizioni spaziali sono state modellate, texturizzate e renderizzate con il software ",[25,5669,1969],{},[18,5671,5672],{},"L’opera rappresenta la geografia dell’isola formata da un fitto accumulo di baracche, tetti di lamiera, legni e piccole barche arenate sulla sabbia, esplorando i concetti di isolamento, habitat e memoria collettiva attraverso la grafica tridimensionale.",[68,5674,5675,5679,5689],{},[14,5676,5678],{"id":5677},"a-virtual-installation-project-in-blender","A virtual installation project in Blender",[18,5680,5681,699,5683,5686,5687,28],{},[25,5682,5635],{},[138,5684,5685],{},"The Island of Closed Boxes",") is a virtual installation and 3D animation project in which every image and spatial composition was modeled, textured and rendered in ",[25,5688,1969],{},[18,5690,5691],{},"The work depicts the island’s geography as a dense accumulation of shacks, zinc roofs, timber and small boats stranded on the sand, exploring isolation, habitat and collective memory through three-dimensional graphics.",{"title":95,"searchDepth":96,"depth":96,"links":5693},[5694,5695,5696],{"id":5642,"depth":96,"text":5643},{"id":5658,"depth":96,"text":5659},{"id":5677,"depth":96,"text":5678},"2021-09-10","Proyecto de instalación virtual y animación 3D creado íntegramente en Blender donde la silueta de la isla se construye a partir de arquitecturas precarias.","Virtual installation and 3D animation project created in Blender where the island silhouette is built from precarious architectures.","Progetto di installazione virtuale e animazione 3D creato interamente in Blender, in cui la sagoma dell’isola è costruita con architetture precarie.","Blender 3D",[5703,5706,5709,5712,5715,5718,5721,5724,5727,5730,5733,5736,5739,5742,5745],{"src":5704,"title":5705,"alt":5705},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-1.jpg","Isla de las cajas 1",{"src":5707,"title":5708,"alt":5708},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-2.jpg","Isla de las cajas 2",{"src":5710,"title":5711,"alt":5711},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-3.jpg","Isla de las cajas 3",{"src":5713,"title":5714,"alt":5714},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-4.jpg","Isla de las cajas 4",{"src":5716,"title":5717,"alt":5717},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-5.jpg","Isla de las cajas 5",{"src":5719,"title":5720,"alt":5720},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-6.jpg","Isla de las cajas 6",{"src":5722,"title":5723,"alt":5723},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-7.jpg","Isla de las cajas 7",{"src":5725,"title":5726,"alt":5726},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-8.jpg","Isla de las cajas 8",{"src":5728,"title":5729,"alt":5729},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-9.jpg","Isla de las cajas 9",{"src":5731,"title":5732,"alt":5732},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-10.jpg","Isla de las cajas 10",{"src":5734,"title":5735,"alt":5735},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-cerradas-1.jpg","Isla de las cajas cerradas 1",{"src":5737,"title":5738,"alt":5738},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-cerradas-2.jpg","Isla de las cajas cerradas 2",{"src":5740,"title":5741,"alt":5741},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-cerradas-3.jpg","Isla de las cajas cerradas 3",{"src":5743,"title":5744,"alt":5744},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-cerradas-4.jpg","Isla de las cajas cerradas 4",{"src":5746,"title":5747,"alt":5747},"\u002Fimages\u002Farte\u002Fisla-cajas-cerradas\u002Fisla-de-las-cajas-cerradas-5.jpg","Isla de las cajas cerradas 5",[],{},"\u002Fgaleria\u002Fisla-cajas-cerradas",{"title":5635,"description":5698},"galeria\u002Fisla-cajas-cerradas",[119,2389,4290,1969,5754,5427,5426,5755,5021,3797,5629],"Instalación","Arquitectura","The Island of Closed Boxes (La isla de las cajas cerradas)","L’isola delle scatole chiuse (La isla de las cajas cerradas)","_Qqis_olHeq26E9gBTcv9UMgcgjilO8eE8sRb0kUezU",{"id":5760,"title":5761,"author":6,"body":5762,"category":5603,"date":5869,"description":5870,"description_en":5871,"description_it":5872,"engine":5701,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":5873,"image":5875,"imageFocus":106,"keywords":5880,"meta":5881,"navigation":113,"noindex":108,"ogImage":106,"path":3830,"period":2407,"seo":5882,"seoDescription":106,"seoTitle":106,"status":106,"stem":5883,"tags":5884,"thumb":106,"title_en":5886,"title_it":5887,"updatedAt":106,"video":106,"__hash__":5888},"content\u002Fgaleria\u002Fcuba-rubik.md","Proyecto Cuba Rubik",{"type":8,"value":5763,"toc":5861},[5764,5797,5829],[11,5765,5766,5770,5777,5784,5788],{},[14,5767,5769],{"id":5768},"proyecto-artístico-de-instalación-y-videoarte","Proyecto artístico de instalación y videoarte",[18,5771,5772,5773,5776],{},"Este proyecto es una metáfora de ",[25,5774,5775],{},"Cuba y los cubanos"," que viven dentro de la isla pasando por un período muy convulso en el inicio del 2021. Con todos los problemas que tiene que resolver como nación y como comunidad humana, a cada momento caen más problemas arriba que vienen a sumarse a los ya existentes.",[18,5778,5779,5780,5783],{},"Esta pieza utiliza como elemento simbólico el ",[25,5781,5782],{},"Cubo de Rubik",": la isla toma la forma del cubo y a cada rato trata de moverse y transformarse, pero continúa permaneciendo sin solucionarse. La obra pretende transmitir al espectador un estado de permanente búsqueda de una solución.",[14,5785,5787],{"id":5786},"partes-del-proyecto","Partes del proyecto",[18,5789,5790,5791,5794,5795,28],{},"El proyecto está concebido para desarrollarse como ",[25,5792,5793],{},"animaciones 3D y 2D",", además de instalaciones e imágenes para pósters y ",[155,5796,3817],{"href":4149},[42,5798,5799,5803,5810,5817,5821],{},[14,5800,5802],{"id":5801},"progetto-artistico-di-installazione-e-videoarte","Progetto artistico di installazione e videoarte",[18,5804,5805,5806,5809],{},"Questo progetto è una metafora di ",[25,5807,5808],{},"Cuba e dei cubani"," che vivono sull’isola, in un periodo molto convulso all’inizio del 2021. Con tutti i problemi che deve risolvere come nazione e come comunità umana, a ogni momento ne cadono addosso di nuovi che si sommano a quelli già esistenti.",[18,5811,5812,5813,5816],{},"L’opera usa come elemento simbolico il ",[25,5814,5815],{},"Cubo di Rubik",": l’isola prende la forma del cubo e di tanto in tanto prova a muoversi e a trasformarsi, ma continua a rimanere irrisolta. L’opera vuole trasmettere allo spettatore uno stato di perenne ricerca di una soluzione.",[14,5818,5820],{"id":5819},"parti-del-progetto","Parti del progetto",[18,5822,5823,5824,5826,5827,28],{},"Il progetto è pensato per svilupparsi come ",[25,5825,3473],{},", oltre a installazioni e immagini per poster e ",[155,5828,3921],{"href":4149},[68,5830,5831,5835,5842,5849,5853],{},[14,5832,5834],{"id":5833},"installation-and-video-art-project","Installation and video art project",[18,5836,5837,5838,5841],{},"This project is a metaphor for ",[25,5839,5840],{},"Cuba and the Cubans"," living on the island during a very turbulent period at the beginning of 2021. With all the problems it has to solve as a nation and as a human community, new problems keep falling on top of the ones that already exist.",[18,5843,5844,5845,5848],{},"The piece uses the ",[25,5846,5847],{},"Rubik’s Cube"," as its symbolic element: the island takes the shape of the cube and keeps trying to move and transform, yet it remains unsolved. The work aims to convey to the viewer a state of permanent search for a solution.",[14,5850,5852],{"id":5851},"parts-of-the-project","Parts of the project",[18,5854,5855,5856,5858,5859,28],{},"The project is conceived to be developed as ",[25,5857,3652],{},", as well as installations and images for posters and ",[155,5860,3817],{"href":4149},{"title":95,"searchDepth":96,"depth":96,"links":5862},[5863,5864,5865,5866,5867,5868],{"id":5768,"depth":96,"text":5769},{"id":5786,"depth":96,"text":5787},{"id":5801,"depth":96,"text":5802},{"id":5819,"depth":96,"text":5820},{"id":5833,"depth":96,"text":5834},{"id":5851,"depth":96,"text":5852},"2021-06-01","Proyecto artístico de instalación y videoarte 3D que utiliza el cubo de Rubik como metáfora de una isla en permanente búsqueda de solución.","3D installation and video art project using the Rubik’s Cube as a metaphor for an island in permanent search of a solution.","Progetto artistico di installazione e videoarte 3D che usa il cubo di Rubik come metafora di un’isola in perenne ricerca di una soluzione.",[5874,5877],{"src":5875,"title":5876,"alt":5876},"\u002Fimages\u002Farte\u002Fcuba-rubik\u002FCuba-Rubik-tshirt.jpg","Cuba Rubik tshirt",{"src":5878,"title":5879,"alt":5879},"\u002Fimages\u002Farte\u002Fcuba-rubik\u002Fcuba-rubik-proyecto-artistico.jpg","Cuba Rubik — proyecto artístico",[],{},{"title":5761,"description":5870},"galeria\u002Fcuba-rubik",[119,2389,5885,4290,5754,5021,3831,3797,3817,5629],"Videoarte","Cuba Rubik Project","Progetto Cuba Rubik","I0TnqhrTE4GTHyyulNRXKoAxg5ZPKs0Km9itSQRKmuc",{"id":5890,"title":5891,"author":6,"body":5892,"category":2848,"date":5869,"description":5938,"description_en":5939,"description_it":5940,"engine":106,"extension":107,"externalLabel":106,"externalUrl":5904,"featured":108,"gallery":5941,"image":5942,"imageFocus":106,"keywords":5943,"meta":5944,"navigation":113,"noindex":108,"ogImage":106,"path":5945,"period":106,"seo":5946,"seoDescription":106,"seoTitle":106,"status":106,"stem":5947,"tags":5948,"thumb":106,"title_en":5925,"title_it":5912,"updatedAt":106,"video":5904,"__hash__":5949},"content\u002Fgaleria\u002Fla-patria-cerrada.md","La patria cerrada",{"type":8,"value":5893,"toc":5933},[5894,5907,5920],[11,5895,5896,5899],{},[14,5897,5891],{"id":5898},"la-patria-cerrada",[18,5900,5901,5902,28],{},"Videoarte en 3D. Puedes verlo aquí o en ",[155,5903,5906],{"href":5904,"rel":5905},"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=i5j2GAC4MhQ",[159],"mi canal de YouTube",[42,5908,5909,5913],{},[14,5910,5912],{"id":5911},"la-patria-chiusa","La patria chiusa",[18,5914,5915,5916,28],{},"Videoarte 3D. Puoi guardarlo qui o su ",[155,5917,5919],{"href":5904,"rel":5918},[159],"il mio canale YouTube",[68,5921,5922,5926],{},[14,5923,5925],{"id":5924},"the-closed-homeland","The Closed Homeland",[18,5927,5928,5929,28],{},"3D video art. You can watch it here or on ",[155,5930,5932],{"href":5904,"rel":5931},[159],"my YouTube channel",{"title":95,"searchDepth":96,"depth":96,"links":5934},[5935,5936,5937],{"id":5898,"depth":96,"text":5891},{"id":5911,"depth":96,"text":5912},{"id":5924,"depth":96,"text":5925},"Videoarte en 3D que se ve en mi canal de YouTube.","3D video art, available on my YouTube channel.","Videoarte 3D disponibile sul mio canale YouTube.",[],"https:\u002F\u002Fimg.youtube.com\u002Fvi\u002Fi5j2GAC4MhQ\u002Fmaxresdefault.jpg",[],{},"\u002Fgaleria\u002Fla-patria-cerrada",{"title":5891,"description":5938},"galeria\u002Fla-patria-cerrada",[119,2389,5885,122,4290,5021,5629],"ngM9dAgGUVVW3pmwWQanya0HL1L4Cx7mbdD-AHETY-o",{"id":5951,"title":5952,"author":6,"body":5953,"category":101,"date":6014,"description":6015,"description_en":6016,"description_it":6017,"engine":5701,"extension":107,"externalLabel":106,"externalUrl":996,"featured":108,"gallery":6018,"image":6019,"imageFocus":106,"keywords":6020,"meta":6021,"navigation":113,"noindex":108,"ogImage":106,"path":2072,"period":106,"seo":6022,"seoDescription":106,"seoTitle":106,"status":6023,"stem":6024,"tags":6025,"thumb":106,"title_en":6027,"title_it":6028,"updatedAt":106,"video":106,"__hash__":6029},"content\u002Fproyectos\u002Fblender-facil.md","Canal de YouTube: Blender fácil",{"type":8,"value":5954,"toc":6009},[5955,5971,5987,6006],[11,5956,5957,5961,5968],{},[14,5958,5960],{"id":5959},"aprendiendo-y-enseñando-blender-3d","Aprendiendo y enseñando Blender 3D",[18,5962,5963,5965,5966,28],{},[25,5964,2073],{}," nace como una iniciativa en YouTube orientada a compartir tutoriales prácticos de modelado, texturizado e iluminación en el software libre ",[25,5967,1969],{},[18,5969,5970],{},"Además de desarrollar arte interactivo, animación 3D y videojuegos con Unity, el objetivo de este espacio es explicar paso a paso cómo construir escenas, objetos low-poly y entornos virtuales para que otros artistas y creadores puedan incorporar el 3D a su flujo de trabajo.",[42,5972,5973,5977,5984],{},[14,5974,5976],{"id":5975},"imparare-e-insegnare-blender-3d","Imparare e insegnare Blender 3D",[18,5978,5979,5981,5982,28],{},[25,5980,2073],{}," nasce come iniziativa su YouTube per condividere tutorial pratici di modellazione, texturing e illuminazione con il software libero ",[25,5983,1969],{},[18,5985,5986],{},"Oltre a sviluppare arte interattiva, animazione 3D e videogiochi con Unity, l’obiettivo di questo spazio è spiegare passo dopo passo come costruire scene, oggetti low-poly e ambienti virtuali, così che altri artisti e creativi possano integrare il 3D nel loro flusso di lavoro.",[68,5988,5989,5993,6003],{},[14,5990,5992],{"id":5991},"learning-and-teaching-blender-3d","Learning and teaching Blender 3D",[18,5994,5995,699,5997,6000,6001,28],{},[25,5996,2073],{},[138,5998,5999],{},"Easy Blender",") started as a YouTube initiative to share practical tutorials on modeling, texturing and lighting in the free software ",[25,6002,1969],{},[18,6004,6005],{},"Besides creating interactive art, 3D animation and video games with Unity, the goal of this channel is to explain step by step how to build scenes, low-poly objects and virtual environments, so that other artists and creators can bring 3D into their workflow.",[6007,6008],"blender-facil-videos",{},{"title":95,"searchDepth":96,"depth":96,"links":6010},[6011,6012,6013],{"id":5959,"depth":96,"text":5960},{"id":5975,"depth":96,"text":5976},{"id":5991,"depth":96,"text":5992},"2021-03-10","Canal de YouTube orientado a la creación de tutoriales en español del software de modelado y animación 3D Blender.","YouTube channel dedicated to 3D modeling, texturing and animation tutorials in Blender.","Canale YouTube dedicato a tutorial in spagnolo su Blender, il software di modellazione e animazione 3D.",[],"\u002Fimages\u002Fproyectos\u002Fblender-facil\u002Fblender-facil-300x300-1.jpg",[],{},{"title":5952,"description":6015},"Activo","proyectos\u002Fblender-facil",[1969,6026,4290,348],"Tutoriales","YouTube Channel: Easy Blender (Blender fácil)","Canale YouTube: Blender fácil","o6KyrRpqcu52ogvUHHhVjKXYoq4uuX3kxFe5NRpI9Os",{"id":6031,"title":6032,"author":6,"body":6033,"category":5603,"date":6364,"description":6365,"description_en":6366,"description_it":6367,"engine":6368,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":6369,"image":6371,"imageFocus":106,"keywords":6400,"meta":6401,"navigation":113,"noindex":108,"ogImage":106,"path":6402,"period":6403,"seo":6404,"seoDescription":106,"seoTitle":106,"status":106,"stem":6405,"tags":6406,"thumb":106,"title_en":6409,"title_it":6410,"updatedAt":106,"video":106,"__hash__":6411},"content\u002Fgaleria\u002Flado-flotante-del-infinito.md","El lado flotante del infinito",{"type":8,"value":6034,"toc":6356},[6035,6139,6248],[11,6036,6037,6045,6047,6054,6064,6067,6072,6097,6101,6107,6124,6134],{},[5439,6038,6039],{},[18,6040,6041,6044],{},[138,6042,6043],{},"\"La emoción más antigua y más intensa de la humanidad es el miedo, y el más antiguo y más intenso de los miedos es el miedo a lo desconocido.\""," — H. P. Lovecraft",[14,6046,5450],{"id":5449},[18,6048,6049,6050,6053],{},"Esta serie utiliza el ",[25,6051,6052],{},"miedo"," como premisa conceptual: hacia el universo, hacia la naturaleza y hacia los demás. El miedo que se produce a lo que no entendemos pero que existe y crece dentro de nosotros o en nuestro entorno.",[18,6055,6056,6057,6060,6061,28],{},"En esta serie pretendo hablar de las construcciones que hacemos a nuestro alrededor para protegernos. Para representar mis ideas a nivel figurativo, elegí los ",[25,6058,6059],{},"refugios de montaña"," como símbolo humano que se enfrenta constantemente a las fuerzas de la naturaleza. Y de la misma forma estos refugios flotan en el aire como si fueran ",[25,6062,6063],{},"OVNIs",[18,6065,6066],{},"Estas casas se vuelven extrañas, flotan en el aire y emiten su propia luz, diciéndonos que tal vez incluso esa extrañeza sea parte de la complejidad del universo que nos rodea.",[18,6068,6069,6071],{},[25,6070,6032],{}," se apoya conceptualmente en el mito universal del fenómeno OVNI y en las tradiciones de la cultura cubana:",[341,6073,6074,6086],{},[344,6075,6076,6077,233,6080,1966,6083,28],{},"Obras de investigadores como ",[25,6078,6079],{},"Salvador Freixedo",[25,6081,6082],{},"John Keel",[25,6084,6085],{},"Jacques Vallée",[344,6087,6088,6089,6092,6093,6096],{},"Del lado cubano, la obra de ",[25,6090,6091],{},"Samuel Feijóo"," en su célebre libro sobre la ",[138,6094,6095],{},"Mitología Cubana",", donde nos habla de las luces de Yara y las casas encantadas.",[14,6098,6100],{"id":6099},"el-formato-de-la-serie-dibujo-tradicional-blender-3d","El formato de la serie (Dibujo tradicional + Blender 3D)",[18,6102,6103,6104,3340],{},"Al inicio muchas obras fueron proyectadas en dibujo con la técnica del ",[25,6105,6106],{},"grafito y de la tinta sobre cartulina",[341,6108,6109,6114,6119],{},[344,6110,6111],{},[138,6112,6113],{},"«Regreso a casa»",[344,6115,6116],{},[138,6117,6118],{},"«Zona cero»",[344,6120,6121],{},[138,6122,6123],{},"«Paisaje cubano con actividad inteligente no identificada»",[18,6125,6126,6127,6130,6131,6133],{},"En una segunda etapa, estas obras también son creadas con ",[25,6128,6129],{},"gráfica 3D"," usando el software ",[25,6132,1969],{},", dándole una dimensión fotorrealista a las típicas casas cubanas de campo suspendidas sobre las palmas.",[18,6135,6136,6137,28],{},"La serie puede ser seguida también bajo el hashtag ",[216,6138,3387],{},[42,6140,6141,6148,6150,6157,6167,6170,6178,6199,6203,6209,6233,6243],{},[5439,6142,6143],{},[18,6144,6145,6044],{},[138,6146,6147],{},"\"L’emozione più antica e più intensa dell’umanità è la paura, e la paura più antica e più intensa è la paura dell’ignoto.\"",[14,6149,5498],{"id":5497},[18,6151,6152,6153,6156],{},"Questa serie usa la ",[25,6154,6155],{},"paura"," come premessa concettuale: verso l’universo, verso la natura e verso gli altri. La paura che nasce da ciò che non capiamo, ma che esiste e cresce dentro di noi o intorno a noi.",[18,6158,6159,6160,6163,6164,28],{},"Con questa serie voglio parlare delle costruzioni che creiamo intorno a noi per proteggerci. Per rappresentare le mie idee a livello figurativo ho scelto i ",[25,6161,6162],{},"rifugi di montagna",", simbolo umano che affronta continuamente le forze della natura. E allo stesso modo questi rifugi fluttuano nell’aria come se fossero ",[25,6165,6166],{},"UFO",[18,6168,6169],{},"Queste case diventano strane, fluttuano nell’aria ed emettono una luce propria, suggerendoci che forse anche questa stranezza fa parte della complessità dell’universo che ci circonda.",[18,6171,6172,699,6174,6177],{},[25,6173,6032],{},[138,6175,6176],{},"Il lato fluttuante dell’infinito",") si basa concettualmente sul mito universale del fenomeno UFO e sulle tradizioni della cultura cubana:",[341,6179,6180,6189],{},[344,6181,6182,6183,233,6185,2107,6187,28],{},"Le opere di ricercatori come ",[25,6184,6079],{},[25,6186,6082],{},[25,6188,6085],{},[344,6190,6191,6192,6194,6195,6198],{},"Sul versante cubano, l’opera di ",[25,6193,6091],{}," nel suo celebre libro sulla ",[138,6196,6197],{},"Mitologia cubana",", dove ci parla delle luci di Yara e delle case stregate.",[14,6200,6202],{"id":6201},"il-formato-della-serie-disegno-tradizionale-blender-3d","Il formato della serie (Disegno tradizionale + Blender 3D)",[18,6204,6205,6206,3340],{},"All’inizio molte opere sono state progettate come disegni a ",[25,6207,6208],{},"grafite e inchiostro su cartoncino",[341,6210,6211,6219,6226],{},[344,6212,6213,699,6215,6218],{},[138,6214,6113],{},[138,6216,6217],{},"Ritorno a casa",")",[344,6220,6221,699,6223,6218],{},[138,6222,6118],{},[138,6224,6225],{},"Zona zero",[344,6227,6228,699,6230,6218],{},[138,6229,6123],{},[138,6231,6232],{},"Paesaggio cubano con attività intelligente non identificata",[18,6234,6235,6236,6239,6240,6242],{},"In una seconda fase, queste opere vengono create anche con la ",[25,6237,6238],{},"grafica 3D"," usando ",[25,6241,1969],{},", dando una dimensione fotorealistica alle tipiche case di campagna cubane sospese sopra le palme.",[18,6244,6245,6246,28],{},"La serie si può seguire anche con l’hashtag ",[216,6247,3387],{},[68,6249,6250,6257,6259,6266,6276,6279,6287,6308,6312,6318,6341,6351],{},[5439,6251,6252],{},[18,6253,6254,6044],{},[138,6255,6256],{},"\"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.\"",[14,6258,5552],{"id":5551},[18,6260,6261,6262,6265],{},"This series uses ",[25,6263,6264],{},"fear"," as its conceptual premise: fear of the universe, of nature and of others. The fear of what we do not understand, but which exists and grows within us or around us.",[18,6267,6268,6269,6272,6273,28],{},"With this series I want to talk about the structures we build around ourselves for protection. To represent these ideas figuratively, I chose ",[25,6270,6271],{},"mountain shelters"," as a human symbol constantly facing the forces of nature. And in the same way, these shelters float in the air as if they were ",[25,6274,6275],{},"UFOs",[18,6277,6278],{},"These houses become strange, float in the air and emit their own light, suggesting that perhaps even this strangeness is part of the complexity of the universe around us.",[18,6280,6281,699,6283,6286],{},[25,6282,6032],{},[138,6284,6285],{},"The Floating Side of Infinity",") draws conceptually on the universal myth of the UFO phenomenon and on the traditions of Cuban culture:",[341,6288,6289,6298],{},[344,6290,6291,6292,233,6294,2237,6296,28],{},"The works of researchers such as ",[25,6293,6079],{},[25,6295,6082],{},[25,6297,6085],{},[344,6299,6300,6301,6303,6304,6307],{},"On the Cuban side, the work of ",[25,6302,6091],{}," in his famous book on ",[138,6305,6306],{},"Cuban Mythology",", where he writes about the lights of Yara and haunted houses.",[14,6309,6311],{"id":6310},"the-format-of-the-series-traditional-drawing-blender-3d","The format of the series (Traditional drawing + Blender 3D)",[18,6313,6314,6315,3340],{},"At first many works were conceived as ",[25,6316,6317],{},"graphite and ink drawings on cardboard",[341,6319,6320,6327,6334],{},[344,6321,6322,699,6324,6218],{},[138,6323,6113],{},[138,6325,6326],{},"Coming Home",[344,6328,6329,699,6331,6218],{},[138,6330,6118],{},[138,6332,6333],{},"Ground Zero",[344,6335,6336,699,6338,6218],{},[138,6337,6123],{},[138,6339,6340],{},"Cuban Landscape with Unidentified Intelligent Activity",[18,6342,6343,6344,6347,6348,6350],{},"In a second stage these works are also created with ",[25,6345,6346],{},"3D graphics"," in ",[25,6349,1969],{},", giving a photorealistic dimension to the typical Cuban country houses suspended above the palm trees.",[18,6352,6353,6354,28],{},"You can also follow the series with the hashtag ",[216,6355,3387],{},{"title":95,"searchDepth":96,"depth":96,"links":6357},[6358,6359,6360,6361,6362,6363],{"id":5449,"depth":96,"text":5450},{"id":6099,"depth":96,"text":6100},{"id":5497,"depth":96,"text":5498},{"id":6201,"depth":96,"text":6202},{"id":5551,"depth":96,"text":5552},{"id":6310,"depth":96,"text":6311},"2020-09-02","Serie de dibujos y recreaciones 3D en Blender sobre el enfrentamiento a lo desconocido, los refugios de montaña cubanos y el mito universal del fenómeno OVNI.","Drawing and Blender 3D series about facing the unknown, Cuban mountain shelters and the universal myth of the UFO phenomenon.","Serie di disegni e ricreazioni 3D in Blender sul confronto con l’ignoto, i rifugi di montagna cubani e il mito universale del fenomeno UFO.","Grafito, Tinta & Blender 3D",[6370,6373,6376,6379,6382,6385,6388,6391,6394,6397],{"src":6371,"title":6372,"alt":6372},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-dibujo-el-susto.jpg","Mike lorenzo dibujo el susto",{"src":6374,"title":6375,"alt":6375},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-dibujo-hambre.jpg","Mike lorenzo dibujo hambre",{"src":6377,"title":6378,"alt":6378},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-dibujo-sueno-de-una-noche-de-verano.jpg","Mike lorenzo dibujo sueno de una noche de verano",{"src":6380,"title":6381,"alt":6381},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-lado-flotante-del-infinito.jpg","Mike lorenzo lado flotante del infinito",{"src":6383,"title":6384,"alt":6384},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-obra-zona-cero-serie-lado-flotante-del-infinito.jpg","Mike lorenzo obra zona cero serie lado flotante del infinito",{"src":6386,"title":6387,"alt":6387},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-paisaje-cubano-con-actividad-inteligente-no-identificada-2.jpg","Mike lorenzo paisaje cubano con actividad inteligente no identificada 2",{"src":6389,"title":6390,"alt":6390},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fobra-zona-cero-El-lado-flotante-del-infinito-mike-lorenzo.jpg","Obra zona cero El lado flotante del infinito",{"src":6392,"title":6393,"alt":6393},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-el-lado-flotante-del-infinito-serie.jpg","El lado flotante del infinito (serie)",{"src":6395,"title":6396,"alt":6396},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-regreso-a-casa-dibujo.jpg","Regreso a casa",{"src":6398,"title":6399,"alt":6399},"\u002Fimages\u002Farte\u002Flado-flotante-del-infinito\u002Fmike-lorenzo-paisaje-cubano-con-actividad-inteligente-no-identificada.png","Paisaje cubano con actividad inteligente no identificada",[],{},"\u002Fgaleria\u002Flado-flotante-del-infinito","2019–2020",{"title":6032,"description":6365},"galeria\u002Flado-flotante-del-infinito",[5019,4290,1969,6407,6095,3797,6408,5629],"OVNI","flotanteinfinitoartworks","The Floating Side of Infinity (El lado flotante del infinito)","Il lato fluttuante dell’infinito (El lado flotante del infinito)","3wPBVaOA_NhO8T6WCLhjA_zf1O5EBIq3u6inimBufrU",{"id":6413,"title":6414,"author":6,"body":6415,"category":101,"date":6503,"description":6504,"description_en":6505,"description_it":6506,"engine":6507,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":6508,"image":6510,"imageFocus":106,"keywords":6520,"meta":6521,"navigation":113,"noindex":108,"ogImage":106,"path":6522,"period":106,"seo":6523,"seoDescription":106,"seoTitle":106,"status":6524,"stem":6525,"tags":6526,"thumb":106,"title_en":6528,"title_it":6529,"updatedAt":106,"video":106,"__hash__":6530},"content\u002Fproyectos\u002Fice-and-love-tale.md","Ice & Love Tale",{"type":8,"value":6416,"toc":6495},[6417,6443,6469],[11,6418,6419,6423,6428,6432],{},[14,6420,6422],{"id":6421},"sobre-ice-love-tale","Sobre Ice & Love Tale",[18,6424,6425,6427],{},[25,6426,6414],{}," es un proyecto de videojuego para smartphone. Es el primero de una serie de proyectos pensados para dispositivos móviles: aunque su premisa es sencilla, detrás de todo videojuego siempre hay una gran complejidad técnica y artística por superar.",[14,6429,6431],{"id":6430},"la-historia-y-mecánica","La Historia y Mecánica",[18,6433,6434,6435,6438,6439,6442],{},"La historia trata de un ",[25,6436,6437],{},"pingüino"," que, para llegar hasta donde está su amada, tiene que romper ",[25,6440,6441],{},"cubos de hielo",". Al romper estos cubos encuentra muchas sorpresas —algunas terribles y otras menos terribles— que le dan una mano o lo ponen a prueba para superar todas las dificultades que encuentra en su helado camino amoroso.",[42,6444,6445,6449,6454,6458],{},[14,6446,6448],{"id":6447},"su-ice-love-tale","Su Ice & Love Tale",[18,6450,6451,6453],{},[25,6452,6414],{}," è un progetto di videogioco per smartphone. È il primo di una serie di progetti pensati per i dispositivi mobili: anche se la premessa è semplice, dietro ogni videogioco c’è sempre una grande complessità tecnica e artistica da superare.",[14,6455,6457],{"id":6456},"la-storia-e-le-meccaniche","La Storia e le Meccaniche",[18,6459,6460,6461,6464,6465,6468],{},"La storia parla di un ",[25,6462,6463],{},"pinguino"," che, per raggiungere la sua amata, deve rompere dei ",[25,6466,6467],{},"cubi di ghiaccio",". Rompendoli trova molte sorprese —alcune terribili e altre meno— che gli danno una mano o lo mettono alla prova per superare tutte le difficoltà del suo gelido cammino d’amore.",[68,6470,6471,6475,6480,6484],{},[14,6472,6474],{"id":6473},"about-ice-love-tale","About Ice & Love Tale",[18,6476,6477,6479],{},[25,6478,6414],{}," is a video game project for smartphones. It is the first of a series of projects designed for mobile devices: although its premise is simple, behind every video game there is always a great deal of technical and artistic complexity to overcome.",[14,6481,6483],{"id":6482},"story-and-mechanics","Story and Mechanics",[18,6485,6486,6487,6490,6491,6494],{},"The story is about a ",[25,6488,6489],{},"penguin"," who, to reach his beloved, has to break ",[25,6492,6493],{},"ice cubes",". Inside them he finds many surprises —some terrible and some less so— that either give him a hand or put him to the test as he overcomes every obstacle on his icy path to love.",{"title":95,"searchDepth":96,"depth":96,"links":6496},[6497,6498,6499,6500,6501,6502],{"id":6421,"depth":96,"text":6422},{"id":6430,"depth":96,"text":6431},{"id":6447,"depth":96,"text":6448},{"id":6456,"depth":96,"text":6457},{"id":6473,"depth":96,"text":6474},{"id":6482,"depth":96,"text":6483},"2020-05-15","Proyecto de videojuego para smartphone sobre un pingüino que debe romper cubos de hielo llenos de sorpresas para llegar hasta su amada.","Smartphone video game project about a penguin breaking ice cubes full of surprises to reach his beloved.","Progetto di videogioco per smartphone su un pinguino che deve rompere cubi di ghiaccio pieni di sorprese per raggiungere la sua amata.","Unity \u002F Mobile",[6509,6511,6514,6517],{"src":6510,"title":6414,"alt":6414},"\u002Fimages\u002Fproyectos\u002Fice-and-love-tale\u002Fslider-ice-love-tale-videogame.jpg",{"src":6512,"title":6513,"alt":6513},"\u002Fimages\u002Fproyectos\u002Fice-and-love-tale\u002Fslider-ice-love-tale-videogame-1.jpg","Ice & Love Tale (2)",{"src":6515,"title":6516,"alt":6516},"\u002Fimages\u002Fproyectos\u002Fice-and-love-tale\u002Fice-love-tale-videogame-mike-lorenzo.jpg","Ice & Love Tale — pantalla",{"src":6518,"title":6519,"alt":6519},"\u002Fimages\u002Fproyectos\u002Fice-and-love-tale\u002Fice-love-tale-videogame-mike-lorenzo-2.jpg","Ice & Love Tale — pantalla (2)",[],{},"\u002Fproyectos\u002Fice-and-love-tale",{"title":6414,"description":6504},"Prototipo","proyectos\u002Fice-and-love-tale",[2386,6527,3193,4290,1965,6414],"Mobile Game","Ice & Love Tale — Mobile Video Game","Ice & Love Tale — Videogioco per Smartphone","HvWhKzvJ1fdiV1XlrHTj0xQnvBZC4MmuQuMnnAGU8t4",{"id":6532,"title":6533,"author":6,"body":6534,"category":4986,"date":6905,"description":6906,"description_en":6907,"description_it":6908,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":6909,"image":6562,"imageFocus":106,"keywords":6914,"meta":6915,"navigation":113,"noindex":108,"ogImage":106,"path":6916,"period":6917,"seo":6918,"seoDescription":106,"seoTitle":106,"status":106,"stem":6919,"tags":6920,"thumb":106,"title_en":6924,"title_it":6925,"updatedAt":106,"video":106,"__hash__":6926},"content\u002Fblog\u002Falmendrones-habana-2100.md","Almendrones de la Habana en el año 2100",{"type":8,"value":6535,"toc":6894},[6536,6662,6778],[11,6537,6538,6542,6557,6563,6570,6584,6588,6595,6630,6634,6637,6642,6648],{},[14,6539,6541],{"id":6540},"almendrones-que-flotan","¿Almendrones que flotan?",[18,6543,6544,6545,6548,6549,6552,6553,6556],{},"Los ",[25,6546,6547],{},"almendrones de la Habana en el 2100"," volarán al lado de un muro del Malecón tan alto que no dejarán ver el horizonte, quizás por la ",[25,6550,6551],{},"subida del nivel del mar"," o por el ",[25,6554,6555],{},"gran tráfico aéreo"," que flotará sobre la ciudad.",[18,6558,6559],{},[2434,6560],{"alt":6561,"src":6562},"Almendrones volando junto al Malecón (Habana 2100)","\u002Fimages\u002Fblog\u002Falmendrones-habana-2100\u002FMike-Lorenzo-obra-Malecon-blog.jpg",[18,6564,6565,6566,6569],{},"Podríamos aventurarnos a especular que dentro de 80 años más o menos la ",[25,6567,6568],{},"tecnología del automóvil"," nos ayudará a volar sobre las carreteras en vez de rodar sobre ellas. Esto nos daría más libertad de movimiento, sin tener que esperar por el semáforo o por los viejos de 200 años que se antojan de cruzar la calle cuando uno está más apurado manejando.",[18,6571,6572,6573,6576,6577,6580,6581,28],{},"Sería muy divertido, pero también muy peligroso, porque esto traería muchas más problemáticas de las que normalmente como conductor tenemos al volante: habría que estar mirando en el eje de las ",[25,6574,6575],{},"X",", de las ",[25,6578,6579],{},"Y"," y de la ",[25,6582,6583],{},"Z",[14,6585,6587],{"id":6586},"qué-tipo-de-tecnología-haría-que-los-coches-del-futuro-volaran","¿Qué tipo de tecnología haría que los coches del futuro volaran?",[18,6589,6590,6591,6594],{},"Desde el punto de vista de un ",[25,6592,6593],{},"cubano de a pie",", podríamos tener varias hipótesis o líneas de pensamiento:",[3249,6596,6597,6611,6624],{},[344,6598,6599,6602,6603,6606,6607,6610],{},[25,6600,6601],{},"El mercado negro y la inventiva cubana:"," Los ",[138,6604,6605],{},"mecánicos cubanos"," han logrado obtener en el mercado negro un motor o turbina fabricada por Boeing, Airbus, Lockheed Martin, Ferrari, Samsung Galaxy o Apple de nueva generación o experimental. Y como buenos y habilidosos la han logrado adaptar a un ",[25,6608,6609],{},"Chevrolet 59"," logrando hacerlo despegar para asombro de las autoridades que controlan el tráfico en la ciudad, que en respuesta a esto han subido la altura del Malecón.",[344,6612,6613,6616,6617,6620,6621,28],{},[25,6614,6615],{},"Tecnología de antigravedad e ingeniería inversa:"," Proyectos como el llamado ",[138,6618,6619],{},"Disclosure Project"," hablan de tecnología exótica que no pertenece a la Tierra. Esto no quiere decir que los americanos sean los únicos: quizás en algún barrio o azotea de La Habana ya hay alguien contrabandeando tecnología exótica con seres de otras zonas del universo que vienen también como turistas a disfrutar de la ",[25,6622,6623],{},"sabrosura cubana",[344,6625,6626,6629],{},[25,6627,6628],{},"Potencial creativo local:"," Muchos inventos de la humanidad han sido descubiertos por casualidad y no siempre en laboratorios con las mejores condiciones. Quizás alguien en algún barrio perdido de una ciudad cubana, con 35 grados de calor húmedo, descubre que poniendo los imanes de cierto modo con cierta potencia eléctrica pueden hacer saltar por los aires una bicicleta, por no decir un camión ruso.",[14,6631,6633],{"id":6632},"la-simbología-de-los-almendrones-cubanos","La simbología de los almendrones cubanos",[18,6635,6636],{},"Los almendrones cubanos son un símbolo de una época tecnológica que no quiere desaparecer, pero para sobrevivir tendrá que mezclarse con todas las otras tecnologías que le vendrán en el futuro. No importa si estamos en el año 1980, 2020, 2100 o 2500: siempre podremos ver uno de ellos convertido en algo nuevo o hibridizado, manteniendo siempre sus clásicas líneas, formas y geometría.",[18,6638,6639,6640,28],{},"Sirva este artículo como complemento a la serie de dibujos ",[155,6641,3827],{"href":3826},[18,6643,6644],{},[2434,6645],{"alt":6646,"src":6647},"El solitario (Habana Año 2100)","\u002Fimages\u002Fblog\u002Falmendrones-habana-2100\u002FMike-Lorenzo-obra-el-solitario-Habana-Ano-2100.jpg",[5439,6649,6650],{},[18,6651,6652,955,6655,1966,6658,6661],{},[25,6653,6654],{},"Nota:",[138,6656,6657],{},"«Almendrones»",[138,6659,6660],{},"«perol»"," son términos usados en Cuba para llamar a las máquinas clásicas americanas de los años 50.",[42,6663,6664,6668,6683,6688,6695,6706,6710,6717,6750,6754,6757,6762,6767],{},[14,6665,6667],{"id":6666},"almendrones-che-fluttuano","Almendrones che fluttuano?",[18,6669,6670,6671,6674,6675,6678,6679,6682],{},"Gli ",[25,6672,6673],{},"almendrones dell’Avana nel 2100"," voleranno accanto a un muro del Malecón così alto da non lasciar vedere l’orizzonte, forse per l’",[25,6676,6677],{},"innalzamento del livello del mare"," o per il ",[25,6680,6681],{},"grande traffico aereo"," che fluttuerà sopra la città.",[18,6684,6685],{},[2434,6686],{"alt":6687,"src":6562},"Almendrones che volano accanto al Malecón (Avana 2100)",[18,6689,6690,6691,6694],{},"Potremmo azzardare che tra circa 80 anni la ",[25,6692,6693],{},"tecnologia dell’automobile"," ci permetterà di volare sopra le strade invece di rotolarci sopra. Questo ci darebbe più libertà di movimento, senza dover aspettare il semaforo o i vecchietti di 200 anni che decidono di attraversare la strada proprio quando si ha più fretta al volante.",[18,6696,6697,6698,6700,6701,6703,6704,28],{},"Sarebbe molto divertente, ma anche molto pericoloso, perché porterebbe molti più problemi di quelli che normalmente abbiamo alla guida: bisognerebbe guardare sull’asse delle ",[25,6699,6575],{},", delle ",[25,6702,6579],{}," e delle ",[25,6705,6583],{},[14,6707,6709],{"id":6708},"che-tipo-di-tecnologia-farebbe-volare-le-auto-del-futuro","Che tipo di tecnologia farebbe volare le auto del futuro?",[18,6711,6712,6713,6716],{},"Dal punto di vista di un ",[25,6714,6715],{},"cubano qualunque",", potremmo avere diverse ipotesi o linee di pensiero:",[3249,6718,6719,6733,6744],{},[344,6720,6721,6724,6725,6728,6729,6732],{},[25,6722,6723],{},"Il mercato nero e l’inventiva cubana:"," I ",[138,6726,6727],{},"meccanici cubani"," sono riusciti a procurarsi al mercato nero un motore o una turbina di nuova generazione o sperimentale, prodotta da Boeing, Airbus, Lockheed Martin, Ferrari, Samsung Galaxy o Apple. E, abili come sono, sono riusciti ad adattarla a una ",[25,6730,6731],{},"Chevrolet del ’59",", facendola decollare con stupore delle autorità che controllano il traffico in città, che in risposta hanno alzato il Malecón.",[344,6734,6735,6738,6739,6741,6742,28],{},[25,6736,6737],{},"Tecnologia antigravitazionale e ingegneria inversa:"," Progetti come il cosiddetto ",[138,6740,6619],{}," parlano di tecnologie esotiche che non appartengono alla Terra. Questo non vuol dire che gli americani siano gli unici: forse in qualche quartiere o terrazza dell’Avana c’è già qualcuno che contrabbanda tecnologia esotica con esseri di altre zone dell’universo, venuti anche loro come turisti a godersi la ",[25,6743,6623],{},[344,6745,6746,6749],{},[25,6747,6748],{},"Il potenziale creativo locale:"," Molte invenzioni dell’umanità sono state scoperte per caso e non sempre in laboratori nelle condizioni migliori. Forse qualcuno, in un quartiere sperduto di una città cubana, con 35 gradi di caldo umido, scopre che disponendo dei magneti in un certo modo e con una certa potenza elettrica si può far saltare in aria una bicicletta, per non dire un camion russo.",[14,6751,6753],{"id":6752},"il-simbolismo-degli-almendrones-cubani","Il simbolismo degli almendrones cubani",[18,6755,6756],{},"Gli almendrones cubani sono il simbolo di un’epoca tecnologica che non vuole scomparire, ma per sopravvivere dovrà mescolarsi con tutte le altre tecnologie che arriveranno in futuro. Non importa se siamo nel 1980, nel 2020, nel 2100 o nel 2500: potremo sempre vederne uno trasformato in qualcosa di nuovo o ibridato, mantenendo sempre le sue linee, forme e geometrie classiche.",[18,6758,6759,6760,28],{},"Questo articolo è un complemento alla serie di disegni ",[155,6761,3928],{"href":3826},[18,6763,6764],{},[2434,6765],{"alt":6766,"src":6647},"El solitario (L’Avana Anno 2100)",[5439,6768,6769],{},[18,6770,6771,955,6773,2107,6775,6777],{},[25,6772,6654],{},[138,6774,6657],{},[138,6776,6660],{}," sono i termini usati a Cuba per chiamare le auto americane classiche degli anni ’50.",[68,6779,6780,6784,6799,6804,6811,6821,6825,6832,6865,6869,6872,6877,6882],{},[14,6781,6783],{"id":6782},"floating-almendrones","Floating almendrones?",[18,6785,6786,6787,6790,6791,6794,6795,6798],{},"The ",[25,6788,6789],{},"almendrones of Havana in 2100"," will fly beside a Malecón wall so high that you won’t be able to see the horizon, perhaps because of ",[25,6792,6793],{},"rising sea levels"," or the ",[25,6796,6797],{},"heavy air traffic"," floating over the city.",[18,6800,6801],{},[2434,6802],{"alt":6803,"src":6562},"Almendrones flying by the Malecón (Havana 2100)",[18,6805,6806,6807,6810],{},"We could venture to speculate that in about 80 years ",[25,6808,6809],{},"car technology"," will let us fly over the roads instead of rolling on them. That would give us more freedom of movement, with no waiting at traffic lights or for 200-year-old pedestrians who decide to cross the street just when you’re in the biggest hurry.",[18,6812,6813,6814,233,6816,2237,6818,6820],{},"It would be great fun, but also very dangerous, because it would bring many more problems than the ones we usually have behind the wheel: you would have to watch the ",[25,6815,6575],{},[25,6817,6579],{},[25,6819,6583],{}," axes.",[14,6822,6824],{"id":6823},"what-kind-of-technology-would-make-the-cars-of-the-future-fly","What kind of technology would make the cars of the future fly?",[18,6826,6827,6828,6831],{},"From the point of view of an ",[25,6829,6830],{},"ordinary Cuban",", there could be several hypotheses or lines of thought:",[3249,6833,6834,6847,6859],{},[344,6835,6836,955,6839,6842,6843,6846],{},[25,6837,6838],{},"The black market and Cuban ingenuity:",[138,6840,6841],{},"Cuban mechanics"," have managed to get hold of a new-generation or experimental engine or turbine made by Boeing, Airbus, Lockheed Martin, Ferrari, Samsung Galaxy or Apple on the black market. And, skilled as they are, they have adapted it to a ",[25,6844,6845],{},"’59 Chevrolet"," and made it take off, to the amazement of the authorities controlling the city’s traffic, who responded by raising the Malecón.",[344,6848,6849,6852,6853,6855,6856,28],{},[25,6850,6851],{},"Anti-gravity technology and reverse engineering:"," Initiatives like the so-called ",[138,6854,6619],{}," talk about exotic technology that does not belong to Earth. That doesn’t mean the Americans are the only ones: maybe in some Havana neighborhood or rooftop someone is already smuggling exotic technology with beings from other parts of the universe who also come as tourists to enjoy the ",[25,6857,6858],{},"Cuban sabrosura",[344,6860,6861,6864],{},[25,6862,6863],{},"Local creative potential:"," Many of humanity’s inventions were discovered by chance, and not always in the best-equipped laboratories. Maybe someone in a forgotten neighborhood of a Cuban city, in 35 degrees of humid heat, discovers that by arranging magnets a certain way with a certain electric power you can send a bicycle flying, not to mention a Russian truck.",[14,6866,6868],{"id":6867},"the-symbolism-of-cuban-almendrones","The symbolism of Cuban almendrones",[18,6870,6871],{},"Cuban almendrones are a symbol of a technological era that refuses to disappear, but to survive it will have to blend with all the other technologies that the future brings. Whether we are in 1980, 2020, 2100 or 2500, we will always be able to see one of them turned into something new or hybridized, always keeping its classic lines, shapes and geometry.",[18,6873,6874,6875,28],{},"This article is a companion to the drawing series ",[155,6876,4022],{"href":3826},[18,6878,6879],{},[2434,6880],{"alt":6881,"src":6647},"El solitario (Havana Year 2100)",[5439,6883,6884],{},[18,6885,6886,955,6889,2237,6891,6893],{},[25,6887,6888],{},"Note:",[138,6890,6657],{},[138,6892,6660],{}," are the words used in Cuba for the classic American cars of the 1950s.",{"title":95,"searchDepth":96,"depth":96,"links":6895},[6896,6897,6898,6899,6900,6901,6902,6903,6904],{"id":6540,"depth":96,"text":6541},{"id":6586,"depth":96,"text":6587},{"id":6632,"depth":96,"text":6633},{"id":6666,"depth":96,"text":6667},{"id":6708,"depth":96,"text":6709},{"id":6752,"depth":96,"text":6753},{"id":6782,"depth":96,"text":6783},{"id":6823,"depth":96,"text":6824},{"id":6867,"depth":96,"text":6868},"2019-08-13","Especulación futurista sobre los clásicos automóviles cubanos volando al lado de un muro del Malecón gigante en el año 2100.","Futuristic speculation on classic 1950s Cuban cars flying beside a giant Malecón wall in the year 2100.","Speculazione futuristica sulle classiche auto cubane che volano accanto a un gigantesco muro del Malecón nell’anno 2100.",[6910,6912,6913],{"src":6911,"title":3827,"alt":3827},"\u002Fimages\u002Fblog\u002Falmendrones-habana-2100\u002FHabana-Ano-2100-articulo-1024x256.jpg",{"src":6562,"title":6561,"alt":6561},{"src":6647,"title":6646,"alt":6646},[],{},"\u002Fblog\u002Falmendrones-habana-2100","2019",{"title":6533,"description":6906},"blog\u002Falmendrones-habana-2100",[6921,5019,2388,3194,6922,3797,6923],"Habana 2100","Cyberpunk","Almendrones","Classic Cars (Almendrones) of Havana in the Year 2100","Gli almendrones dell’Avana nell’anno 2100","s4jeMDazlbbOuCYY4bLIyAgBYvS2afhdsV1zitoCZkg",{"id":6928,"title":6929,"author":6,"body":6930,"category":4986,"date":6905,"description":7367,"description_en":7368,"description_it":7369,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":7370,"image":7376,"imageFocus":106,"keywords":7392,"meta":7393,"navigation":113,"noindex":108,"ogImage":106,"path":7394,"period":6917,"seo":7395,"seoDescription":106,"seoTitle":106,"status":106,"stem":7396,"tags":7397,"thumb":106,"title_en":7400,"title_it":7401,"updatedAt":106,"video":106,"__hash__":7402},"content\u002Fblog\u002Fmuseo-ufo-bagnoregio.md","Museo UFO a Bagnoregio en Italia",{"type":8,"value":6931,"toc":7341},[6932,7074,7207],[11,6933,6934,6938,6952,6959,6965,6967,6971,6975,6978,6992,6996,6999,7003,7025,7030,7034,7044,7050,7052,7056],{},[14,6935,6937],{"id":6936},"una-visita-al-museo-ufo-en-bagnoregio","Una visita al Museo UFO en Bagnoregio",[18,6939,6940,6941,6943,6944,6947,6948,6951],{},"Viviendo en Italia y siendo un artista que trabaja con los mitos —sobre todo los del siglo XX (como en la serie ",[155,6942,6032],{"href":6402},")—, no podía faltarme una visita al ",[25,6945,6946],{},"Museo UFO"," italiano en la pequeña localidad de ",[25,6949,6950],{},"Bagnoregio",", en el centro de Italia. Un lugar increíble, lleno de historias y objetos producidos por toda la cultura popular creada alrededor del fenómeno UFO \u002F OVNI.",[18,6953,6954,6955,6958],{},"En junio de 2019 tuve la excelente oportunidad de visitar esta colección privada propiedad del señor ",[25,6956,6957],{},"Giancarlo D'Alessandro",", un apasionado del tema a quien le ha dedicado gran parte de su vida para recoger y coleccionar todo lo relacionado con el fenómeno.",[18,6960,6961],{},[2434,6962],{"alt":6963,"src":6964},"Mike Lorenzo y Giancarlo D'Alessandro","\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002FMike-Lorenzo-y-Giancarlo.jpg",[1979,6966],{},[14,6968,6970],{"id":6969},"entrevista-con-giancarlo-dalessandro","Entrevista con Giancarlo D'Alessandro",[4173,6972,6974],{"id":6973},"cómo-nació-la-idea-del-museo-ufo-de-bagnoregio","¿Cómo nació la idea del Museo UFO de Bagnoregio?",[18,6976,6977],{},"La idea de preparar un espacio expositivo dedicado a los OVNIs nace siguiendo dos sugerencias:",[3249,6979,6980,6986],{},[344,6981,6982,6985],{},[25,6983,6984],{},"Un recuerdo de la infancia:"," Tendría unos 10 años y una tarde-noche de verano junto con mi familia estábamos tomando el fresco delante de la casa de mis abuelos en Calabria. Estaba anocheciendo cuando repentinamente fuimos testigos de un espectacular fenómeno luminoso. En la porción de cielo de frente a nosotros aparece un punto blanco y luminoso que se convierte en un círculo que comenzó a crecer, como una explosión que inició a agrandarse hasta cubrir todo el cielo y desaparecer. Todo en un silencio irreal. Poco después encontré una revista con un artículo sobre los platillos voladores: tenía que entender qué era lo que había visto y comencé a leer, a documentarme y a investigar.",[344,6987,6988,6991],{},[25,6989,6990],{},"«El Museo de la Inocencia» de Orhan Pamuk:"," La segunda sugerencia está ligada con la lectura de la novela del escritor turco Orhan Pamuk (Premio Nobel de Literatura). Los objetos tienen un poder evocador intrínseco: nos recuerdan a alguien, un viaje, un episodio de nuestra vida. De ahí la idea de «contar» las muchas historias relacionadas con los OVNIs a través de una exhibición de objetos.",[4173,6993,6995],{"id":6994},"el-museo-ufo-funciona-también-como-biblioteca-los-libros-son-todos-en-italiano","¿El Museo UFO funciona también como biblioteca? ¿Los libros son todos en italiano?",[18,6997,6998],{},"No como biblioteca pública en el sentido de préstamo abierto, pero previa solicitud específica a veces he accedido a la consulta de algunos textos. Casi todos son en italiano (creo tenerlos casi todos), y una pequeña parte está en inglés, francés y español.",[4173,7000,7002],{"id":7001},"de-todos-los-objetos-expuestos-cuál-es-el-más-extraño-y-cuál-el-más-popular","¿De todos los objetos expuestos cuál es el más extraño y cuál el más popular?",[341,7004,7005,7015],{},[344,7006,7007,7010,7011,7014],{},[25,7008,7009],{},"El más extraño y popular:"," Seguramente la ",[138,7012,7013],{},"Alien Love Doll",", siempre despierta curiosidad y risa.",[344,7016,7017,7020,7021,7024],{},[25,7018,7019],{},"El que provoca más miedo:"," El ",[138,7022,7023],{},"pez diablo"," es el que más impresión provoca.",[18,7026,7027],{},[2434,7028],{"alt":7013,"src":7029},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fmuseo-ufo-italiano-alien-love-doll.jpg",[4173,7031,7033],{"id":7032},"cómo-visitar-el-museo-ufo-de-bagnoregio","¿Cómo visitar el Museo UFO de Bagnoregio?",[18,7035,7036,7037,7040,7041,2058],{},"El museo está abierto todo el año bajo petición previa en ",[25,7038,7039],{},"Via Vittori 37, Bagnoregio (VT), Italia"," (contacto: ",[216,7042,7043],{},"assuntaz@tin.it",[18,7045,7046],{},[2434,7047],{"alt":7048,"src":7049},"Interior del Museo UFO","\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002FMuseo-UFO-italiano-interior1.jpg",[1979,7051],{},[14,7053,7055],{"id":7054},"opinión-final-sobre-el-fenómeno-ufo-ovni","Opinión final sobre el fenómeno UFO \u002F OVNI",[341,7057,7058,7064],{},[344,7059,7060,7063],{},[25,7061,7062],{},"Mi opinión personal (Mike Lorenzo):"," El fenómeno OVNI es un fenómeno real que interviene e influye enormemente en la mente del hombre. La gente ve o encuentra algo que rompe con su construcción de la realidad y esto tiene repercusiones en su estabilidad mental. Vivimos en un universo mucho más misterioso de lo que podemos imaginar.",[344,7065,7066,7069,7070,7073],{},[25,7067,7068],{},"Giancarlo D'Alessandro:"," La experiencia OVNI entra en la categoría de lo que llamo ",[138,7071,7072],{},"«Experiencias límite»",". Durante todos estos años de investigación y estudio todavía no tengo una respuesta definitiva: tengo más preguntas que respuestas. El fenómeno OVNI existe y es real; sobre su naturaleza surgen muchos problemas y nunca puede haber una «explicación unívoca». Es por eso que todavía es interesante tratar con él.",[42,7075,7076,7080,7092,7098,7103,7105,7109,7113,7116,7130,7134,7137,7141,7162,7166,7170,7179,7184,7186,7190],{},[14,7077,7079],{"id":7078},"una-visita-al-museo-ufo-di-bagnoregio","Una visita al Museo UFO di Bagnoregio",[18,7081,7082,7083,7085,7086,7088,7089,7091],{},"Vivendo in Italia ed essendo un artista che lavora con i miti —soprattutto quelli del XX secolo (come nella serie ",[155,7084,6176],{"href":6402},")—, non potevo non visitare il ",[25,7087,6946],{}," italiano nel piccolo borgo di ",[25,7090,6950],{},", nel centro Italia. Un luogo incredibile, pieno di storie e oggetti prodotti da tutta la cultura popolare nata intorno al fenomeno UFO.",[18,7093,7094,7095,7097],{},"Nel giugno 2019 ho avuto l’ottima occasione di visitare questa collezione privata del signor ",[25,7096,6957],{},", un appassionato che ha dedicato gran parte della sua vita a raccogliere e collezionare tutto ciò che riguarda il fenomeno.",[18,7099,7100],{},[2434,7101],{"alt":7102,"src":6964},"Mike Lorenzo e Giancarlo D'Alessandro",[1979,7104],{},[14,7106,7108],{"id":7107},"intervista-a-giancarlo-dalessandro","Intervista a Giancarlo D'Alessandro",[4173,7110,7112],{"id":7111},"comè-nata-lidea-del-museo-ufo-di-bagnoregio","Com’è nata l’idea del Museo UFO di Bagnoregio?",[18,7114,7115],{},"L’idea di preparare uno spazio espositivo dedicato agli UFO nasce da due suggestioni:",[3249,7117,7118,7124],{},[344,7119,7120,7123],{},[25,7121,7122],{},"Un ricordo d’infanzia:"," Avevo circa 10 anni e, in una sera d’estate, con la mia famiglia stavamo prendendo il fresco davanti alla casa dei miei nonni in Calabria. Stava imbrunendo quando all’improvviso fummo testimoni di uno spettacolare fenomeno luminoso. Nella porzione di cielo davanti a noi apparve un punto bianco e luminoso che si trasformò in un cerchio e cominciò a crescere, come un’esplosione che si allargava fino a coprire tutto il cielo e poi scomparire. Il tutto in un silenzio irreale. Poco dopo trovai una rivista con un articolo sui dischi volanti: dovevo capire cosa avevo visto, e cominciai a leggere, a documentarmi e a indagare.",[344,7125,7126,7129],{},[25,7127,7128],{},"«Il Museo dell’Innocenza» di Orhan Pamuk:"," La seconda suggestione è legata alla lettura del romanzo dello scrittore turco Orhan Pamuk (Premio Nobel per la Letteratura). Gli oggetti hanno un potere evocativo intrinseco: ci ricordano qualcuno, un viaggio, un episodio della nostra vita. Da qui l’idea di «raccontare» le tante storie legate agli UFO attraverso un’esposizione di oggetti.",[4173,7131,7133],{"id":7132},"il-museo-ufo-funziona-anche-come-biblioteca-i-libri-sono-tutti-in-italiano","Il Museo UFO funziona anche come biblioteca? I libri sono tutti in italiano?",[18,7135,7136],{},"Non come biblioteca pubblica in senso di prestito aperto, ma su richiesta specifica a volte ho concesso la consultazione di alcuni testi. Quasi tutti sono in italiano (credo di averli quasi tutti), e una piccola parte è in inglese, francese e spagnolo.",[4173,7138,7140],{"id":7139},"tra-tutti-gli-oggetti-esposti-qual-è-il-più-strano-e-quale-il-più-popolare","Tra tutti gli oggetti esposti, qual è il più strano e quale il più popolare?",[341,7142,7143,7152],{},[344,7144,7145,7148,7149,7151],{},[25,7146,7147],{},"Il più strano e il più popolare:"," Sicuramente la ",[138,7150,7013],{},", suscita sempre curiosità e risate.",[344,7153,7154,7157,7158,7161],{},[25,7155,7156],{},"Quello che fa più paura:"," Il ",[138,7159,7160],{},"pesce diavolo"," è quello che impressiona di più.",[18,7163,7164],{},[2434,7165],{"alt":7013,"src":7029},[4173,7167,7169],{"id":7168},"come-visitare-il-museo-ufo-di-bagnoregio","Come visitare il Museo UFO di Bagnoregio?",[18,7171,7172,7173,7176,7177,2058],{},"Il museo è aperto tutto l’anno su richiesta in ",[25,7174,7175],{},"Via Vittori 37, Bagnoregio (VT)"," (contatto: ",[216,7178,7043],{},[18,7180,7181],{},[2434,7182],{"alt":7183,"src":7049},"Interno del Museo UFO",[1979,7185],{},[14,7187,7189],{"id":7188},"opinione-finale-sul-fenomeno-ufo","Opinione finale sul fenomeno UFO",[341,7191,7192,7198],{},[344,7193,7194,7197],{},[25,7195,7196],{},"La mia opinione personale (Mike Lorenzo):"," Il fenomeno UFO è un fenomeno reale che interviene e influisce enormemente sulla mente dell’uomo. Le persone vedono o incontrano qualcosa che rompe la loro costruzione della realtà, e questo ha ripercussioni sulla loro stabilità mentale. Viviamo in un universo molto più misterioso di quanto possiamo immaginare.",[344,7199,7200,7202,7203,7206],{},[25,7201,7068],{}," L’esperienza UFO rientra nella categoria di quelle che chiamo ",[138,7204,7205],{},"«Esperienze limite»",". In tutti questi anni di ricerca e di studio non ho ancora una risposta definitiva: ho più domande che risposte. Il fenomeno UFO esiste ed è reale; sulla sua natura sorgono molti problemi e non può mai esserci una «spiegazione univoca». Ed è per questo che è ancora interessante occuparsene.",[68,7208,7209,7213,7226,7232,7237,7239,7243,7247,7250,7264,7268,7271,7275,7296,7300,7304,7313,7318,7320,7324],{},[14,7210,7212],{"id":7211},"a-visit-to-the-ufo-museum-in-bagnoregio","A visit to the UFO Museum in Bagnoregio",[18,7214,7215,7216,7218,7219,7222,7223,7225],{},"Living in Italy and being an artist who works with myths —especially those of the 20th century (as in the series ",[155,7217,6285],{"href":6402},")—, I couldn’t miss a visit to the Italian ",[25,7220,7221],{},"UFO Museum"," in the small town of ",[25,7224,6950],{},", in central Italy. An incredible place, full of stories and objects produced by the whole popular culture that has grown around the UFO phenomenon.",[18,7227,7228,7229,7231],{},"In June 2019 I had the great opportunity to visit this private collection owned by ",[25,7230,6957],{},", an enthusiast who has devoted much of his life to gathering and collecting everything related to the phenomenon.",[18,7233,7234],{},[2434,7235],{"alt":7236,"src":6964},"Mike Lorenzo and Giancarlo D'Alessandro",[1979,7238],{},[14,7240,7242],{"id":7241},"interview-with-giancarlo-dalessandro","Interview with Giancarlo D'Alessandro",[4173,7244,7246],{"id":7245},"how-was-the-idea-of-the-bagnoregio-ufo-museum-born","How was the idea of the Bagnoregio UFO Museum born?",[18,7248,7249],{},"The idea of preparing an exhibition space dedicated to UFOs came from two sources:",[3249,7251,7252,7258],{},[344,7253,7254,7257],{},[25,7255,7256],{},"A childhood memory:"," I was about 10 years old, and one summer evening my family and I were enjoying the cool air in front of my grandparents’ house in Calabria. Dusk was falling when we suddenly witnessed a spectacular luminous phenomenon. In the patch of sky in front of us a bright white dot appeared and turned into a circle that began to grow, like an explosion spreading until it covered the whole sky and then vanished. All in an unreal silence. Shortly afterwards I found a magazine with an article about flying saucers: I had to understand what I had seen, so I started reading, documenting and investigating.",[344,7259,7260,7263],{},[25,7261,7262],{},"Orhan Pamuk’s «The Museum of Innocence»:"," The second source is linked to the novel by the Turkish writer Orhan Pamuk (Nobel Prize in Literature). Objects have an intrinsic evocative power: they remind us of someone, a journey, an episode of our lives. Hence the idea of «telling» the many stories related to UFOs through an exhibition of objects.",[4173,7265,7267],{"id":7266},"does-the-ufo-museum-also-work-as-a-library-are-all-the-books-in-italian","Does the UFO Museum also work as a library? Are all the books in Italian?",[18,7269,7270],{},"Not as a public lending library, but on specific request I have sometimes allowed people to consult some texts. Almost all of them are in Italian (I think I have nearly all of them), and a small part is in English, French and Spanish.",[4173,7272,7274],{"id":7273},"of-all-the-objects-on-display-which-is-the-strangest-and-which-is-the-most-popular","Of all the objects on display, which is the strangest and which is the most popular?",[341,7276,7277,7286],{},[344,7278,7279,7282,7283,7285],{},[25,7280,7281],{},"The strangest and most popular:"," Definitely the ",[138,7284,7013],{},", it always sparks curiosity and laughter.",[344,7287,7288,7291,7292,7295],{},[25,7289,7290],{},"The scariest:"," The ",[138,7293,7294],{},"devil fish"," is the one that impresses people most.",[18,7297,7298],{},[2434,7299],{"alt":7013,"src":7029},[4173,7301,7303],{"id":7302},"how-can-you-visit-the-bagnoregio-ufo-museum","How can you visit the Bagnoregio UFO Museum?",[18,7305,7306,7307,7310,7311,2058],{},"The museum is open all year round by appointment at ",[25,7308,7309],{},"Via Vittori 37, Bagnoregio (VT), Italy"," (contact: ",[216,7312,7043],{},[18,7314,7315],{},[2434,7316],{"alt":7317,"src":7049},"Inside the UFO Museum",[1979,7319],{},[14,7321,7323],{"id":7322},"final-thoughts-on-the-ufo-phenomenon","Final thoughts on the UFO phenomenon",[341,7325,7326,7332],{},[344,7327,7328,7331],{},[25,7329,7330],{},"My personal opinion (Mike Lorenzo):"," The UFO phenomenon is a real phenomenon that deeply affects and influences the human mind. People see or encounter something that breaks their construction of reality, and this has repercussions on their mental stability. We live in a far more mysterious universe than we can imagine.",[344,7333,7334,7336,7337,7340],{},[25,7335,7068],{}," The UFO experience falls into the category of what I call ",[138,7338,7339],{},"«Limit experiences»",". After all these years of research and study I still have no definitive answer: I have more questions than answers. The UFO phenomenon exists and is real; many problems arise about its nature, and there can never be a «single explanation». That is why it is still interesting to deal with.",{"title":95,"searchDepth":96,"depth":96,"links":7342},[7343,7344,7350,7351,7352,7358,7359,7360,7366],{"id":6936,"depth":96,"text":6937},{"id":6969,"depth":96,"text":6970,"children":7345},[7346,7347,7348,7349],{"id":6973,"depth":4264,"text":6974},{"id":6994,"depth":4264,"text":6995},{"id":7001,"depth":4264,"text":7002},{"id":7032,"depth":4264,"text":7033},{"id":7054,"depth":96,"text":7055},{"id":7078,"depth":96,"text":7079},{"id":7107,"depth":96,"text":7108,"children":7353},[7354,7355,7356,7357],{"id":7111,"depth":4264,"text":7112},{"id":7132,"depth":4264,"text":7133},{"id":7139,"depth":4264,"text":7140},{"id":7168,"depth":4264,"text":7169},{"id":7188,"depth":96,"text":7189},{"id":7211,"depth":96,"text":7212},{"id":7241,"depth":96,"text":7242,"children":7361},[7362,7363,7364,7365],{"id":7245,"depth":4264,"text":7246},{"id":7266,"depth":4264,"text":7267},{"id":7273,"depth":4264,"text":7274},{"id":7302,"depth":4264,"text":7303},{"id":7322,"depth":96,"text":7323},"Visita y entrevista a Giancarlo D’Alessandro en su colección privada dedicada al fenómeno OVNI y su cultura popular en Bagnoregio, centro de Italia.","Visit and interview with Giancarlo D’Alessandro at his private collection dedicated to the UFO phenomenon and pop culture in Bagnoregio, Italy.","Visita e intervista a Giancarlo D’Alessandro nella sua collezione privata dedicata al fenomeno UFO e alla sua cultura popolare a Bagnoregio, nel centro Italia.",[7371,7374,7375,7378,7381,7382,7385,7386,7389],{"src":7372,"title":7373,"alt":7373},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fmuseo-ufo-italiano-1024x256.jpg","Museo UFO de Bagnoregio",{"src":6964,"title":6963,"alt":6963},{"src":7376,"title":7377,"alt":7377},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fpostal-del-museo-ufo-italiano.jpg","Postal del Museo UFO",{"src":7379,"title":7380,"alt":7380},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fmuseo-ufo-italiano-detalle.jpg","Detalle de la colección",{"src":7049,"title":7048,"alt":7048},{"src":7383,"title":7384,"alt":7384},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fmuseo-UFO-italiano-detalle-2.jpg","Detalle de la colección (2)",{"src":7029,"title":7013,"alt":7013},{"src":7387,"title":7388,"alt":7388},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002Fmuseo-ufo-italiano-pez-diablo.jpg","El pez diablo",{"src":7390,"title":7391,"alt":7391},"\u002Fimages\u002Fblog\u002Fmuseo-ufo-bagnoregio\u002FMuseo-UFO-italiano-interior-2.jpg","Interior del Museo UFO (2)",[],{},"\u002Fblog\u002Fmuseo-ufo-bagnoregio",{"title":6929,"description":7367},"blog\u002Fmuseo-ufo-bagnoregio",[6407,124,6950,7398,7399],"Entrevista","Cultura Popular","UFO Museum in Bagnoregio, Italy","Il Museo UFO di Bagnoregio","nxM0Fw5c9qHk6UkG6Vz0j14yrcK3FXjerhIRxyeL0x8",{"id":7404,"title":3827,"author":6,"body":7405,"category":5603,"date":7761,"description":7762,"description_en":7763,"description_it":7764,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":7765,"image":7767,"imageFocus":106,"keywords":7823,"meta":7824,"navigation":113,"noindex":108,"ogImage":106,"path":3826,"period":7825,"seo":7826,"seoDescription":106,"seoTitle":106,"status":106,"stem":7827,"tags":7828,"thumb":106,"title_en":4022,"title_it":7830,"updatedAt":106,"video":106,"__hash__":7831},"content\u002Fgaleria\u002Fhabana-2100.md",{"type":8,"value":7406,"toc":7747},[7407,7520,7633],[11,7408,7409,7413,7429,7440,7443,7447,7491,7495,7498,7503,7507],{},[14,7410,7412],{"id":7411},"ciencia-ficción-ciberpunk-y-steampunk-en-la-habana","Ciencia ficción, ciberpunk y steampunk en La Habana",[18,7414,7415,7417,7418,7421,7422,1966,7425,7428],{},[25,7416,3827],{}," es una serie de dibujos visionarios sobre el futuro de la capital cubana. El proyecto une los presupuestos conceptuales de la ",[25,7419,7420],{},"ciencia ficción"," y de los subgéneros ",[25,7423,7424],{},"ciberpunk",[25,7426,7427],{},"steampunk"," para concentrar la atención en el futuro impacto que podrían tener las nuevas tecnologías sobre diversos símbolos ya universales de la Ciudad de La Habana.",[18,7430,7431,7432,7435,7436,7439],{},"En este futuro híbrido, un elemento clave de la realidad cubana son los ",[25,7433,7434],{},"almendrones",", ya famosos por sobrevivir a tantos años de transformaciones pero que continúan a especular el uso de nuevas ",[138,7437,7438],{},"\"tecnologías de punta\""," cubiertas con la carrocería propia de estos autos que fuera de Cuba son llamados clásicos.",[18,7441,7442],{},"En la serie estos automóviles tendrán la capacidad de volar o flotar sobre la ciudad; crecerán en forma y tamaño, mostrándose como una gigantesca masa tecnológica que por sus dimensiones podrían ser asociados más a una locomotora que a un automóvil. Serán gigantescas máquinas engendradas por la futura glotonería tecnológica cubana de la especulación.",[14,7444,7446],{"id":7445},"obras-principales-de-la-serie","Obras principales de la serie",[341,7448,7449,7455,7461,7467,7473,7479,7485],{},[344,7450,7451,7454],{},[25,7452,7453],{},"«Tornado»"," — Almendrón aéreo sobrevolando las edificaciones habaneras.",[344,7456,7457,7460],{},[25,7458,7459],{},"«Huracán»"," — Máquina híbrida suspendida sobre el trazado urbano.",[344,7462,7463,7466],{},[25,7464,7465],{},"«El solitario»"," — Perspectiva frontal sobre el muro elevado.",[344,7468,7469,7472],{},[25,7470,7471],{},"«Malecón»"," — Dibujo original y versión retocada digitalmente.",[344,7474,7475,7478],{},[25,7476,7477],{},"«La Bodeguita del Medio»"," — Arquitectura tradicional reimaginada en el siglo XXII.",[344,7480,7481,7484],{},[25,7482,7483],{},"«La adivina»"," — Retrato ciberpunk con implantes oculares y tabaco.",[344,7486,7487,7490],{},[25,7488,7489],{},"«El P1»"," — El clásico transporte público cubano llevado al tráfico aéreo.",[14,7492,7494],{"id":7493},"utópica-y-distópica","Utópica y distópica",[18,7496,7497],{},"En esta \"utopía\" o \"distopía\" la sociedad sería del tipo tecnocrática, donde las máquinas y la inteligencia artificial estarían invadiendo el espacio humano desde las actividades propias como vender maní por la calle hasta el propio cuerpo, como los implantes oculares en las fumadoras de tabaco de La Habana Vieja.",[18,7499,7500,7501,28],{},"¿Qué tan alto sería el muro del Malecón si los autos volaran? ¿Llevar un paracaídas para coger la guagua? Para profundizar en estas interrogantes te invito a leer el artículo complementario del blog: ",[155,7502,6533],{"href":6916},[14,7504,7506],{"id":7505},"t-shirts-y-posters","T-Shirts y Posters",[18,7508,7509,7510,7512,7513,7516,7517,28],{},"Las obras de ",[25,7511,3827],{}," están disponibles impresas en camisetas y pósters a través de la ",[155,7514,7515],{"href":4149},"Tienda Online (\u002Fshop)"," o escribiéndome por ",[155,7518,2088],{"href":2086,"rel":7519},[159],[42,7521,7522,7526,7543,7553,7556,7558,7604,7608,7611,7616,7620],{},[14,7523,7525],{"id":7524},"fantascienza-cyberpunk-e-steampunk-allavana","Fantascienza, cyberpunk e steampunk all’Avana",[18,7527,7528,699,7530,7532,7533,7536,7537,2107,7540,7542],{},[25,7529,3827],{},[138,7531,3928],{},") è una serie di disegni visionari sul futuro della capitale cubana. Il progetto unisce i presupposti concettuali della ",[25,7534,7535],{},"fantascienza"," e dei sottogeneri ",[25,7538,7539],{},"cyberpunk",[25,7541,7427],{}," per concentrare l’attenzione sull’impatto che le nuove tecnologie potrebbero avere su diversi simboli, ormai universali, della città dell’Avana.",[18,7544,7545,7546,7548,7549,7552],{},"In questo futuro ibrido, un elemento chiave della realtà cubana sono gli ",[25,7547,7434],{},", le auto americane degli anni ’50, famose per essere sopravvissute a tanti anni di trasformazioni, che continuano a ospitare nuove ",[138,7550,7551],{},"\"tecnologie d’avanguardia\""," sotto la carrozzeria di queste auto che fuori da Cuba vengono chiamate d’epoca.",[18,7554,7555],{},"Nella serie queste automobili avranno la capacità di volare o fluttuare sopra la città; cresceranno di forma e dimensioni, mostrandosi come un’enorme massa tecnologica che, per le sue dimensioni, potrebbe essere associata più a una locomotiva che a un’automobile. Saranno macchine gigantesche, generate dalla futura ingordigia tecnologica cubana della speculazione.",[14,7557,5517],{"id":5516},[341,7559,7560,7565,7573,7581,7586,7591,7599],{},[344,7561,7562,7564],{},[25,7563,7453],{}," — Almendrón volante sopra gli edifici dell’Avana.",[344,7566,7567,699,7569,7572],{},[25,7568,7459],{},[138,7570,7571],{},"Uragano",") — Macchina ibrida sospesa sopra il tessuto urbano.",[344,7574,7575,699,7577,7580],{},[25,7576,7465],{},[138,7578,7579],{},"Il solitario",") — Prospettiva frontale sul muro sopraelevato.",[344,7582,7583,7585],{},[25,7584,7471],{}," — Disegno originale e versione ritoccata digitalmente.",[344,7587,7588,7590],{},[25,7589,7477],{}," — Architettura tradizionale reimmaginata nel XXII secolo.",[344,7592,7593,699,7595,7598],{},[25,7594,7483],{},[138,7596,7597],{},"L’indovina",") — Ritratto cyberpunk con impianti oculari e sigaro.",[344,7600,7601,7603],{},[25,7602,7489],{}," — Il classico autobus pubblico cubano portato nel traffico aereo.",[14,7605,7607],{"id":7606},"utopica-e-distopica","Utopica e distopica",[18,7609,7610],{},"In questa \"utopia\" o \"distopia\" la società sarebbe di tipo tecnocratico: le macchine e l’intelligenza artificiale invaderebbero lo spazio umano, dalle attività quotidiane come vendere arachidi per strada fino al corpo stesso, come gli impianti oculari delle fumatrici di sigari dell’Avana Vecchia.",[18,7612,7613,7614,28],{},"Quanto sarebbe alto il muro del Malecón se le auto volassero? Bisognerebbe portarsi un paracadute per prendere l’autobus? Per approfondire queste domande ti invito a leggere l’articolo del blog: ",[155,7615,6925],{"href":6916},[14,7617,7619],{"id":7618},"t-shirt-e-poster","T-Shirt e Poster",[18,7621,7622,7623,7625,7626,7629,7630,28],{},"Le opere di ",[25,7624,3827],{}," sono disponibili stampate su magliette e poster nello ",[155,7627,7628],{"href":4149},"Shop online"," oppure scrivendomi su ",[155,7631,2088],{"href":2086,"rel":7632},[159],[68,7634,7635,7639,7655,7665,7668,7672,7718,7722,7725,7731,7735],{},[14,7636,7638],{"id":7637},"science-fiction-cyberpunk-and-steampunk-in-havana","Science fiction, cyberpunk and steampunk in Havana",[18,7640,7641,699,7643,7645,7646,7649,7650,2237,7652,7654],{},[25,7642,3827],{},[138,7644,4022],{},") is a series of visionary drawings about the future of the Cuban capital. The project brings together the conceptual premises of ",[25,7647,7648],{},"science fiction"," and of the ",[25,7651,7539],{},[25,7653,7427],{}," subgenres to focus on the impact that new technologies might have on several now-universal symbols of the city of Havana.",[18,7656,7657,7658,7660,7661,7664],{},"In this hybrid future, a key element of Cuban reality are the ",[25,7659,7434],{},", the 1950s American cars, famous for surviving so many years of change, which keep housing new ",[138,7662,7663],{},"\"cutting-edge technologies\""," under the bodywork of these cars known abroad as classics.",[18,7666,7667],{},"In the series these cars will be able to fly or float above the city; they will grow in shape and size, becoming a gigantic technological mass that, because of its dimensions, could be associated more with a locomotive than with a car. Gigantic machines born of the future Cuban technological gluttony of speculation.",[14,7669,7671],{"id":7670},"main-works-of-the-series","Main works of the series",[341,7673,7674,7679,7687,7695,7700,7705,7713],{},[344,7675,7676,7678],{},[25,7677,7453],{}," — A flying almendrón soaring over Havana’s buildings.",[344,7680,7681,699,7683,7686],{},[25,7682,7459],{},[138,7684,7685],{},"Hurricane",") — A hybrid machine suspended above the city grid.",[344,7688,7689,699,7691,7694],{},[25,7690,7465],{},[138,7692,7693],{},"The Loner",") — Frontal view over the raised wall.",[344,7696,7697,7699],{},[25,7698,7471],{}," — Original drawing and digitally retouched version.",[344,7701,7702,7704],{},[25,7703,7477],{}," — Traditional architecture reimagined in the 22nd century.",[344,7706,7707,699,7709,7712],{},[25,7708,7483],{},[138,7710,7711],{},"The Fortune Teller",") — Cyberpunk portrait with eye implants and a cigar.",[344,7714,7715,7717],{},[25,7716,7489],{}," — Cuba’s classic public bus taken into air traffic.",[14,7719,7721],{"id":7720},"utopian-and-dystopian","Utopian and dystopian",[18,7723,7724],{},"In this \"utopia\" or \"dystopia\" society would be technocratic: machines and artificial intelligence would invade human space, from everyday activities such as selling peanuts on the street to the body itself, like the eye implants of the cigar-smoking women of Old Havana.",[18,7726,7727,7728,28],{},"How high would the Malecón wall be if cars could fly? Would you need a parachute to catch the bus? To dig deeper into these questions, read the companion blog post: ",[155,7729,7730],{"href":6916},"Havana’s Almendrones in the Year 2100",[14,7732,7734],{"id":7733},"t-shirts-and-posters","T-Shirts and Posters",[18,7736,6786,7737,7739,7740,7743,7744,28],{},[25,7738,3827],{}," artworks are available printed on T-shirts and posters in the ",[155,7741,7742],{"href":4149},"Online Shop"," or by messaging me on ",[155,7745,2088],{"href":2086,"rel":7746},[159],{"title":95,"searchDepth":96,"depth":96,"links":7748},[7749,7750,7751,7752,7753,7754,7755,7756,7757,7758,7759,7760],{"id":7411,"depth":96,"text":7412},{"id":7445,"depth":96,"text":7446},{"id":7493,"depth":96,"text":7494},{"id":7505,"depth":96,"text":7506},{"id":7524,"depth":96,"text":7525},{"id":5516,"depth":96,"text":5517},{"id":7606,"depth":96,"text":7607},{"id":7618,"depth":96,"text":7619},{"id":7637,"depth":96,"text":7638},{"id":7670,"depth":96,"text":7671},{"id":7720,"depth":96,"text":7721},{"id":7733,"depth":96,"text":7734},"2018-10-01","Serie de dibujos visionarios sobre el futuro de la capital cubana que une la ciencia ficción, el ciberpunk y el steampunk con los clásicos almendrones voladores.","Visionary drawing series about the future of the Cuban capital blending sci-fi, cyberpunk and steampunk with flying classic cars.","Serie di disegni visionari sul futuro della capitale cubana che unisce fantascienza, cyberpunk e steampunk alle classiche auto d’epoca volanti.",[7766,7769,7772,7775,7778,7781,7784,7787,7790,7793,7796,7799,7802,7805,7808,7811,7814,7817,7820],{"src":7767,"title":7768,"alt":7768},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FBus-P1-Habana-2100-dibujo-original-Mike-Lorenzo.jpg","Bus P1 Habana 2100 dibujo original",{"src":7770,"title":7771,"alt":7771},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FBus-P1-Habana-2100-Poster-Mike-Lorenzo.jpg","Bus P1 Habana 2100 Poster",{"src":7773,"title":7774,"alt":7774},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FBus-P1-Habana-2100-tshirt-Mike-Lorenzo.jpg","Bus P1 Habana 2100 tshirt",{"src":7776,"title":7777,"alt":7777},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FHabana-2100-Malecon-Mikelorenzo.jpg","Habana 2100 Malecon Mikelorenzo",{"src":7779,"title":7780,"alt":7780},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-adivina-Habana-2100-dibujo-original-Mike-Lorenzo.jpg","La adivina Habana 2100 dibujo original",{"src":7782,"title":7783,"alt":7783},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-adivina-Habana-2100-Poster-Mike-Lorenzo.jpg","La adivina Habana 2100 Poster",{"src":7785,"title":7786,"alt":7786},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-adivina-Habana-2100-t-shirt-Mike-Lorenzo.jpg","La adivina Habana 2100 t shirt",{"src":7788,"title":7789,"alt":7789},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-bodeguita-del-medio-Habana-2100-dibujo-original-Mike-Lorenzo.jpg","La bodeguita del medio Habana 2100 dibujo original",{"src":7791,"title":7792,"alt":7792},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-bodeguita-del-medio-Habana-2100-Poster-Mike-Lorenzo.jpg","La bodeguita del medio Habana 2100 Poster",{"src":7794,"title":7795,"alt":7795},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fla-bodeguita-del-medio-Habana-2100-tshirt-Mike-Lorenzo.jpg","La bodeguita del medio Habana 2100 tshirt",{"src":7797,"title":7798,"alt":7798},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fmaikel-lorenzo-el-solitario-habana-2100-2.jpg","Maikel lorenzo el solitario habana 2100 2",{"src":7800,"title":7801,"alt":7801},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fmaikel-lorenzo-huracan-habana-2100.jpg","Maikel lorenzo huracan habana 2100",{"src":7803,"title":7804,"alt":7804},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fmaikel-lorenzo-tornado-habana-2100.jpg","Maikel lorenzo tornado habana 2100",{"src":7806,"title":7807,"alt":7807},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fmalecon-Habana-2100-Poster-Mike-Lorenzo.jpg","Malecon Habana 2100 Poster",{"src":7809,"title":7810,"alt":7810},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Fmalecon-Habana-2100-Tshirt-Mike-Lorenzo.jpg","Malecon Habana 2100 Tshirt",{"src":7812,"title":7813,"alt":7813},"\u002Fimages\u002Farte\u002Fhabana-2100\u002Ft-shirts-Habana2100-artworks-Mike-Lorenzo-1024x480.jpg","T shirts Habana2100 artworks Mike Lorenzo 1024x480",{"src":7815,"title":7816,"alt":7816},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FTaxi-con-AI-Habana-2100-dibujo-original-Mike-Lorenzo.jpg","Taxi con AI Habana 2100 dibujo original",{"src":7818,"title":7819,"alt":7819},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FTaxi-con-AI-Habana-2100-Poster-Mike-Lorenzo.jpg","Taxi con AI Habana 2100 Poster",{"src":7821,"title":7822,"alt":7822},"\u002Fimages\u002Farte\u002Fhabana-2100\u002FTaxi-con-AI-Habana-2100-tshirt-Mike-Lorenzo.jpg","Taxi con AI Habana 2100 tshirt",[],{},"2018",{"title":3827,"description":7762},"galeria\u002Fhabana-2100",[6921,5019,2388,3194,6922,7829,3797,6923,3817,5629],"Steampunk","L’Avana Anno 2100 (Habana Año 2100)","F82tsMqPqfFLUYnKtA-Lvuvufy9ehOy1B84DOKiaLlE",{"id":7833,"title":7834,"author":6,"body":7835,"category":5603,"date":8089,"description":8090,"description_en":8091,"description_it":8092,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":8093,"image":8095,"imageFocus":106,"keywords":8100,"meta":8101,"navigation":113,"noindex":108,"ogImage":106,"path":8102,"period":8103,"seo":8104,"seoDescription":106,"seoTitle":106,"status":106,"stem":8105,"tags":8106,"thumb":106,"title_en":8109,"title_it":8110,"updatedAt":106,"video":106,"__hash__":8111},"content\u002Fgaleria\u002Fperpetuum-mobile.md","Proyecto «Perpetuum Mobile»",{"type":8,"value":7836,"toc":8075},[7837,7919,7999],[11,7838,7839,7850,7854,7860,7870,7874,7885,7891],{},[5439,7840,7841],{},[18,7842,7843,7846,7847],{},[138,7844,7845],{},"\"Este privilegio de estar en todas partes como en su casa sólo pertenece a los reyes, a las prostitutas y a los ladrones.\""," — Honoré de Balzac, ",[138,7848,7849],{},"Esplendores y miserias de las cortesanas",[14,7851,7853],{"id":7852},"las-casas-y-los-movimientos-humanos-como-motivo-de-reflexión","Las casas y los movimientos humanos como motivo de reflexión",[18,7855,7856,7859],{},[25,7857,7858],{},"Perpetuum Mobile"," marca mi regreso al dibujo al claroscuro después de más de 10 años experimentando intensamente con los vídeos y la animación 3D.",[18,7861,7862,7863,7866,7867,2058],{},"Para esta serie de dibujos continúo trabajando con un símbolo recurrente en mi obra: la ",[25,7864,7865],{},"rueda de la bicicleta",", que representa la fuerza del ingenio humano y que, unida a la figura de una casa, crea una metáfora sobre la problemática de poder ir hacia adelante manteniendo el equilibrio (",[138,7868,7869],{},"Obra destacada: «Equilibrio», 29,7×42 cm",[14,7871,7873],{"id":7872},"pautas-del-proyecto","Pautas del proyecto",[341,7875,7876,7879,7882],{},[344,7877,7878],{},"El hogar es el espacio simbólico donde desarrollamos nuestras primeras impresiones, recuerdos y fantasías; por tanto tiene una importancia capital en la vida de cada ser humano.",[344,7880,7881],{},"En nuestros días existe una gran problemática alrededor de poseer o conservar este espacio vital.",[344,7883,7884],{},"El movimiento de personas a nivel mundial que han tenido que abandonar sus hogares ha crecido exponencialmente en los últimos tiempos.",[14,7886,7888,7889,6218],{"id":7887},"volúmenes-del-proyecto-pmdotworks","Volúmenes del proyecto (",[216,7890,3393],{},[3249,7892,7893,7901,7907,7913],{},[344,7894,7895,7898,7899,2058],{},[25,7896,7897],{},"Volumen 1:"," Dibujos en grafito y claroscuro (",[216,7900,3393],{},[344,7902,7903,7906],{},[25,7904,7905],{},"Volumen 2:"," Pinturas.",[344,7908,7909,7912],{},[25,7910,7911],{},"Volumen 3:"," Esculturas interactivas.",[344,7914,7915,7918],{},[25,7916,7917],{},"Volumen 4:"," Gráfica interactiva 3D \u002F 2D.",[42,7920,7921,7931,7935,7940,7950,7954,7965,7971],{},[5439,7922,7923],{},[18,7924,7925,7846,7928],{},[138,7926,7927],{},"\"Il privilegio di sentirsi a casa propria ovunque appartiene soltanto ai re, alle prostitute e ai ladri.\"",[138,7929,7930],{},"Splendori e miserie delle cortigiane",[14,7932,7934],{"id":7933},"le-case-e-i-movimenti-umani-come-motivo-di-riflessione","Le case e i movimenti umani come motivo di riflessione",[18,7936,7937,7939],{},[25,7938,7858],{}," segna il mio ritorno al disegno in chiaroscuro dopo più di 10 anni di intensa sperimentazione con il video e l’animazione 3D.",[18,7941,7942,7943,7946,7947,2058],{},"In questa serie di disegni continuo a lavorare con un simbolo ricorrente nella mia opera: la ",[25,7944,7945],{},"ruota di bicicletta",", che rappresenta la forza dell’ingegno umano e che, unita alla figura di una casa, crea una metafora sulla difficoltà di andare avanti mantenendo l’equilibrio (",[138,7948,7949],{},"Opera in evidenza: «Equilibrio», 29,7×42 cm",[14,7951,7953],{"id":7952},"linee-guida-del-progetto","Linee guida del progetto",[341,7955,7956,7959,7962],{},[344,7957,7958],{},"La casa è lo spazio simbolico in cui sviluppiamo le nostre prime impressioni, i ricordi e le fantasie; per questo ha un’importanza fondamentale nella vita di ogni essere umano.",[344,7960,7961],{},"Oggi esiste un grande problema legato al possedere o conservare questo spazio vitale.",[344,7963,7964],{},"Il movimento di persone che nel mondo hanno dovuto abbandonare la propria casa è cresciuto in modo esponenziale negli ultimi tempi.",[14,7966,7968,7969,6218],{"id":7967},"volumi-del-progetto-pmdotworks","Volumi del progetto (",[216,7970,3393],{},[3249,7972,7973,7981,7987,7993],{},[344,7974,7975,7978,7979,2058],{},[25,7976,7977],{},"Volume 1:"," Disegni a grafite e chiaroscuro (",[216,7980,3393],{},[344,7982,7983,7986],{},[25,7984,7985],{},"Volume 2:"," Dipinti.",[344,7988,7989,7992],{},[25,7990,7991],{},"Volume 3:"," Sculture interattive.",[344,7994,7995,7998],{},[25,7996,7997],{},"Volume 4:"," Grafica interattiva 3D \u002F 2D.",[68,8000,8001,8011,8015,8020,8030,8034,8045,8051],{},[5439,8002,8003],{},[18,8004,8005,7846,8008],{},[138,8006,8007],{},"\"This privilege of being at home everywhere belongs only to kings, prostitutes and thieves.\"",[138,8009,8010],{},"A Harlot High and Low",[14,8012,8014],{"id":8013},"houses-and-human-movement-as-a-subject-of-reflection","Houses and human movement as a subject of reflection",[18,8016,8017,8019],{},[25,8018,7858],{}," marks my return to chiaroscuro drawing after more than 10 years of intense experimentation with video and 3D animation.",[18,8021,8022,8023,8026,8027,2058],{},"In this drawing series I keep working with a recurring symbol in my work: the ",[25,8024,8025],{},"bicycle wheel",", which represents the strength of human ingenuity and which, combined with the figure of a house, creates a metaphor for the struggle to move forward while keeping one’s balance (",[138,8028,8029],{},"Featured work: «Equilibrio» \u002F Balance, 29.7×42 cm",[14,8031,8033],{"id":8032},"guiding-ideas-of-the-project","Guiding ideas of the project",[341,8035,8036,8039,8042],{},[344,8037,8038],{},"Home is the symbolic space where we form our first impressions, memories and fantasies; it is therefore of paramount importance in every human life.",[344,8040,8041],{},"Today there is a serious problem around owning or keeping this vital space.",[344,8043,8044],{},"The number of people around the world who have had to leave their homes has grown exponentially in recent times.",[14,8046,8048,8049,6218],{"id":8047},"project-volumes-pmdotworks","Project volumes (",[216,8050,3393],{},[3249,8052,8053,8060,8065,8070],{},[344,8054,8055,8057,8058,2058],{},[25,8056,7977],{}," Graphite and chiaroscuro drawings (",[216,8059,3393],{},[344,8061,8062,8064],{},[25,8063,7985],{}," Paintings.",[344,8066,8067,8069],{},[25,8068,7991],{}," Interactive sculptures.",[344,8071,8072,8074],{},[25,8073,7997],{}," Interactive 3D \u002F 2D graphics.",{"title":95,"searchDepth":96,"depth":96,"links":8076},[8077,8078,8079,8081,8082,8083,8085,8086,8087],{"id":7852,"depth":96,"text":7853},{"id":7872,"depth":96,"text":7873},{"id":7887,"depth":96,"text":8080},"Volúmenes del proyecto (#pmdotworks)",{"id":7933,"depth":96,"text":7934},{"id":7952,"depth":96,"text":7953},{"id":7967,"depth":96,"text":8084},"Volumi del progetto (#pmdotworks)",{"id":8013,"depth":96,"text":8014},{"id":8032,"depth":96,"text":8033},{"id":8047,"depth":96,"text":8088},"Project volumes (#pmdotworks)","2017-05-20","Regreso al dibujo al claroscuro donde las casas sobre ruedas de bicicleta reflexionan sobre la migración y el movimiento humano.","Chiaroscuro drawing series where houses balanced on bicycle wheels reflect on migration and human movement.","Ritorno al disegno in chiaroscuro: case su ruote di bicicletta che riflettono sulla migrazione e sul movimento umano.",[8094,8097],{"src":8095,"title":8096,"alt":8096},"\u002Fimages\u002Farte\u002Fperpetuum-mobile\u002Fmike-lorenzo-1024x1024.jpg","Mike lorenzo 1024x1024",{"src":8098,"title":8099,"alt":8099},"\u002Fimages\u002Farte\u002Fperpetuum-mobile\u002Fmobile-perpetuum.jpg","Mobile perpetuum",[],{},"\u002Fgaleria\u002Fperpetuum-mobile","2017",{"title":7834,"description":8090},"galeria\u002Fperpetuum-mobile",[5019,8107,5755,7858,8108,5629],"Claroscuro","pmdotworks","Project «Perpetuum Mobile»","Progetto «Perpetuum Mobile»","PvnNvm56biGxbJ6W91Fa6cgeA_QGcCkq_iLPMNR3uLM",{"id":8113,"title":8114,"author":6,"body":8115,"category":5603,"date":8458,"description":8459,"description_en":8460,"description_it":8461,"engine":8462,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":8463,"image":8465,"imageFocus":106,"keywords":8470,"meta":8471,"navigation":113,"noindex":108,"ogImage":106,"path":8472,"period":8473,"seo":8474,"seoDescription":106,"seoTitle":106,"status":106,"stem":8475,"tags":8476,"thumb":106,"title_en":8481,"title_it":8482,"updatedAt":106,"video":106,"__hash__":8483},"content\u002Fgaleria\u002Fconcept-art.md","Concept Art & Speedpaintings (Warcraft, Starcraft & Orcos)",{"type":8,"value":8116,"toc":8444},[8117,8237,8341],[11,8118,8119,8123,8144,8148,8207,8211,8216,8230,8234],{},[14,8120,8122],{"id":8121},"exploraciones-en-concept-art-y-speedpainting","Exploraciones en Concept Art y Speedpainting",[18,8124,8125,8126,8129,8130,8133,8134,1966,8137,8140,8141,28],{},"Galería de ",[138,8127,8128],{},"speedpaintings"," creados con la aplicación ",[25,8131,8132],{},"Procreate"," y estudios de personajes inspirados en mis videojuegos de estrategia en tiempo real favoritos (",[25,8135,8136],{},"Warcraft",[25,8138,8139],{},"Starcraft","), saldando una pequeña deuda personal con aquellos universos visuales. Además, mis selecciones actualizadas de Concept Art se encuentran disponibles en ",[25,8142,8143],{},"ArtStation",[14,8145,8147],{"id":8146},"personajes-inspirados-en-warcraft","Personajes inspirados en Warcraft",[341,8149,8150,8156,8162,8167,8172,8177,8182,8187,8192,8197,8202],{},[344,8151,8152,8155],{},[25,8153,8154],{},"Orc - V1"," (Warcraft)",[344,8157,8158,8161],{},[25,8159,8160],{},"Dragon's Eye \u002F Ojo de dragón"," (Warcraft, 2017)",[344,8163,8164],{},[25,8165,8166],{},"Dragon's Nest \u002F Nido de dragón - V1",[344,8168,8169],{},[25,8170,8171],{},"Goblin Zeppelin - V1",[344,8173,8174],{},[25,8175,8176],{},"Night Elf - V2",[344,8178,8179],{},[25,8180,8181],{},"Grunt - V1, V2 y V3",[344,8183,8184],{},[25,8185,8186],{},"Durotan - V1",[344,8188,8189],{},[25,8190,8191],{},"Goblin Sappers - V1",[344,8193,8194],{},[25,8195,8196],{},"Death Knight - V1",[344,8198,8199],{},[25,8200,8201],{},"Ogre - V1",[344,8203,8204],{},[25,8205,8206],{},"Blacksmith - V1",[14,8208,8210],{"id":8209},"personajes-inspirados-en-starcraft","Personajes inspirados en Starcraft",[18,8212,8213,8215],{},[25,8214,8139],{}," trasladó la estrategia en tiempo real de Blizzard al espacio profundo, enfrentando a la raza humana contra especies extraterrestres:",[341,8217,8218,8224],{},[344,8219,8220,8223],{},[25,8221,8222],{},"Marine - V1 y V2"," (Starcraft)",[344,8225,8226,8229],{},[25,8227,8228],{},"Firebat - V1 y V2"," (Starcraft, 2017)",[14,8231,8233],{"id":8232},"serie-mis-dibujos-de-orcos-capítulos-1-al-9","Serie «Mis dibujos de Orcos» (Capítulos 1 al 9)",[18,8235,8236],{},"Serie de 9 capítulos en vídeo y dibujo tradicional de retratos de orcos basados en diferentes videojuegos y libros de fantasía (2015).",[42,8238,8239,8243,8260,8264,8313,8317,8322,8334,8338],{},[14,8240,8242],{"id":8241},"esplorazioni-in-concept-art-e-speedpainting","Esplorazioni in Concept Art e Speedpainting",[18,8244,8245,8246,8249,8250,8252,8253,2107,8255,8257,8258,28],{},"Galleria di ",[138,8247,8248],{},"speedpainting"," creati con l’app ",[25,8251,8132],{}," e studi di personaggi ispirati ai miei videogiochi di strategia in tempo reale preferiti (",[25,8254,8136],{},[25,8256,8139],{},"), per saldare un piccolo debito personale con quegli universi visivi. Le mie selezioni aggiornate di Concept Art sono disponibili anche su ",[25,8259,8143],{},[14,8261,8263],{"id":8262},"personaggi-ispirati-a-warcraft","Personaggi ispirati a Warcraft",[341,8265,8266,8270,8275,8280,8284,8288,8293,8297,8301,8305,8309],{},[344,8267,8268,8155],{},[25,8269,8154],{},[344,8271,8272,8161],{},[25,8273,8274],{},"Dragon's Eye \u002F Occhio di drago",[344,8276,8277],{},[25,8278,8279],{},"Dragon's Nest \u002F Nido di drago - V1",[344,8281,8282],{},[25,8283,8171],{},[344,8285,8286],{},[25,8287,8176],{},[344,8289,8290],{},[25,8291,8292],{},"Grunt - V1, V2 e V3",[344,8294,8295],{},[25,8296,8186],{},[344,8298,8299],{},[25,8300,8191],{},[344,8302,8303],{},[25,8304,8196],{},[344,8306,8307],{},[25,8308,8201],{},[344,8310,8311],{},[25,8312,8206],{},[14,8314,8316],{"id":8315},"personaggi-ispirati-a-starcraft","Personaggi ispirati a Starcraft",[18,8318,8319,8321],{},[25,8320,8139],{}," ha portato la strategia in tempo reale di Blizzard nello spazio profondo, mettendo la razza umana contro specie aliene:",[341,8323,8324,8329],{},[344,8325,8326,8223],{},[25,8327,8328],{},"Marine - V1 e V2",[344,8330,8331,8229],{},[25,8332,8333],{},"Firebat - V1 e V2",[14,8335,8337],{"id":8336},"serie-i-miei-disegni-di-orchi-capitoli-19","Serie «I miei disegni di Orchi» (Capitoli 1–9)",[18,8339,8340],{},"Serie di 9 capitoli in video e disegno tradizionale con ritratti di orchi tratti da diversi videogiochi e libri fantasy (2015).",[68,8342,8343,8347,8363,8367,8416,8420,8425,8437,8441],{},[14,8344,8346],{"id":8345},"explorations-in-concept-art-and-speedpainting","Explorations in Concept Art and Speedpainting",[18,8348,8349,8350,8352,8353,8355,8356,2237,8358,8360,8361,28],{},"A gallery of ",[138,8351,8128],{}," made with the ",[25,8354,8132],{}," app and character studies inspired by my favorite real-time strategy games (",[25,8357,8136],{},[25,8359,8139],{},"), paying off a small personal debt to those visual universes. My updated Concept Art selections are also available on ",[25,8362,8143],{},[14,8364,8366],{"id":8365},"characters-inspired-by-warcraft","Characters inspired by Warcraft",[341,8368,8369,8373,8378,8383,8387,8391,8396,8400,8404,8408,8412],{},[344,8370,8371,8155],{},[25,8372,8154],{},[344,8374,8375,8161],{},[25,8376,8377],{},"Dragon's Eye",[344,8379,8380],{},[25,8381,8382],{},"Dragon's Nest - V1",[344,8384,8385],{},[25,8386,8171],{},[344,8388,8389],{},[25,8390,8176],{},[344,8392,8393],{},[25,8394,8395],{},"Grunt - V1, V2 and V3",[344,8397,8398],{},[25,8399,8186],{},[344,8401,8402],{},[25,8403,8191],{},[344,8405,8406],{},[25,8407,8196],{},[344,8409,8410],{},[25,8411,8201],{},[344,8413,8414],{},[25,8415,8206],{},[14,8417,8419],{"id":8418},"characters-inspired-by-starcraft","Characters inspired by Starcraft",[18,8421,8422,8424],{},[25,8423,8139],{}," took Blizzard’s real-time strategy into deep space, pitting the human race against alien species:",[341,8426,8427,8432],{},[344,8428,8429,8223],{},[25,8430,8431],{},"Marine - V1 and V2",[344,8433,8434,8229],{},[25,8435,8436],{},"Firebat - V1 and V2",[14,8438,8440],{"id":8439},"my-orc-drawings-series-chapters-19","«My Orc Drawings» series (Chapters 1–9)",[18,8442,8443],{},"A 9-chapter series of videos and traditional drawings of orc portraits based on different video games and fantasy books (2015).",{"title":95,"searchDepth":96,"depth":96,"links":8445},[8446,8447,8448,8449,8450,8451,8452,8453,8454,8455,8456,8457],{"id":8121,"depth":96,"text":8122},{"id":8146,"depth":96,"text":8147},{"id":8209,"depth":96,"text":8210},{"id":8232,"depth":96,"text":8233},{"id":8241,"depth":96,"text":8242},{"id":8262,"depth":96,"text":8263},{"id":8315,"depth":96,"text":8316},{"id":8336,"depth":96,"text":8337},{"id":8345,"depth":96,"text":8346},{"id":8365,"depth":96,"text":8366},{"id":8418,"depth":96,"text":8419},{"id":8439,"depth":96,"text":8440},"2016-11-10","Exploraciones en el campo del Concept Art y speedpaintings digitales creados con Procreate inspirados en Warcraft, Starcraft y una serie de retratos de Orcos.","Concept Art explorations and digital speedpaintings created in Procreate inspired by Warcraft, Starcraft and an Orc portrait series.","Esplorazioni nel campo del Concept Art e speedpainting digitali creati con Procreate, ispirati a Warcraft, Starcraft e a una serie di ritratti di orchi.","Procreate \u002F Digital",[8464,8467],{"src":8465,"title":8466,"alt":8466},"\u002Fimages\u002Farte\u002Fconcept-art\u002Forco-concept-art-Mike-Lorenzo.jpg","Orco — concept art",{"src":8468,"title":8469,"alt":8469},"\u002Fimages\u002Farte\u002Fconcept-art\u002FMike-ArtStation.jpg","Concept art en ArtStation",[],{},"\u002Fgaleria\u002Fconcept-art","2015–2017",{"title":8114,"description":8459},"galeria\u002Fconcept-art",[8477,2388,8478,8479,8132,8480,2386,8136,8139],"Concept Art","Pintura","Speedpainting","Personajes","Concept Art & Speedpaintings (Warcraft, Starcraft & Orcs)","Concept Art & Speedpainting (Warcraft, Starcraft & Orchi)","oWGgTO3XTpC7EkiNPTBBuhYf-npKj_OrdpMzzX2QwnE",{"id":4,"title":5,"author":6,"body":8485,"category":101,"date":102,"description":103,"description_en":104,"description_it":105,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":8546,"image":110,"imageFocus":106,"keywords":8547,"meta":8548,"navigation":113,"noindex":108,"ogImage":106,"path":114,"period":115,"seo":8549,"seoDescription":106,"seoTitle":106,"status":106,"stem":117,"tags":8550,"thumb":106,"title_en":5,"title_it":5,"updatedAt":106,"video":125,"__hash__":126},{"type":8,"value":8486,"toc":8541},[8487,8505,8523],[11,8488,8489,8491,8493,8497,8499,8501],{},[14,8490,5],{"id":16},[18,8492,20],{},[18,8494,23,8495,28],{},[25,8496,27],{},[18,8498,31],{},[18,8500,34],{},[18,8502,37,8503,40],{},[25,8504,5],{},[42,8506,8507,8509,8511,8515,8517,8519],{},[14,8508,5],{"id":46},[18,8510,49],{},[18,8512,52,8513,28],{},[25,8514,27],{},[18,8516,57],{},[18,8518,60],{},[18,8520,63,8521,66],{},[25,8522,5],{},[68,8524,8525,8527,8529,8533,8535,8537],{},[14,8526,5],{"id":72},[18,8528,75],{},[18,8530,78,8531,28],{},[25,8532,81],{},[18,8534,84],{},[18,8536,87],{},[18,8538,90,8539,93],{},[25,8540,5],{},{"title":95,"searchDepth":96,"depth":96,"links":8542},[8543,8544,8545],{"id":16,"depth":96,"text":5},{"id":46,"depth":96,"text":5},{"id":72,"depth":96,"text":5},[],[],{},{"title":5,"description":103},[119,120,121,122,123,124],{"id":8552,"title":8553,"author":6,"body":8554,"category":2848,"date":8906,"description":8907,"description_en":8908,"description_it":8909,"engine":8910,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":8911,"image":8913,"imageFocus":106,"keywords":8927,"meta":8928,"navigation":113,"noindex":108,"ogImage":106,"path":2056,"period":8929,"seo":8930,"seoDescription":106,"seoTitle":106,"status":106,"stem":8931,"tags":8932,"thumb":106,"title_en":8935,"title_it":8936,"updatedAt":106,"video":106,"__hash__":8937},"content\u002Fgaleria\u002Fvideos-musicales-3d.md","Vídeos musicales con animaciones 3D y 2D (2004–2021)",{"type":8,"value":8555,"toc":8871},[8556,8676,8774],[11,8557,8558,8562,8579,8582,8586,8590,8593,8598,8602,8604,8608,8612,8615,8619,8623,8625,8629,8633,8635,8639,8643,8645,8649,8653,8655,8659,8663,8665,8669],{},[14,8559,8561],{"id":8560},"pioneros-del-videoclip-3d-en-cuba-junto-a-andros-barroso","Pioneros del videoclip 3D en Cuba junto a Andros Barroso",[18,8563,8564,8565,8568,8569,8571,8572,8575,8576,28],{},"En mi carrera he dedicado mucho tiempo a aprender y perfeccionar técnicas de animación ",[25,8566,8567],{},"3D y 2D",". Esto me llevó a producir en Cuba, junto al director de cine ",[25,8570,3319],{},", los primeros videoclips en animación 3D que salieron en la televisión cubana entre los años ",[25,8573,8574],{},"2004 y 2007"," (y nuevas colaboraciones hasta 2021). En este período quiero agradecer también la ayuda y el apoyo del editor de cine ",[25,8577,8578],{},"Manuel Iglesias",[18,8580,8581],{},"Los renders 3D de aquellos primeros años los hacía en una vieja laptop que no quería sufrir mucho, pero donde predominaba siempre la fuerza de la idea y la dirección artística.",[14,8583,8585],{"id":8584},"videoclips-producidos","Videoclips producidos",[4173,8587,8589],{"id":8588},"vamos-a-reciclar-haila-2021","«Vamos a reciclar» — Haila (2021)",[18,8591,8592],{},"Dir. Andros Barroso · Animación Mike Lorenzo.",[8594,8595],"youtube-video",{"src":8596,"title":8597},"https:\u002F\u002Fyoutu.be\u002F_f84a7Y3tzM","Vamos a reciclar — Haila (2021)",[4173,8599,8601],{"id":8600},"entre-fieras-telmary-y-la-pantoja-de-cuba-2013","«Entre Fieras» — Telmary y La Pantoja de Cuba (2013)",[18,8603,8592],{},[8594,8605],{"src":8606,"title":8607},"https:\u002F\u002Fyoutu.be\u002FpjpVm7fOm4c","Entre Fieras — Telmary y La Pantoja de Cuba (2013)",[4173,8609,8611],{"id":8610},"qué-equivocao-cd-a-diario-telmary-2007","«Qué equivoca'o» (CD A diario) — Telmary (2007)",[18,8613,8614],{},"Dir. Andros Barroso · 3D Mike Lorenzo.",[8594,8616],{"src":8617,"title":8618},"https:\u002F\u002Fyoutu.be\u002FwIG8rRoJ1rc","Qué equivoca'o — Telmary (2007)",[4173,8620,8622],{"id":8621},"ansiedad-paulo-fg-2006","«Ansiedad» — Paulo FG (2006)",[18,8624,8614],{},[8594,8626],{"src":8627,"title":8628},"https:\u002F\u002Fyoutu.be\u002F4vDqaxp29f8","Ansiedad — Paulo FG (2006)",[4173,8630,8632],{"id":8631},"m-con-a-n-con-i-maní-maní-haila-y-coro-diminuto-2006","«M con A, N con I (Maní Maní)» — Haila y Coro Diminuto (2006)",[18,8634,8614],{},[8594,8636],{"src":8637,"title":8638},"https:\u002F\u002Fyoutu.be\u002FbNO0N78vIF0","M con A, N con I (Maní Maní) — Haila y Coro Diminuto (2006)",[4173,8640,8642],{"id":8641},"el-carro-descemer-bueno-2006","«El carro» — Descemer Bueno (2006)",[18,8644,8614],{},[8594,8646],{"src":8647,"title":8648},"https:\u002F\u002Fyoutu.be\u002FYL5Vyq6T5pw","El carro — Descemer Bueno (2006)",[4173,8650,8652],{"id":8651},"cabiosile-papo-record-2005","«Cabiosile» — Papo Record (2005)",[18,8654,8614],{},[8594,8656],{"src":8657,"title":8658},"https:\u002F\u002Fyoutu.be\u002FFZOGc7t_Dvs","Cabiosile — Papo Record (2005)",[4173,8660,8662],{"id":8661},"pá-qué-tú-hablas-francis-del-río-2004","«Pá qué tú hablas» — Francis del Río (2004)",[18,8664,8614],{},[8594,8666],{"src":8667,"title":8668},"https:\u002F\u002Fyoutu.be\u002FQCOt4OK4NTI","Pá qué tú hablas — Francis del Río (2004)",[18,8670,8671,8672,28],{},"Puedes explorar también los detalles del modelado de las ciudades en el artículo ",[155,8673,8675],{"href":8674},"\u002Fgaleria\u002Farquitectura-3d-videoclips","Diseños arquitectónicos creados para la producción de vídeos 3D",[42,8677,8678,8682,8699,8702,8706,8709,8712,8714,8718,8720,8723,8726,8729,8731,8734,8736,8738,8742,8744,8747,8750,8752,8754,8757,8759,8761,8764,8766,8768],{},[14,8679,8681],{"id":8680},"pionieri-del-videoclip-3d-a-cuba-con-andros-barroso","Pionieri del videoclip 3D a Cuba con Andros Barroso",[18,8683,8684,8685,8688,8689,8691,8692,8695,8696,8698],{},"Nella mia carriera ho dedicato molto tempo a imparare e perfezionare le tecniche di animazione ",[25,8686,8687],{},"3D e 2D",". Questo mi ha portato a produrre a Cuba, insieme al regista ",[25,8690,3319],{},", i primi videoclip in animazione 3D trasmessi dalla televisione cubana tra il ",[25,8693,8694],{},"2004 e il 2007"," (e nuove collaborazioni fino al 2021). Per questo periodo voglio ringraziare anche il montatore ",[25,8697,8578],{}," per il suo aiuto e sostegno.",[18,8700,8701],{},"I render 3D di quei primi anni li facevo su un vecchio portatile che non voleva soffrire troppo, ma dove contavano sempre la forza dell’idea e la direzione artistica.",[14,8703,8705],{"id":8704},"videoclip-prodotti","Videoclip prodotti",[4173,8707,8589],{"id":8708},"vamos-a-reciclar-haila-2021-1",[18,8710,8711],{},"Regia Andros Barroso · Animazione Mike Lorenzo.",[8594,8713],{"src":8596,"title":8597},[4173,8715,8717],{"id":8716},"entre-fieras-telmary-e-la-pantoja-de-cuba-2013","«Entre Fieras» — Telmary e La Pantoja de Cuba (2013)",[18,8719,8711],{},[8594,8721],{"src":8606,"title":8722},"Entre Fieras — Telmary e La Pantoja de Cuba (2013)",[4173,8724,8611],{"id":8725},"qué-equivocao-cd-a-diario-telmary-2007-1",[18,8727,8728],{},"Regia Andros Barroso · 3D Mike Lorenzo.",[8594,8730],{"src":8617,"title":8618},[4173,8732,8622],{"id":8733},"ansiedad-paulo-fg-2006-1",[18,8735,8728],{},[8594,8737],{"src":8627,"title":8628},[4173,8739,8741],{"id":8740},"m-con-a-n-con-i-maní-maní-haila-e-coro-diminuto-2006","«M con A, N con I (Maní Maní)» — Haila e Coro Diminuto (2006)",[18,8743,8728],{},[8594,8745],{"src":8637,"title":8746},"M con A, N con I (Maní Maní) — Haila e Coro Diminuto (2006)",[4173,8748,8642],{"id":8749},"el-carro-descemer-bueno-2006-1",[18,8751,8728],{},[8594,8753],{"src":8647,"title":8648},[4173,8755,8652],{"id":8756},"cabiosile-papo-record-2005-1",[18,8758,8728],{},[8594,8760],{"src":8657,"title":8658},[4173,8762,8662],{"id":8763},"pá-qué-tú-hablas-francis-del-río-2004-1",[18,8765,8728],{},[8594,8767],{"src":8667,"title":8668},[18,8769,8770,8771,28],{},"Puoi esplorare anche i dettagli della modellazione delle città nell’articolo ",[155,8772,8773],{"href":8674},"Progetti architettonici per la produzione di video 3D",[68,8775,8776,8780,8797,8800,8804,8807,8810,8812,8816,8818,8821,8824,8826,8828,8831,8833,8835,8839,8841,8844,8847,8849,8851,8854,8856,8858,8861,8863,8865],{},[14,8777,8779],{"id":8778},"pioneers-of-the-3d-music-video-in-cuba-with-andros-barroso","Pioneers of the 3D music video in Cuba with Andros Barroso",[18,8781,8782,8783,8786,8787,8789,8790,8793,8794,8796],{},"Throughout my career I have spent a lot of time learning and refining ",[25,8784,8785],{},"3D and 2D"," animation techniques. This led me to produce in Cuba, together with film director ",[25,8788,3319],{},", the first 3D animated music videos broadcast on Cuban television between ",[25,8791,8792],{},"2004 and 2007"," (with new collaborations until 2021). I also want to thank film editor ",[25,8795,8578],{}," for his help and support during this period.",[18,8798,8799],{},"In those early years I rendered the 3D scenes on an old laptop that did not like to suffer much, but the strength of the idea and the art direction always came first.",[14,8801,8803],{"id":8802},"music-videos-produced","Music videos produced",[4173,8805,8589],{"id":8806},"vamos-a-reciclar-haila-2021-2",[18,8808,8809],{},"Dir. Andros Barroso · Animation Mike Lorenzo.",[8594,8811],{"src":8596,"title":8597},[4173,8813,8815],{"id":8814},"entre-fieras-telmary-and-la-pantoja-de-cuba-2013","«Entre Fieras» — Telmary and La Pantoja de Cuba (2013)",[18,8817,8809],{},[8594,8819],{"src":8606,"title":8820},"Entre Fieras — Telmary and La Pantoja de Cuba (2013)",[4173,8822,8611],{"id":8823},"qué-equivocao-cd-a-diario-telmary-2007-2",[18,8825,8614],{},[8594,8827],{"src":8617,"title":8618},[4173,8829,8622],{"id":8830},"ansiedad-paulo-fg-2006-2",[18,8832,8614],{},[8594,8834],{"src":8627,"title":8628},[4173,8836,8838],{"id":8837},"m-con-a-n-con-i-maní-maní-haila-and-coro-diminuto-2006","«M con A, N con I (Maní Maní)» — Haila and Coro Diminuto (2006)",[18,8840,8614],{},[8594,8842],{"src":8637,"title":8843},"M con A, N con I (Maní Maní) — Haila and Coro Diminuto (2006)",[4173,8845,8642],{"id":8846},"el-carro-descemer-bueno-2006-2",[18,8848,8614],{},[8594,8850],{"src":8647,"title":8648},[4173,8852,8652],{"id":8853},"cabiosile-papo-record-2005-2",[18,8855,8614],{},[8594,8857],{"src":8657,"title":8658},[4173,8859,8662],{"id":8860},"pá-qué-tú-hablas-francis-del-río-2004-2",[18,8862,8614],{},[8594,8864],{"src":8667,"title":8668},[18,8866,8867,8868,28],{},"You can also explore the details of how the cities were modeled in ",[155,8869,8870],{"href":8674},"3D architectural designs for music video production",{"title":95,"searchDepth":96,"depth":96,"links":8872},[8873,8874,8884,8885,8895,8896],{"id":8560,"depth":96,"text":8561},{"id":8584,"depth":96,"text":8585,"children":8875},[8876,8877,8878,8879,8880,8881,8882,8883],{"id":8588,"depth":4264,"text":8589},{"id":8600,"depth":4264,"text":8601},{"id":8610,"depth":4264,"text":8611},{"id":8621,"depth":4264,"text":8622},{"id":8631,"depth":4264,"text":8632},{"id":8641,"depth":4264,"text":8642},{"id":8651,"depth":4264,"text":8652},{"id":8661,"depth":4264,"text":8662},{"id":8680,"depth":96,"text":8681},{"id":8704,"depth":96,"text":8705,"children":8886},[8887,8888,8889,8890,8891,8892,8893,8894],{"id":8708,"depth":4264,"text":8589},{"id":8716,"depth":4264,"text":8717},{"id":8725,"depth":4264,"text":8611},{"id":8733,"depth":4264,"text":8622},{"id":8740,"depth":4264,"text":8741},{"id":8749,"depth":4264,"text":8642},{"id":8756,"depth":4264,"text":8652},{"id":8763,"depth":4264,"text":8662},{"id":8778,"depth":96,"text":8779},{"id":8802,"depth":96,"text":8803,"children":8897},[8898,8899,8900,8901,8902,8903,8904,8905],{"id":8806,"depth":4264,"text":8589},{"id":8814,"depth":4264,"text":8815},{"id":8823,"depth":4264,"text":8611},{"id":8830,"depth":4264,"text":8622},{"id":8837,"depth":4264,"text":8838},{"id":8846,"depth":4264,"text":8642},{"id":8853,"depth":4264,"text":8652},{"id":8860,"depth":4264,"text":8662},"2013-06-01","Pioneros del videoclip en animación 3D en Cuba en colaboración con el director de cine Andros Barroso.","Pioneering 3D animated music videos in Cuba produced in collaboration with film director Andros Barroso.","Pionieri del videoclip in animazione 3D a Cuba, in collaborazione con il regista Andros Barroso.","Animación 3D & 2D",[8912,8915,8918,8921,8924],{"src":8913,"title":8914,"alt":8914},"\u002Fimages\u002Fvideos\u002Fvideos-musicales-3d\u002Fgaleria-videos.jpg","Videoclips 3D",{"src":8916,"title":8917,"alt":8917},"\u002Fimages\u002Fvideos\u002Fvideos-musicales-3d\u002Fgalerias-videos-3d.jpg","Vídeos 3D",{"src":8919,"title":8920,"alt":8920},"\u002Fimages\u002Fvideos\u002Fvideos-musicales-3d\u002Fvideos-mike-lorenzo.jpg","Vídeos de Mike Lorenzo",{"src":8922,"title":8923,"alt":8923},"\u002Fimages\u002Fvideos\u002Fvideos-musicales-3d\u002F3d-mike-lorenzo-Cohete-espacial-video-haila.jpg","Cohete espacial — «M con A, N con I» (Haila)",{"src":8925,"title":8926,"alt":8926},"\u002Fimages\u002Fvideos\u002Fvideos-musicales-3d\u002F3d-mike-lorenzo-test-iluminacion-final.jpg","Test de iluminación final — estadio espacial",[],{},"2004–2021",{"title":8553,"description":8907},"galeria\u002Fvideos-musicales-3d",[119,2389,120,8933,122,2390,4290,3319,8934,3797,348],"Videoclips","Música Cubana","Music Videos with 3D & 2D Animations (2004–2021)","Videoclip con animazioni 3D e 2D (2004–2021)","7PB7xUgkjblqQJIrZWR0bJtozrn2jb4todguo1i6Fho",{"id":8939,"title":8940,"author":6,"body":8941,"category":101,"date":9053,"description":9054,"description_en":9055,"description_it":9056,"engine":9057,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":9058,"image":9059,"imageFocus":106,"keywords":9060,"meta":9061,"navigation":113,"noindex":108,"ogImage":106,"path":9062,"period":9063,"seo":9064,"seoDescription":106,"seoTitle":106,"status":9065,"stem":9066,"tags":9067,"thumb":106,"title_en":9070,"title_it":9071,"updatedAt":106,"video":106,"__hash__":9072},"content\u002Fproyectos\u002Fmars-wars.md","Proyecto MW (Mars Wars) — Las guerras de Marte",{"type":8,"value":8942,"toc":9048},[8943,8980,9014],[11,8944,8945,8949,8960,8974],{},[14,8946,8948],{"id":8947},"el-proyecto-mw-las-guerras-de-marte","El Proyecto MW («Las guerras de Marte»)",[18,8950,8951,8952,8955,8956,8959],{},"El ",[25,8953,8954],{},"Proyecto MW (Mars Wars)"," o ",[138,8957,8958],{},"«Las guerras de Marte»"," es una historia escrita para ser desarrollada como historieta y animación 3D que habla sobre la conquista del planeta Marte.",[18,8961,8962,8963,1966,8966,8969,8970,8973],{},"Fue un proyecto que escribí y desarrollé para varias asignaturas (",[138,8964,8965],{},"Producción de Cine",[138,8967,8968],{},"Dramaturgia Multimedial",") cuando estudiaba en la ",[25,8971,8972],{},"NABA (Nuova Accademia di Belle Arti)"," en Milán, Italia.",[18,8975,8976,8977,28],{},"Es una historia de ciencia ficción llena de elementos humorísticos y situaciones muy crueles, de la cual también produje el avance animado ",[138,8978,8979],{},"MARSWARS Sneak Peek-1 (a one scene with monster)",[42,8981,8982,8986,8996,9009],{},[14,8983,8985],{"id":8984},"il-progetto-mw-le-guerre-di-marte","Il Progetto MW («Le guerre di Marte»)",[18,8987,8988,8989,8955,8992,8995],{},"Il ",[25,8990,8991],{},"Progetto MW (Mars Wars)",[138,8993,8994],{},"«Le guerre di Marte»"," è una storia scritta per essere sviluppata come fumetto e animazione 3D, che racconta la conquista del pianeta Marte.",[18,8997,8998,8999,2107,9002,9005,9006,9008],{},"È un progetto che ho scritto e sviluppato per diversi corsi (",[138,9000,9001],{},"Produzione Cinematografica",[138,9003,9004],{},"Drammaturgia Multimediale",") quando studiavo alla ",[25,9007,8972],{}," di Milano.",[18,9010,9011,9012,28],{},"È una storia di fantascienza piena di elementi umoristici e situazioni molto crudeli, di cui ho prodotto anche il teaser animato ",[138,9013,8979],{},[68,9015,9016,9020,9030,9043],{},[14,9017,9019],{"id":9018},"project-mw-the-wars-of-mars","Project MW («The Wars of Mars»)",[18,9021,9022,9025,9026,9029],{},[25,9023,9024],{},"Project MW (Mars Wars)",", or ",[138,9027,9028],{},"«The Wars of Mars»",", is a story written to be developed as a comic and a 3D animation about the conquest of planet Mars.",[18,9031,9032,9033,2237,9036,9039,9040,9042],{},"I wrote and developed it for several courses (",[138,9034,9035],{},"Film Production",[138,9037,9038],{},"Multimedia Dramaturgy",") while I was studying at ",[25,9041,8972],{}," in Milan, Italy.",[18,9044,9045,9046,28],{},"It is a science fiction story full of humor and very cruel situations, for which I also produced the animated teaser ",[138,9047,8979],{},{"title":95,"searchDepth":96,"depth":96,"links":9049},[9050,9051,9052],{"id":8947,"depth":96,"text":8948},{"id":8984,"depth":96,"text":8985},{"id":9018,"depth":96,"text":9019},"2012-06-10","Historia y animación 3D sobre la conquista del planeta Marte con elementos humorísticos y situaciones crueles, desarrollada durante los estudios en NABA Milán.","Story and 3D animation about the conquest of Mars blending dark humor and sci-fi, developed at NABA Milan.","Storia e animazione 3D sulla conquista del pianeta Marte, tra umorismo e situazioni crudeli, sviluppata durante gli studi alla NABA di Milano.","Animación 3D \u002F Cómic",[],"\u002Fimages\u002Fproyectos\u002Fmars-wars\u002FProyecto-MW-de-Mike-Lorenzo.png",[],{},"\u002Fproyectos\u002Fmars-wars","2011–2013",{"title":8940,"description":9054},"Archivo","proyectos\u002Fmars-wars",[119,2389,9068,3194,9069,3796,124],"Cómic","Mars Wars","Project MW (Mars Wars) — The Wars of Mars","Progetto MW (Mars Wars) — Le guerre di Marte","lq7ET7Aro_hAA9dmnLC0uzZO8ZQreTWz7ygjWH2S-Jc",{"id":9074,"title":9075,"author":6,"body":9076,"category":5603,"date":9274,"description":9275,"description_en":9276,"description_it":9277,"engine":9278,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":9279,"image":9280,"imageFocus":106,"keywords":9281,"meta":9282,"navigation":113,"noindex":108,"ogImage":106,"path":3269,"period":9283,"seo":9284,"seoDescription":106,"seoTitle":106,"status":106,"stem":9285,"tags":9286,"thumb":106,"title_en":9289,"title_it":9290,"updatedAt":106,"video":106,"__hash__":9291},"content\u002Fgaleria\u002Ftop-secrets.md","Proyectos Top Secrets (Videoarte y Tesis ISA)",{"type":8,"value":9077,"toc":9263},[9078,9144,9204],[11,9079,9080,9084,9090,9105,9109,9123,9127,9137],{},[14,9081,9083],{"id":9082},"video-top-secret-videoarte-2007","Video «Top Secret» (Videoarte, 2007)",[18,9085,9086,9087,9089],{},"La idea la trabajé durante una caminata en septiembre del 2007 desde el ",[25,9088,5122],{}," en La Habana hasta el barrio del Vedado. Venía meditando en la idea para un videoarte donde se representaba un grupo de tanques de guerra que corrían por el desierto como una manada de animales, y dentro de la manada uno saltaba para hacerle el amor a otro.",[18,9091,9092,9093,9096,9097,9100,9101,9104],{},"Para la creación de este vídeo en 3D seleccioné dos tanques de guerra: uno femenino, el ",[25,9094,9095],{},"ZSU-23-4 apodado «Shilka»"," (ruso), y otro masculino, el ",[25,9098,9099],{},"M1 Abrams"," (norteamericano). El vídeo en el fondo es un canto al amor y no a la guerra (",[138,9102,9103],{},"Make love, not war","), y alcanzó millones de visitas en YouTube.",[14,9106,9108],{"id":9107},"resumen-de-mi-tesis-de-graduación-en-el-instituto-superior-de-arte-de-la-habana-2010","Resumen de mi tesis de graduación en el Instituto Superior de Arte de La Habana (2010)",[18,9110,9111,9112,9115,9116,9119,9120,9122],{},"Mi tesis se llamaba ",[25,9113,9114],{},"«Apollo 11 Top Secret»"," y anticipaba un problema que hoy en día da mucho que pensar: las llamadas ",[138,9117,9118],{},"fake news"," y la posibilidad que tienen las tecnologías de ",[25,9121,6129],{}," de simular un evento histórico de gran importancia para la humanidad.",[14,9124,9126],{"id":9125},"simulación-de-eventos-e-influencia-en-la-realidad","Simulación de eventos e influencia en la realidad",[18,9128,9129,9130,9133,9134,2058],{},"La problemática de lo real y sus implicaciones entra en mi obra como articuladora de una dinámica donde lo real manipulado agencia territorios de reflexión. La manipulación de un evento \"real\" como la misión ",[25,9131,9132],{},"Apolo 11"," y todas las especulaciones de su supuesta falsificación en julio de 1969 constituyen uno de los motivos centrales de esta pieza en vídeo (",[138,9135,9136],{},"«Which Apollo is this?»",[18,9138,9139,9140,9143],{},"Convertir el evento del alunizaje en un ",[138,9141,9142],{},"making-off"," o filmación simulada mediante realidad virtual y animación 3D permite poner bajo la lupa el carácter ontológico que tienen los medios audiovisuales sobre las masas, sin olvidar que los Apolos efectivamente llegaron a la Luna y colocaron reflectores láser en su superficie comprobados por observatorios de todo el mundo.",[42,9145,9146,9149,9155,9168,9172,9184,9188,9197],{},[14,9147,9083],{"id":9148},"video-top-secret-videoarte-2007-1",[18,9150,9151,9152,9154],{},"L’idea è nata durante una passeggiata nel settembre 2007, dall’",[25,9153,5122],{}," dell’Avana fino al quartiere del Vedado. Stavo pensando a un videoarte in cui un gruppo di carri armati correva nel deserto come un branco di animali, e all’interno del branco uno saltava addosso a un altro per fare l’amore.",[18,9156,9157,9158,9161,9162,9164,9165,9167],{},"Per questo video in 3D ho scelto due carri armati: uno femminile, lo ",[25,9159,9160],{},"ZSU-23-4 soprannominato «Shilka»"," (russo), e uno maschile, l’",[25,9163,9099],{}," (statunitense). In fondo il video è un inno all’amore e non alla guerra (",[138,9166,9103],{},"), e ha raggiunto milioni di visualizzazioni su YouTube.",[14,9169,9171],{"id":9170},"sintesi-della-mia-tesi-di-laurea-allinstituto-superior-de-arte-dellavana-2010","Sintesi della mia tesi di laurea all’Instituto Superior de Arte dell’Avana (2010)",[18,9173,9174,9175,9177,9178,9180,9181,9183],{},"La mia tesi si intitolava ",[25,9176,9114],{}," e anticipava un problema che oggi fa molto riflettere: le cosiddette ",[138,9179,9118],{}," e la possibilità che le tecnologie di ",[25,9182,6238],{}," hanno di simulare un evento storico di grande importanza per l’umanità.",[14,9185,9187],{"id":9186},"simulazione-degli-eventi-e-influenza-sulla-realtà","Simulazione degli eventi e influenza sulla realtà",[18,9189,9190,9191,9194,9195,2058],{},"La questione del reale e delle sue implicazioni entra nella mia opera come motore di una dinamica in cui il reale manipolato apre territori di riflessione. La manipolazione di un evento \"reale\" come la missione ",[25,9192,9193],{},"Apollo 11",", con tutte le speculazioni sulla sua presunta falsificazione nel luglio 1969, è uno dei motivi centrali di quest’opera video (",[138,9196,9136],{},[18,9198,9199,9200,9203],{},"Trasformare l’allunaggio in un ",[138,9201,9202],{},"making-of"," o in una ripresa simulata con la realtà virtuale e l’animazione 3D permette di mettere sotto la lente il carattere ontologico che i mezzi audiovisivi hanno sulle masse, senza dimenticare che le missioni Apollo arrivarono davvero sulla Luna e lasciarono sulla sua superficie riflettori laser verificati da osservatori di tutto il mondo.",[68,9205,9206,9210,9216,9229,9233,9245,9249,9257],{},[14,9207,9209],{"id":9208},"top-secret-video-video-art-2007","«Top Secret» video (Video art, 2007)",[18,9211,9212,9213,9215],{},"The idea came to me during a walk in September 2007 from the ",[25,9214,5350],{}," in Havana to the Vedado neighborhood. I was thinking about a video art piece in which a group of tanks ran across the desert like a herd of animals, and within the herd one of them jumped on another to make love.",[18,9217,9218,9219,9222,9223,9225,9226,9228],{},"For this 3D video I chose two tanks: a female one, the Russian ",[25,9220,9221],{},"ZSU-23-4 nicknamed «Shilka»",", and a male one, the American ",[25,9224,9099],{},". At heart the video is a song to love, not war (",[138,9227,9103],{},"), and it reached millions of views on YouTube.",[14,9230,9232],{"id":9231},"summary-of-my-graduation-thesis-at-the-higher-institute-of-art-of-havana-2010","Summary of my graduation thesis at the Higher Institute of Art of Havana (2010)",[18,9234,9235,9236,9238,9239,9241,9242,9244],{},"My thesis was called ",[25,9237,9114],{}," and anticipated a problem that gives us a lot to think about today: so-called ",[138,9240,9118],{}," and the ability of ",[25,9243,6346],{}," technologies to simulate a historical event of great importance for humanity.",[14,9246,9248],{"id":9247},"simulating-events-and-influencing-reality","Simulating events and influencing reality",[18,9250,9251,9252,9254,9255,2058],{},"The question of the real and its implications enters my work as the driver of a dynamic in which manipulated reality opens up territories for reflection. The manipulation of a \"real\" event like the ",[25,9253,9193],{}," mission, with all the speculation about its alleged faking in July 1969, is one of the central motifs of this video piece (",[138,9256,9136],{},[18,9258,9259,9260,9262],{},"Turning the Moon landing into a ",[138,9261,9202],{}," or a simulated shoot through virtual reality and 3D animation puts under the microscope the ontological power that audiovisual media have over the masses, without forgetting that the Apollo missions really did reach the Moon and left laser reflectors on its surface, verified by observatories around the world.",{"title":95,"searchDepth":96,"depth":96,"links":9264},[9265,9266,9267,9268,9269,9270,9271,9272,9273],{"id":9082,"depth":96,"text":9083},{"id":9107,"depth":96,"text":9108},{"id":9125,"depth":96,"text":9126},{"id":9148,"depth":96,"text":9083},{"id":9170,"depth":96,"text":9171},{"id":9186,"depth":96,"text":9187},{"id":9208,"depth":96,"text":9209},{"id":9231,"depth":96,"text":9232},{"id":9247,"depth":96,"text":9248},"2010-07-01","Producción artística sobre simulación 3D de eventos reales, el célebre videoarte «Top Secret» (2007) y la tesis de graduación «Apollo 11 Top Secret» en el ISA (2010).","Artistic production on 3D simulation of historical events, the viral video art «Top Secret» (2007) and the ISA thesis «Apollo 11 Top Secret» (2010).","Produzione artistica sulla simulazione 3D di eventi reali, il celebre videoarte «Top Secret» (2007) e la tesi di laurea «Apollo 11 Top Secret» all’ISA (2010).","Animación 3D & Videoarte",[],"\u002Fimages\u002Farte\u002Ftop-secrets\u002Ftop-secret-galeria.jpg",[],{},"2007–2013",{"title":9075,"description":9275},"galeria\u002Ftop-secrets",[119,2389,5885,122,4290,9287,5021,9288,9193,3795,3797,3194],"Simulación","Top Secret","Top Secret Projects (Video Art & ISA Thesis)","Progetti Top Secret (Videoarte e Tesi ISA)","7gjTHMvYQT8sPfUMcG4oaivSGaYxSjymXRD4Ob_dQME",{"id":9293,"title":9294,"author":6,"body":9295,"category":4274,"date":9481,"description":9482,"description_en":9483,"description_it":9484,"engine":9485,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":9486,"image":9488,"imageFocus":106,"keywords":9517,"meta":9518,"navigation":113,"noindex":108,"ogImage":106,"path":9519,"period":9308,"seo":9520,"seoDescription":106,"seoTitle":106,"status":106,"stem":9521,"tags":9522,"thumb":106,"title_en":9526,"title_it":9527,"updatedAt":106,"video":106,"__hash__":9528},"content\u002Fgaleria\u002Fcasa-futurista.md","Proyecto de casa futurista (Expanded Welcome, NABA 2010)",{"type":8,"value":9296,"toc":9473},[9297,9357,9415],[11,9298,9299,9303,9316,9327,9331],{},[14,9300,9302],{"id":9301},"concurso-internacional-expanded-welcome-naba-milán","Concurso internacional «Expanded Welcome» (NABA, Milán)",[18,9304,9305,9306,9309,9310,9313,9314,8973],{},"Este proyecto fue realizado en el año ",[25,9307,9308],{},"2010"," para el concurso internacional ",[25,9311,9312],{},"«Expanded Welcome»"," promovido por la ",[25,9315,8972],{},[18,9317,9318,9319,9322,9323,9326],{},"La idea era proyectar una ",[25,9320,9321],{},"casa futurista"," imaginando la tecnología disponible en los próximos 30 años: un entorno donde la inteligencia artificial estaría altamente evolucionada, los automóviles serían eléctricos e integrados a la vivienda, y la tecnología de nuevos materiales habría evolucionado tanto que una ",[25,9324,9325],{},"pantalla táctil inteligente"," puede ser ventana, pared, puerta, techo y computadora al mismo tiempo.",[14,9328,9330],{"id":9329},"elementos-clave-del-diseño-imágenes-1-a-10","Elementos clave del diseño (Imágenes 1 a 10)",[3249,9332,9333,9339,9345,9351],{},[344,9334,9335,9338],{},[25,9336,9337],{},"Autosuficiencia energética:"," Turbinas eólicas integradas que funcionan también como torres de conexión Wi-Fi, complementadas con paneles solares en la cubierta inclinada.",[344,9340,9341,9344],{},[25,9342,9343],{},"Ventanas de cristal inteligente:"," Capaces de cambiar su opacidad y color (en este caso verde para dialogar con el entorno natural) o funcionar como pantallas táctiles, con estación de recarga para vehículos eléctricos.",[344,9346,9347,9350],{},[25,9348,9349],{},"Robot mayordomo e IA doméstica:"," Asistente capaz de encargarse de tareas domésticas, monitoreo médico y acompañamiento de visitantes, junto con puertas de acceso mediante escaneo de iris.",[344,9352,9353,9356],{},[25,9354,9355],{},"Paredes-pantalla interactivas:"," El pasillo central actúa como un lienzo continuo donde organizar toda la actividad digital, videoconferencias, arte en tiempo real o iluminación ambiental configurable según la hora del día.",[42,9358,9359,9363,9374,9385,9389],{},[14,9360,9362],{"id":9361},"concorso-internazionale-expanded-welcome-naba-milano","Concorso internazionale «Expanded Welcome» (NABA, Milano)",[18,9364,9365,9366,9368,9369,9371,9372,9008],{},"Questo progetto è stato realizzato nel ",[25,9367,9308],{}," per il concorso internazionale ",[25,9370,9312],{}," promosso dalla ",[25,9373,8972],{},[18,9375,9376,9377,9380,9381,9384],{},"L’idea era progettare una ",[25,9378,9379],{},"casa futuristica"," immaginando la tecnologia disponibile nei successivi 30 anni: un ambiente in cui l’intelligenza artificiale sarebbe altamente evoluta, le automobili sarebbero elettriche e integrate nell’abitazione, e la tecnologia dei nuovi materiali sarebbe così avanzata che uno ",[25,9382,9383],{},"schermo touch intelligente"," potrebbe essere finestra, parete, porta, soffitto e computer allo stesso tempo.",[14,9386,9388],{"id":9387},"elementi-chiave-del-progetto-immagini-da-1-a-10","Elementi chiave del progetto (Immagini da 1 a 10)",[3249,9390,9391,9397,9403,9409],{},[344,9392,9393,9396],{},[25,9394,9395],{},"Autosufficienza energetica:"," Turbine eoliche integrate che fungono anche da torri di connessione Wi-Fi, completate da pannelli solari sul tetto inclinato.",[344,9398,9399,9402],{},[25,9400,9401],{},"Finestre in vetro intelligente:"," Capaci di cambiare opacità e colore (in questo caso verde, per dialogare con l’ambiente naturale) o di funzionare come schermi touch, con stazione di ricarica per veicoli elettrici.",[344,9404,9405,9408],{},[25,9406,9407],{},"Robot maggiordomo e IA domestica:"," Assistente capace di occuparsi delle faccende domestiche, del monitoraggio medico e dell’accoglienza degli ospiti, con porte di accesso tramite scansione dell’iride.",[344,9410,9411,9414],{},[25,9412,9413],{},"Pareti-schermo interattive:"," Il corridoio centrale funziona come una tela continua su cui organizzare tutta l’attività digitale, videoconferenze, arte in tempo reale o illuminazione ambientale configurabile secondo l’ora del giorno.",[68,9416,9417,9421,9432,9443,9447],{},[14,9418,9420],{"id":9419},"expanded-welcome-international-competition-naba-milan","«Expanded Welcome» international competition (NABA, Milan)",[18,9422,9423,9424,9426,9427,9429,9430,9042],{},"This project was created in ",[25,9425,9308],{}," for the ",[25,9428,9312],{}," international competition promoted by ",[25,9431,8972],{},[18,9433,9434,9435,9438,9439,9442],{},"The idea was to design a ",[25,9436,9437],{},"futuristic house"," imagining the technology available over the next 30 years: an environment where artificial intelligence is highly evolved, cars are electric and integrated into the home, and new-material technology has advanced so far that a ",[25,9440,9441],{},"smart touch screen"," can be a window, wall, door, ceiling and computer at the same time.",[14,9444,9446],{"id":9445},"key-design-elements-images-1-to-10","Key design elements (Images 1 to 10)",[3249,9448,9449,9455,9461,9467],{},[344,9450,9451,9454],{},[25,9452,9453],{},"Energy self-sufficiency:"," Integrated wind turbines that also act as Wi-Fi towers, complemented by solar panels on the sloping roof.",[344,9456,9457,9460],{},[25,9458,9459],{},"Smart glass windows:"," Able to change opacity and color (here green, to blend with the natural surroundings) or work as touch screens, with a charging station for electric vehicles.",[344,9462,9463,9466],{},[25,9464,9465],{},"Butler robot and home AI:"," An assistant that handles housework, health monitoring and guest reception, together with iris-scan access doors.",[344,9468,9469,9472],{},[25,9470,9471],{},"Interactive screen walls:"," The central corridor works as a continuous canvas for all digital activity, video calls, real-time art or ambient lighting that adapts to the time of day.",{"title":95,"searchDepth":96,"depth":96,"links":9474},[9475,9476,9477,9478,9479,9480],{"id":9301,"depth":96,"text":9302},{"id":9329,"depth":96,"text":9330},{"id":9361,"depth":96,"text":9362},{"id":9387,"depth":96,"text":9388},{"id":9419,"depth":96,"text":9420},{"id":9445,"depth":96,"text":9446},"2010-05-15","Diseño arquitectónico 3D realizado en 2010 para el concurso internacional «Expanded Welcome» promovido por la NABA en Milán, Italia.","3D architectural design created in 2010 for the «Expanded Welcome» international competition promoted by NABA in Milan, Italy.","Progetto architettonico 3D realizzato nel 2010 per il concorso internazionale «Expanded Welcome» promosso dalla NABA di Milano.","Arquitectura 3D",[9487,9490,9493,9496,9499,9502,9505,9508,9511,9514],{"src":9488,"title":9489,"alt":9489},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-01.jpg","Casa futurista 01",{"src":9491,"title":9492,"alt":9492},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-02.jpg","Casa futurista 02",{"src":9494,"title":9495,"alt":9495},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-03.jpg","Casa futurista 03",{"src":9497,"title":9498,"alt":9498},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-04.jpg","Casa futurista 04",{"src":9500,"title":9501,"alt":9501},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-05.jpg","Casa futurista 05",{"src":9503,"title":9504,"alt":9504},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-06.jpg","Casa futurista 06",{"src":9506,"title":9507,"alt":9507},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-07.jpg","Casa futurista 07",{"src":9509,"title":9510,"alt":9510},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-08.jpg","Casa futurista 08",{"src":9512,"title":9513,"alt":9513},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-09.jpg","Casa futurista 09",{"src":9515,"title":9516,"alt":9516},"\u002Fimages\u002Fgrafica-3d\u002Fcasa-futurista\u002FMike-Lorenzo-casa-futurista-10.jpg","Casa futurista 10",[],{},"\u002Fgaleria\u002Fcasa-futurista",{"title":9294,"description":9482},"galeria\u002Fcasa-futurista",[4290,9485,9523,3796,9524,9525,124],"Diseño Futurista","Expanded Welcome","Milán","Futuristic House Project (Expanded Welcome, NABA 2010)","Progetto di casa futuristica (Expanded Welcome, NABA 2010)","nqoPCmt-nPn6qIguAkj7G9Kp-ZKUgYIfwtJMK7cUpoM",{"id":9530,"title":9531,"author":6,"body":9532,"category":4274,"date":10025,"description":10026,"description_en":10027,"description_it":10028,"engine":10029,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":10030,"image":10065,"imageFocus":106,"keywords":10149,"meta":10150,"navigation":113,"noindex":108,"ogImage":106,"path":8674,"period":10151,"seo":10152,"seoDescription":106,"seoTitle":106,"status":106,"stem":10153,"tags":10154,"thumb":106,"title_en":10156,"title_it":10157,"updatedAt":106,"video":106,"__hash__":10158},"content\u002Fgaleria\u002Farquitectura-3d-videoclips.md","Diseños arquitectónicos para la producción de vídeos 3D (2004–2007)",{"type":8,"value":9533,"toc":9993},[9534,9689,9839],[11,9535,9536,9540,9549,9553,9557,9569,9573,9585,9589,9607,9611,9629,9633,9645,9649,9658,9662],{},[14,9537,9539],{"id":9538},"escenarios-virtuales-para-la-música-cubana","Escenarios virtuales para la música cubana",[18,9541,9542,9543,9545,9546,9548],{},"Esta colección reúne las imágenes y diseños arquitectónicos en 3D resultado de la producción de vídeos musicales que realicé en Cuba entre los años ",[25,9544,8574],{}," (con una producción adicional en 2013) junto al director de cine ",[25,9547,3319],{},". Muchos de estos escenarios son totalmente ficticios y otros recrean o reinterpretan edificios reales de La Habana.",[14,9550,9552],{"id":9551},"producciones-destacadas","Producciones destacadas",[4173,9554,9556],{"id":9555},"_1-videoclip-qué-equivocao-telmary-2007","1. Videoclip «Qué equivoca'o» — Telmary (2007)",[18,9558,9559,9560,233,9563,233,9566,2058],{},"Con Telmary regresamos a construir de nuevo La Habana de manera virtual, esta vez ambientada de noche en el ambiente tranquilo e inspirador del barrio del Vedado (",[138,9561,9562],{},"Azotea habanera",[138,9564,9565],{},"Avenida habanera",[138,9567,9568],{},"Barrio habanero de noche",[4173,9570,9572],{"id":9571},"_2-videoclip-ansiedad-paulo-fg-2006","2. Videoclip «Ansiedad» — Paulo FG (2006)",[18,9574,9575,9576,233,9579,233,9582,2058],{},"La idea era desarrollar una gran mansión con piscina donde habitan los dos personajes del vídeo (",[138,9577,9578],{},"Mansión",[138,9580,9581],{},"Mansión vista desde la piscina",[138,9583,9584],{},"Mansión detalle",[4173,9586,9588],{"id":9587},"_3-videoclip-el-carro-descemer-bueno-2006","3. Videoclip «El carro» — Descemer Bueno (2006)",[18,9590,9591,9592,233,9595,233,9598,233,9601,233,9604,2058],{},"Descemer Bueno quería que este vídeo fuera visualmente una mezcla de tres ciudades americanas: Miami, Nueva York y San Francisco. Usamos una paleta limitada de colores orientada hacia los tonos cálidos propios del trópico (",[138,9593,9594],{},"El garaje",[138,9596,9597],{},"Garaje interior",[138,9599,9600],{},"Avenida",[138,9602,9603],{},"Ciudad vista aérea",[138,9605,9606],{},"El puente",[4173,9608,9610],{"id":9609},"_4-videoclip-m-con-a-n-con-i-haila-y-coro-diminuto-2006","4. Videoclip «M con A, N con I» — Haila y Coro Diminuto (2006)",[18,9612,9613,9614,233,9617,233,9620,233,9623,233,9626,2058],{},"Ambientado en un estadio espacial sobre un asteroide con forma de maní. La atmósfera del vídeo daba la sensación de estar en otro planeta, exagerando los colores sobre el azul con reflejos en violeta (",[138,9615,9616],{},"Cohete espacial rojo",[138,9618,9619],{},"Test iluminación final",[138,9621,9622],{},"Estadio espacial",[138,9624,9625],{},"Bocinas espaciales",[138,9627,9628],{},"Nave espacial",[4173,9630,9632],{"id":9631},"_5-videoclip-cabiosile-papo-record-2005","5. Videoclip «Cabiosile» — Papo Record (2005)",[18,9634,9635,9636,233,9639,233,9642,2058],{},"Para el vídeo de Papo Record desarrollé una ciudad futurista con rascacielos llenos de vidrios y un apartamento lleno de pinturas y esculturas, haciendo referencia a Changó mediante las tormentas y el contraste entre el rojo y el blanco (",[138,9637,9638],{},"Edificio exterior",[138,9640,9641],{},"Cabina de mando",[138,9643,9644],{},"Vista general de la ciudad",[4173,9646,9648],{"id":9647},"_6-proyecto-para-videoclip-no-terminado-2005","6. Proyecto para Videoclip no terminado (2005)",[18,9650,9651,9652,233,9655,2058],{},"Creación de un club nocturno y su calle adyacente con estética noir y cálida (",[138,9653,9654],{},"Calle del club",[138,9656,9657],{},"Exterior e interior del club",[4173,9659,9661],{"id":9660},"_7-videoclip-pá-qué-tú-hablas-francis-del-río-clan-537-2004","7. Videoclip «Pá qué tú hablas» — Francis del Río \u002F Clan 537 (2004)",[18,9663,9664,9665,233,9668,233,9671,233,9674,233,9677,233,9680,233,9683,233,9686,2058],{},"Nuestro primer trabajo en conjunto: la ambición por recrear toda una Habana en realidad virtual (",[138,9666,9667],{},"Vista de La Habana en 3D",[138,9669,9670],{},"La Bodeguita del Medio en 3D",[138,9672,9673],{},"Calle al Capitolio",[138,9675,9676],{},"Catedral de La Habana",[138,9678,9679],{},"Interior de un solar habanero",[138,9681,9682],{},"Cine Yara",[138,9684,9685],{},"Malecón habanero",[138,9687,9688],{},"El Morro y Edificio Bacardí",[42,9690,9691,9695,9704,9708,9711,9723,9726,9738,9741,9759,9763,9781,9784,9796,9800,9809,9812],{},[14,9692,9694],{"id":9693},"scenografie-virtuali-per-la-musica-cubana","Scenografie virtuali per la musica cubana",[18,9696,9697,9698,9700,9701,9703],{},"Questa collezione riunisce le immagini e i progetti architettonici in 3D nati dalla produzione di videoclip musicali che ho realizzato a Cuba tra il ",[25,9699,8694],{}," (con una produzione aggiuntiva nel 2013) insieme al regista ",[25,9702,3319],{},". Molti di questi scenari sono completamente immaginari, altri ricreano o reinterpretano edifici reali dell’Avana.",[14,9705,9707],{"id":9706},"produzioni-principali","Produzioni principali",[4173,9709,9556],{"id":9710},"_1-videoclip-qué-equivocao-telmary-2007-1",[18,9712,9713,9714,233,9717,233,9720,2058],{},"Con Telmary siamo tornati a costruire l’Avana in modo virtuale, questa volta di notte, nell’atmosfera tranquilla e ispiratrice del quartiere del Vedado (",[138,9715,9716],{},"Terrazza dell’Avana",[138,9718,9719],{},"Viale dell’Avana",[138,9721,9722],{},"Quartiere dell’Avana di notte",[4173,9724,9572],{"id":9725},"_2-videoclip-ansiedad-paulo-fg-2006-1",[18,9727,9728,9729,233,9732,233,9735,2058],{},"L’idea era sviluppare una grande villa con piscina dove vivono i due personaggi del video (",[138,9730,9731],{},"Villa",[138,9733,9734],{},"Villa vista dalla piscina",[138,9736,9737],{},"Dettaglio della villa",[4173,9739,9588],{"id":9740},"_3-videoclip-el-carro-descemer-bueno-2006-1",[18,9742,9743,9744,233,9747,233,9750,233,9753,233,9756,2058],{},"Descemer Bueno voleva che questo video fosse visivamente un mix di tre città americane: Miami, New York e San Francisco. Abbiamo usato una palette di colori limitata, orientata verso i toni caldi tipici dei tropici (",[138,9745,9746],{},"Il garage",[138,9748,9749],{},"Interno del garage",[138,9751,9752],{},"Viale",[138,9754,9755],{},"Vista aerea della città",[138,9757,9758],{},"Il ponte",[4173,9760,9762],{"id":9761},"_4-videoclip-m-con-a-n-con-i-haila-e-coro-diminuto-2006","4. Videoclip «M con A, N con I» — Haila e Coro Diminuto (2006)",[18,9764,9765,9766,233,9769,233,9772,233,9775,233,9778,2058],{},"Ambientato in uno stadio spaziale su un asteroide a forma di arachide. L’atmosfera del video dava la sensazione di trovarsi su un altro pianeta, esagerando i colori sul blu con riflessi viola (",[138,9767,9768],{},"Razzo spaziale rosso",[138,9770,9771],{},"Test di illuminazione finale",[138,9773,9774],{},"Stadio spaziale",[138,9776,9777],{},"Altoparlanti spaziali",[138,9779,9780],{},"Astronave",[4173,9782,9632],{"id":9783},"_5-videoclip-cabiosile-papo-record-2005-1",[18,9785,9786,9787,233,9790,233,9793,2058],{},"Per il video di Papo Record ho sviluppato una città futuristica con grattacieli pieni di vetrate e un appartamento pieno di quadri e sculture, con un riferimento a Changó attraverso le tempeste e il contrasto tra il rosso e il bianco (",[138,9788,9789],{},"Edificio esterno",[138,9791,9792],{},"Cabina di comando",[138,9794,9795],{},"Vista generale della città",[4173,9797,9799],{"id":9798},"_6-progetto-per-un-videoclip-non-terminato-2005","6. Progetto per un videoclip non terminato (2005)",[18,9801,9802,9803,233,9806,2058],{},"Creazione di un night club e della sua strada adiacente con un’estetica noir e calda (",[138,9804,9805],{},"Strada del club",[138,9807,9808],{},"Esterno e interno del club",[4173,9810,9661],{"id":9811},"_7-videoclip-pá-qué-tú-hablas-francis-del-río-clan-537-2004-1",[18,9813,9814,9815,233,9818,233,9821,233,9824,233,9827,233,9830,233,9833,233,9836,2058],{},"Il nostro primo lavoro insieme: l’ambizione di ricreare un’intera Avana in realtà virtuale (",[138,9816,9817],{},"Vista dell’Avana in 3D",[138,9819,9820],{},"La Bodeguita del Medio in 3D",[138,9822,9823],{},"Strada verso il Campidoglio",[138,9825,9826],{},"Cattedrale dell’Avana",[138,9828,9829],{},"Interno di un solar avanero",[138,9831,9832],{},"Cinema Yara",[138,9834,9835],{},"Malecón dell’Avana",[138,9837,9838],{},"El Morro e Edificio Bacardí",[68,9840,9841,9845,9854,9858,9862,9874,9878,9890,9894,9912,9916,9934,9938,9950,9954,9963,9967],{},[14,9842,9844],{"id":9843},"virtual-sets-for-cuban-music","Virtual sets for Cuban music",[18,9846,9847,9848,9850,9851,9853],{},"This collection brings together the images and 3D architectural designs that came out of the music videos I produced in Cuba between ",[25,9849,8792],{}," (with one more production in 2013) together with film director ",[25,9852,3319],{},". Many of these sets are entirely fictional, while others recreate or reinterpret real buildings in Havana.",[14,9855,9857],{"id":9856},"featured-productions","Featured productions",[4173,9859,9861],{"id":9860},"_1-music-video-qué-equivocao-telmary-2007","1. Music video «Qué equivoca'o» — Telmary (2007)",[18,9863,9864,9865,233,9868,233,9871,2058],{},"With Telmary we went back to building Havana virtually, this time at night, in the calm and inspiring atmosphere of the Vedado neighborhood (",[138,9866,9867],{},"Havana rooftop",[138,9869,9870],{},"Havana avenue",[138,9872,9873],{},"Havana neighborhood at night",[4173,9875,9877],{"id":9876},"_2-music-video-ansiedad-paulo-fg-2006","2. Music video «Ansiedad» — Paulo FG (2006)",[18,9879,9880,9881,233,9884,233,9887,2058],{},"The idea was to build a large mansion with a pool where the two characters of the video live (",[138,9882,9883],{},"Mansion",[138,9885,9886],{},"Mansion seen from the pool",[138,9888,9889],{},"Mansion detail",[4173,9891,9893],{"id":9892},"_3-music-video-el-carro-descemer-bueno-2006","3. Music video «El carro» — Descemer Bueno (2006)",[18,9895,9896,9897,233,9900,233,9903,233,9906,233,9909,2058],{},"Descemer Bueno wanted this video to look like a mix of three American cities: Miami, New York and San Francisco. We used a limited color palette leaning toward the warm tones of the tropics (",[138,9898,9899],{},"The garage",[138,9901,9902],{},"Garage interior",[138,9904,9905],{},"Avenue",[138,9907,9908],{},"Aerial city view",[138,9910,9911],{},"The bridge",[4173,9913,9915],{"id":9914},"_4-music-video-m-con-a-n-con-i-haila-and-coro-diminuto-2006","4. Music video «M con A, N con I» — Haila and Coro Diminuto (2006)",[18,9917,9918,9919,233,9922,233,9925,233,9928,233,9931,2058],{},"Set in a space stadium on a peanut-shaped asteroid. The atmosphere made you feel you were on another planet, exaggerating the colors toward blue with violet highlights (",[138,9920,9921],{},"Red space rocket",[138,9923,9924],{},"Final lighting test",[138,9926,9927],{},"Space stadium",[138,9929,9930],{},"Space speakers",[138,9932,9933],{},"Spaceship",[4173,9935,9937],{"id":9936},"_5-music-video-cabiosile-papo-record-2005","5. Music video «Cabiosile» — Papo Record (2005)",[18,9939,9940,9941,233,9944,233,9947,2058],{},"For Papo Record’s video I built a futuristic city of glass skyscrapers and an apartment full of paintings and sculptures, referencing Changó through storms and the contrast between red and white (",[138,9942,9943],{},"Building exterior",[138,9945,9946],{},"Control cabin",[138,9948,9949],{},"General view of the city",[4173,9951,9953],{"id":9952},"_6-unfinished-music-video-project-2005","6. Unfinished music video project (2005)",[18,9955,9956,9957,233,9960,2058],{},"A nightclub and its adjoining street with a warm noir aesthetic (",[138,9958,9959],{},"Club street",[138,9961,9962],{},"Club exterior and interior",[4173,9964,9966],{"id":9965},"_7-music-video-pá-qué-tú-hablas-francis-del-río-clan-537-2004","7. Music video «Pá qué tú hablas» — Francis del Río \u002F Clan 537 (2004)",[18,9968,9969,9970,233,9973,233,9975,233,9978,233,9981,233,9984,233,9987,233,9990,2058],{},"Our first work together: the ambition to recreate an entire Havana in virtual reality (",[138,9971,9972],{},"View of Havana in 3D",[138,9974,9820],{},[138,9976,9977],{},"Street to the Capitol",[138,9979,9980],{},"Havana Cathedral",[138,9982,9983],{},"Inside a Havana solar",[138,9985,9986],{},"Yara Cinema",[138,9988,9989],{},"Havana’s Malecón",[138,9991,9992],{},"El Morro and the Bacardí Building",{"title":95,"searchDepth":96,"depth":96,"links":9994},[9995,9996,10005,10006,10015,10016],{"id":9538,"depth":96,"text":9539},{"id":9551,"depth":96,"text":9552,"children":9997},[9998,9999,10000,10001,10002,10003,10004],{"id":9555,"depth":4264,"text":9556},{"id":9571,"depth":4264,"text":9572},{"id":9587,"depth":4264,"text":9588},{"id":9609,"depth":4264,"text":9610},{"id":9631,"depth":4264,"text":9632},{"id":9647,"depth":4264,"text":9648},{"id":9660,"depth":4264,"text":9661},{"id":9693,"depth":96,"text":9694},{"id":9706,"depth":96,"text":9707,"children":10007},[10008,10009,10010,10011,10012,10013,10014],{"id":9710,"depth":4264,"text":9556},{"id":9725,"depth":4264,"text":9572},{"id":9740,"depth":4264,"text":9588},{"id":9761,"depth":4264,"text":9762},{"id":9783,"depth":4264,"text":9632},{"id":9798,"depth":4264,"text":9799},{"id":9811,"depth":4264,"text":9661},{"id":9843,"depth":96,"text":9844},{"id":9856,"depth":96,"text":9857,"children":10017},[10018,10019,10020,10021,10022,10023,10024],{"id":9860,"depth":4264,"text":9861},{"id":9876,"depth":4264,"text":9877},{"id":9892,"depth":4264,"text":9893},{"id":9914,"depth":4264,"text":9915},{"id":9936,"depth":4264,"text":9937},{"id":9952,"depth":4264,"text":9953},{"id":9965,"depth":4264,"text":9966},"2007-11-01","Escenarios virtuales y arquitecturas 3D creadas para videoclips musicales en Cuba junto al director de cine Andros Barroso.","Virtual stages and 3D architectures created for Cuban music videos in collaboration with film director Andros Barroso.","Scenografie virtuali e architetture 3D create per videoclip musicali a Cuba con il regista Andros Barroso.","3D Studio Max \u002F Render 3D",[10031,10034,10037,10040,10043,10046,10049,10052,10055,10058,10061,10064,10066,10069,10072,10075,10078,10081,10084,10087,10090,10093,10096,10099,10102,10105,10108,10111,10114,10117,10119,10122,10125,10128,10131,10134,10137,10140,10143,10146],{"src":10032,"title":10033,"alt":10033},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-Mike-Lorenzo-capitolio.jpg","Capitolio",{"src":10035,"title":10036,"alt":10036},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-Cohete-espacial-rojo-video-haila.jpg","Cohete espacial rojo video haila",{"src":10038,"title":10039,"alt":10039},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-cabina-mando-v1.jpg","Apto cabina mando v1",{"src":10041,"title":10042,"alt":10042},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-ciudad-v1.jpg","Apto ciudad v1",{"src":10044,"title":10045,"alt":10045},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-edificio-exterior-v1.jpg","Apto edificio exterior v1",{"src":10047,"title":10048,"alt":10048},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-interior-v1.jpg","Apto interior v1",{"src":10050,"title":10051,"alt":10051},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-interior-v2.jpg","Apto interior v2",{"src":10053,"title":10054,"alt":10054},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-apto-interior-vista-v2.jpg","Apto interior vista v2",{"src":10056,"title":10057,"alt":10057},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-azotea.jpg","Azotea",{"src":10059,"title":10060,"alt":10060},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-bocinas-espaciales-video-haila.jpg","Bocinas espaciales video haila",{"src":10062,"title":10063,"alt":10063},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-bodeguita-del-medio.jpg","Bodeguita del medio",{"src":10065,"title":9654,"alt":9654},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-calle-del-club.jpg",{"src":10067,"title":10068,"alt":10068},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-catedral.jpg","Catedral",{"src":10070,"title":10071,"alt":10071},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-cine-yara.jpg","Cine yara",{"src":10073,"title":10074,"alt":10074},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-edificio-bacardi.jpg","Edificio bacardi",{"src":10076,"title":10077,"alt":10077},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-estadio-espacial-2.jpg","Estadio espacial 2",{"src":10079,"title":10080,"alt":10080},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-estadio-espacial-3.jpg","Estadio espacial 3",{"src":10082,"title":10083,"alt":10083},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-estadio-espacial-v1.jpg","Estadio espacial v1",{"src":10085,"title":10086,"alt":10086},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-exterior-del-club-2.jpg","Exterior del club 2",{"src":10088,"title":10089,"alt":10089},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-exterior-del-club.jpg","Exterior del club",{"src":10091,"title":10092,"alt":10092},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-habana-avenida.jpg","Habana avenida",{"src":10094,"title":10095,"alt":10095},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-habana-noche.jpg","Habana noche",{"src":10097,"title":10098,"alt":10098},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-habana.jpg","Habana",{"src":10100,"title":10101,"alt":10101},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-interior-del-club.jpg","Interior del club",{"src":10103,"title":10104,"alt":10104},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-interior-solar.jpg","Interior solar",{"src":10106,"title":10107,"alt":10107},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-malecon-habanero.jpg","Malecon habanero",{"src":10109,"title":10110,"alt":10110},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-mansion-1.jpg","Mansion 1",{"src":10112,"title":10113,"alt":10113},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-mansion-2.jpg","Mansion 2",{"src":10115,"title":10116,"alt":10116},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-mansion-3.jpg","Mansion 3",{"src":10118,"title":9628,"alt":9628},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-nave-espacial.jpg",{"src":10120,"title":10121,"alt":10121},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-test-iluminacion-final-1.jpg","Test iluminacion final 1",{"src":10123,"title":10124,"alt":10124},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-avenida-2.jpg","Video el carro avenida 2",{"src":10126,"title":10127,"alt":10127},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-avenida.jpg","Video el carro avenida",{"src":10129,"title":10130,"alt":10130},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-ciudad-vista-aerea.jpg","Video el carro ciudad vista aerea",{"src":10132,"title":10133,"alt":10133},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-ciudad.jpg","Video el carro ciudad",{"src":10135,"title":10136,"alt":10136},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-garage-interior.jpg","Video el carro garage interior",{"src":10138,"title":10139,"alt":10139},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-garage-v1.jpg","Video el carro garage v1",{"src":10141,"title":10142,"alt":10142},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-video-el-carro-puente.jpg","Video el carro puente",{"src":10144,"title":10145,"alt":10145},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002F3d-mike-lorenzo-vista-de-la-habana.jpg","Vista de la habana",{"src":10147,"title":10148,"alt":10148},"\u002Fimages\u002Fgrafica-3d\u002Farquitectura-3d-videoclips\u002Fdisenos-arquitectonicos-en-3d-mike-lorenzo.jpg","Diseños arquitectónicos en 3D",[],{},"2004–2007",{"title":9531,"description":10026},"galeria\u002Farquitectura-3d-videoclips",[119,2389,4290,9485,8933,122,3319,10155,3797],"La Habana","3D Architectural Designs for Music Video Production (2004–2007)","Progetti architettonici per la produzione di video 3D (2004–2007)","SLqv_FKNJwBDPKxwDYEsEPTVgwG8m15sNFa2dDWDH9Q",{"id":10160,"title":10161,"author":6,"body":10162,"category":5603,"date":10466,"description":10467,"description_en":10468,"description_it":10469,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":10470,"image":10472,"imageFocus":106,"keywords":10501,"meta":10502,"navigation":113,"noindex":108,"ogImage":106,"path":10503,"period":3238,"seo":10504,"seoDescription":106,"seoTitle":106,"status":106,"stem":10505,"tags":10506,"thumb":106,"title_en":10509,"title_it":10510,"updatedAt":106,"video":106,"__hash__":10511},"content\u002Fgaleria\u002Fhomo-ferus.md","Homo Ferus (2004)",{"type":8,"value":10163,"toc":10458},[10164,10254,10356],[11,10165,10166,10170,10178,10189,10197,10201],{},[14,10167,10169],{"id":10168},"estética-ciberpunk-y-biomecánica","Estética ciberpunk y biomecánica",[18,10171,10172,10174,10175,10177],{},[25,10173,10161],{}," es una serie que utiliza la estética del ",[25,10176,7424],{}," para mostrar la violencia que ejerce la tecnología sobre la naturaleza y sobre el ser humano.",[18,10179,10180,10181,10184,10185,10188],{},"El término ",[138,10182,10183],{},"Homo Ferus"," se refiere a los niños que son criados por animales (por ejemplo, ",[138,10186,10187],{},"Mowgli","). En mi caso quería usar el término de manera irónica y jugar con la idea de cómo, en vez de criar de manera salvaje al hombre la naturaleza, lo haría la tecnología.",[341,10190,10191],{},[344,10192,10193,10196],{},[25,10194,10195],{},"Artista referente en este período:"," H. R. Giger.",[14,10198,10200],{"id":10199},"obras-de-la-serie-técnica-mixta","Obras de la serie (Técnica mixta)",[341,10202,10203,10209,10214,10219,10224,10229,10234,10239,10244,10249],{},[344,10204,10205,10208],{},[25,10206,10207],{},"«Demoledor III»"," — Técnica mixta.",[344,10210,10211,10208],{},[25,10212,10213],{},"«Arwen»",[344,10215,10216,10208],{},[25,10217,10218],{},"«Autorretrato»",[344,10220,10221,10208],{},[25,10222,10223],{},"«Skull»",[344,10225,10226,10208],{},[25,10227,10228],{},"«Piloto V»",[344,10230,10231,10208],{},[25,10232,10233],{},"«Entidad VI»",[344,10235,10236,10208],{},[25,10237,10238],{},"«Deseos en violenta obertura»",[344,10240,10241,10208],{},[25,10242,10243],{},"«Dependencia»",[344,10245,10246,10208],{},[25,10247,10248],{},"«Demoler»",[344,10250,10251,10208],{},[25,10252,10253],{},"«Condenados van de paseo»",[42,10255,10256,10260,10268,10277,10284,10288],{},[14,10257,10259],{"id":10258},"estetica-cyberpunk-e-biomeccanica","Estetica cyberpunk e biomeccanica",[18,10261,10262,10264,10265,10267],{},[25,10263,10161],{}," è una serie che usa l’estetica del ",[25,10266,7539],{}," per mostrare la violenza che la tecnologia esercita sulla natura e sull’essere umano.",[18,10269,10270,10271,10273,10274,10276],{},"Il termine ",[138,10272,10183],{}," indica i bambini cresciuti dagli animali (per esempio ",[138,10275,10187],{},"). Nel mio caso volevo usarlo in modo ironico e giocare con l’idea che a crescere l’uomo allo stato selvaggio non sia più la natura, ma la tecnologia.",[341,10278,10279],{},[344,10280,10281,10196],{},[25,10282,10283],{},"Artista di riferimento in questo periodo:",[14,10285,10287],{"id":10286},"opere-della-serie-tecnica-mista","Opere della serie (Tecnica mista)",[341,10289,10290,10298,10303,10310,10314,10321,10328,10335,10342,10349],{},[344,10291,10292,699,10294,10297],{},[25,10293,10207],{},[138,10295,10296],{},"Demolitore III",") — Tecnica mista.",[344,10299,10300,10302],{},[25,10301,10213],{}," — Tecnica mista.",[344,10304,10305,699,10307,10297],{},[25,10306,10218],{},[138,10308,10309],{},"Autoritratto",[344,10311,10312,10302],{},[25,10313,10223],{},[344,10315,10316,699,10318,10297],{},[25,10317,10228],{},[138,10319,10320],{},"Pilota V",[344,10322,10323,699,10325,10297],{},[25,10324,10233],{},[138,10326,10327],{},"Entità VI",[344,10329,10330,699,10332,10297],{},[25,10331,10238],{},[138,10333,10334],{},"Desideri in violenta ouverture",[344,10336,10337,699,10339,10297],{},[25,10338,10243],{},[138,10340,10341],{},"Dipendenza",[344,10343,10344,699,10346,10297],{},[25,10345,10248],{},[138,10347,10348],{},"Demolire",[344,10350,10351,699,10353,10297],{},[25,10352,10253],{},[138,10354,10355],{},"Condannati a passeggio",[68,10357,10358,10362,10370,10379,10386,10390],{},[14,10359,10361],{"id":10360},"biomechanical-cyberpunk-aesthetics","Biomechanical cyberpunk aesthetics",[18,10363,10364,10366,10367,10369],{},[25,10365,10161],{}," is a series that uses ",[25,10368,7539],{}," aesthetics to show the violence that technology exerts on nature and on human beings.",[18,10371,10372,10373,10375,10376,10378],{},"The term ",[138,10374,10183],{}," refers to children raised by animals (for example ",[138,10377,10187],{},"). I wanted to use it ironically and play with the idea that, instead of nature raising humans in the wild, technology would do it.",[341,10380,10381],{},[344,10382,10383,10196],{},[25,10384,10385],{},"Reference artist in this period:",[14,10387,10389],{"id":10388},"works-in-the-series-mixed-media","Works in the series (Mixed media)",[341,10391,10392,10400,10405,10412,10416,10423,10430,10437,10444,10451],{},[344,10393,10394,699,10396,10399],{},[25,10395,10207],{},[138,10397,10398],{},"Demolisher III",") — Mixed media.",[344,10401,10402,10404],{},[25,10403,10213],{}," — Mixed media.",[344,10406,10407,699,10409,10399],{},[25,10408,10218],{},[138,10410,10411],{},"Self-portrait",[344,10413,10414,10404],{},[25,10415,10223],{},[344,10417,10418,699,10420,10399],{},[25,10419,10228],{},[138,10421,10422],{},"Pilot V",[344,10424,10425,699,10427,10399],{},[25,10426,10233],{},[138,10428,10429],{},"Entity VI",[344,10431,10432,699,10434,10399],{},[25,10433,10238],{},[138,10435,10436],{},"Desires in Violent Overture",[344,10438,10439,699,10441,10399],{},[25,10440,10243],{},[138,10442,10443],{},"Dependence",[344,10445,10446,699,10448,10399],{},[25,10447,10248],{},[138,10449,10450],{},"Demolish",[344,10452,10453,699,10455,10399],{},[25,10454,10253],{},[138,10456,10457],{},"The Condemned Go for a Walk",{"title":95,"searchDepth":96,"depth":96,"links":10459},[10460,10461,10462,10463,10464,10465],{"id":10168,"depth":96,"text":10169},{"id":10199,"depth":96,"text":10200},{"id":10258,"depth":96,"text":10259},{"id":10286,"depth":96,"text":10287},{"id":10360,"depth":96,"text":10361},{"id":10388,"depth":96,"text":10389},"2004-06-01","Serie en técnica mixta que utiliza la estética del ciberpunk biomecánico para mostrar la violencia que ejerce la tecnología sobre la naturaleza y el ser humano.","Mixed-media series using biomechanical cyberpunk aesthetics to explore the violence technology exerts on nature and humanity.","Serie in tecnica mista che usa l’estetica del cyberpunk biomeccanico per mostrare la violenza che la tecnologia esercita sulla natura e sull’essere umano.",[10471,10474,10477,10480,10483,10486,10489,10492,10495,10498],{"src":10472,"title":10473,"alt":10473},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-Arwen-Mike-Lorenzo.jpg","Homus Ferus Arwen",{"src":10475,"title":10476,"alt":10476},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-Autoretrato-Mike-Lorenzo.jpg","Homus Ferus Autoretrato",{"src":10478,"title":10479,"alt":10479},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-Condenados-van-de-paseo-Mike-Lorenzo.jpg","Homus Ferus Condenados van de paseo",{"src":10481,"title":10482,"alt":10482},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-demoledor-III-Mike-Lorenzo.jpg","Homus Ferus demoledor III",{"src":10484,"title":10485,"alt":10485},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-Demoledor-Mike-Lorenzo.jpg","Homus Ferus Demoledor",{"src":10487,"title":10488,"alt":10488},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-dependencia-Mike-Lorenzo.jpg","Homus Ferus dependencia",{"src":10490,"title":10491,"alt":10491},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-deseos-en-violenta-overtura-Mike-Lorenzo.jpg","Homus Ferus deseos en violenta overtura",{"src":10493,"title":10494,"alt":10494},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-entidad-VI-Mike-Lorenzo.jpg","Homus Ferus entidad VI",{"src":10496,"title":10497,"alt":10497},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-piloto-v-Mike-Lorenzo.jpg","Homus Ferus piloto v",{"src":10499,"title":10500,"alt":10500},"\u002Fimages\u002Farte\u002Fhomo-ferus\u002FHomus-Ferus-skull-Mike-Lorenzo.jpg","Homus Ferus skull",[],{},"\u002Fgaleria\u002Fhomo-ferus",{"title":10161,"description":10467},"galeria\u002Fhomo-ferus",[10183,5019,10507,6922,3194,10508,5629],"Técnica Mixta","H. R. Giger","Homo Ferus (2004) — Biomechanical Cyberpunk","Homo Ferus (2004) — Cyberpunk Biomeccanico","1kSj36s7K4zFGZTK6EQ5Us1ImZg8sN-H_KRF1Ph72uo",{"id":10513,"title":10514,"author":6,"body":10515,"category":4274,"date":10776,"description":10777,"description_en":10778,"description_it":10779,"engine":10780,"extension":107,"externalLabel":106,"externalUrl":106,"featured":113,"gallery":10781,"image":10783,"imageFocus":106,"keywords":10809,"meta":10810,"navigation":113,"noindex":108,"ogImage":106,"path":3233,"period":10532,"seo":10811,"seoDescription":106,"seoTitle":106,"status":106,"stem":10812,"tags":10813,"thumb":106,"title_en":10815,"title_it":10816,"updatedAt":106,"video":106,"__hash__":10817},"content\u002Fgaleria\u002Fprimeros-experimentos-3d.md","Primeros experimentos con gráfica 3D (2003) — El origen de Brutalmachine",{"type":8,"value":10516,"toc":10768},[10517,10593,10681],[11,10518,10519,10523,10533,10539,10552,10556],{},[14,10520,10522],{"id":10521},"las-máquinas-que-dieron-nombre-a-brutalmachinecom","Las máquinas que dieron nombre a Brutalmachine.com",[18,10524,10525,10526,10529,10530,28],{},"Estas imágenes pertenecen a varios ",[25,10527,10528],{},"videoartes"," que realicé de manera experimental en el año ",[25,10531,10532],{},"2003",[18,10534,10535,10536,28],{},"Poéticamente son la continuación tridimensional de varios de los trabajos que ya venía desarrollando anteriormente en dibujo, como la serie ",[155,10537,10538],{"href":5117},"Resaca Mística",[18,10540,10541,10542,10545,10546,8955,10549,10551],{},"Muchos de estos diseños pertenecen a un viejo proyecto de videojuego y son, irónicamente, ",[25,10543,10544],{},"los que han dado nombre a este sitio web",": ",[138,10547,10548],{},"máquinas brutales",[25,10550,3229],{},", como me sugirieron en su momento estas máquinas artísticas. Fue el espíritu de un momento de querer conocer más y de ir más lejos usando la mente y las máquinas.",[14,10553,10555],{"id":10554},"piezas-de-la-serie-2003","Piezas de la serie (2003)",[341,10557,10558,10563,10568,10573,10578,10583,10588],{},[344,10559,10560],{},[25,10561,10562],{},"«Plataforma de dirigible»",[344,10564,10565],{},[25,10566,10567],{},"«Plataforma de dirigible con pez de hierro»",[344,10569,10570],{},[25,10571,10572],{},"«Entidad alada»",[344,10574,10575],{},[25,10576,10577],{},"«Entidad alada en reposo»",[344,10579,10580],{},[25,10581,10582],{},"«Esfinge escultura»",[344,10584,10585],{},[25,10586,10587],{},"«Peces de hierro»",[344,10589,10590],{},[25,10591,10592],{},"«Entidad alada en jaula»",[42,10594,10595,10599,10608,10613,10626,10630],{},[14,10596,10598],{"id":10597},"le-macchine-che-hanno-dato-il-nome-a-brutalmachinecom","Le macchine che hanno dato il nome a Brutalmachine.com",[18,10600,10601,10602,10605,10606,28],{},"Queste immagini appartengono a diversi ",[25,10603,10604],{},"videoarte"," che ho realizzato in modo sperimentale nel ",[25,10607,10532],{},[18,10609,10610,10611,28],{},"Poeticamente sono la continuazione tridimensionale di diversi lavori che stavo già sviluppando nel disegno, come la serie ",[155,10612,10538],{"href":5117},[18,10614,10615,10616,10545,10619,10622,10623,10625],{},"Molti di questi design appartengono a un vecchio progetto di videogioco e sono, ironicamente, ",[25,10617,10618],{},"quelli che hanno dato il nome a questo sito",[138,10620,10621],{},"macchine brutali",", o ",[25,10624,3229],{},", come mi suggerirono allora queste macchine artistiche. Era lo spirito di un momento in cui volevo conoscere di più e spingermi più lontano usando la mente e le macchine.",[14,10627,10629],{"id":10628},"opere-della-serie-2003","Opere della serie (2003)",[341,10631,10632,10639,10646,10653,10660,10667,10674],{},[344,10633,10634,699,10636,6218],{},[25,10635,10562],{},[138,10637,10638],{},"Piattaforma per dirigibile",[344,10640,10641,699,10643,6218],{},[25,10642,10567],{},[138,10644,10645],{},"Piattaforma per dirigibile con pesce di ferro",[344,10647,10648,699,10650,6218],{},[25,10649,10572],{},[138,10651,10652],{},"Entità alata",[344,10654,10655,699,10657,6218],{},[25,10656,10577],{},[138,10658,10659],{},"Entità alata a riposo",[344,10661,10662,699,10664,6218],{},[25,10663,10582],{},[138,10665,10666],{},"Sfinge scultura",[344,10668,10669,699,10671,6218],{},[25,10670,10587],{},[138,10672,10673],{},"Pesci di ferro",[344,10675,10676,699,10678,6218],{},[25,10677,10592],{},[138,10679,10680],{},"Entità alata in gabbia",[68,10682,10683,10687,10696,10701,10713,10717],{},[14,10684,10686],{"id":10685},"the-machines-that-named-brutalmachinecom","The machines that named Brutalmachine.com",[18,10688,10689,10690,10693,10694,28],{},"These images come from several ",[25,10691,10692],{},"video art"," pieces I made experimentally in ",[25,10695,10532],{},[18,10697,10698,10699,4065],{},"Poetically, they are the three-dimensional continuation of several works I had been developing in drawing, such as the ",[155,10700,10538],{"href":5117},[18,10702,10703,10704,10545,10707,9025,10710,10712],{},"Many of these designs belong to an old video game project and are, ironically, ",[25,10705,10706],{},"the ones that gave this website its name",[138,10708,10709],{},"brutal machines",[25,10711,3229],{},", as these artistic machines suggested to me at the time. It was the spirit of a moment of wanting to know more and go further using the mind and machines.",[14,10714,10716],{"id":10715},"pieces-in-the-series-2003","Pieces in the series (2003)",[341,10718,10719,10726,10733,10740,10747,10754,10761],{},[344,10720,10721,699,10723,6218],{},[25,10722,10562],{},[138,10724,10725],{},"Airship Platform",[344,10727,10728,699,10730,6218],{},[25,10729,10567],{},[138,10731,10732],{},"Airship Platform with Iron Fish",[344,10734,10735,699,10737,6218],{},[25,10736,10572],{},[138,10738,10739],{},"Winged Entity",[344,10741,10742,699,10744,6218],{},[25,10743,10577],{},[138,10745,10746],{},"Winged Entity at Rest",[344,10748,10749,699,10751,6218],{},[25,10750,10582],{},[138,10752,10753],{},"Sphinx Sculpture",[344,10755,10756,699,10758,6218],{},[25,10757,10587],{},[138,10759,10760],{},"Iron Fish",[344,10762,10763,699,10765,6218],{},[25,10764,10592],{},[138,10766,10767],{},"Caged Winged Entity",{"title":95,"searchDepth":96,"depth":96,"links":10769},[10770,10771,10772,10773,10774,10775],{"id":10521,"depth":96,"text":10522},{"id":10554,"depth":96,"text":10555},{"id":10597,"depth":96,"text":10598},{"id":10628,"depth":96,"text":10629},{"id":10685,"depth":96,"text":10686},{"id":10715,"depth":96,"text":10716},"2003-10-01","Primeras obras y videoartes experimentales en animación 3D de 2003 cuyas máquinas artísticas dieron origen al nombre Brutalmachine.","Early experimental 3D video art works from 2003 whose artistic machines gave birth to the name Brutalmachine.","Prime opere e videoarte sperimentali in animazione 3D del 2003, le cui macchine artistiche hanno dato origine al nome Brutalmachine.","3D Experimental",[10782,10785,10788,10791,10794,10797,10800,10803,10806],{"src":10783,"title":10784,"alt":10784},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fplataforma-1.jpg","Plataforma 1",{"src":10786,"title":10787,"alt":10787},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fplataforma-2.jpg","Plataforma 2",{"src":10789,"title":10790,"alt":10790},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fesfinge.jpg","Esfinge",{"src":10792,"title":10793,"alt":10793},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fesfinge-chica.jpg","Esfinge chica",{"src":10795,"title":10796,"alt":10796},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fesfinge-chica-1.jpg","Esfinge (2)",{"src":10798,"title":10799,"alt":10799},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fhuevo.jpg","Huevo",{"src":10801,"title":10802,"alt":10802},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fresaca-1.jpg","Resaca 1",{"src":10804,"title":10805,"alt":10805},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fresaca-2.jpg","Resaca 2",{"src":10807,"title":10808,"alt":10808},"\u002Fimages\u002Fgrafica-3d\u002Fprimeros-experimentos-3d\u002Fresaca-3.jpg","Resaca 3",[],{},{"title":10514,"description":10777},"galeria\u002Fprimeros-experimentos-3d",[119,2389,5885,122,4290,5021,3229,10814,10538,2386],"Orígenes","First 3D Graphics Experiments (2003) — The Origin of Brutalmachine","Primi esperimenti di grafica 3D (2003) — L’origine di Brutalmachine","RHbeqa93K7eoShDBku7dN62JIWXuP73MObCvHoV3IJI",{"id":10819,"title":10820,"author":6,"body":10821,"category":5603,"date":11097,"description":11098,"description_en":11099,"description_it":11100,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":11101,"image":11103,"imageFocus":106,"keywords":11138,"meta":11139,"navigation":113,"noindex":108,"ogImage":106,"path":5117,"period":11140,"seo":11141,"seoDescription":106,"seoTitle":106,"status":106,"stem":11142,"tags":11143,"thumb":106,"title_en":11147,"title_it":11148,"updatedAt":106,"video":106,"__hash__":11149},"content\u002Fgaleria\u002Fresaca-mistica.md","Resaca mística (2002)",{"type":8,"value":10822,"toc":11089},[10823,10903,10997],[11,10824,10825,10829,10850,10853,10860,10864],{},[14,10826,10828],{"id":10827},"simbolismo-viajes-y-puntillismo","Simbolismo, viajes y puntillismo",[18,10830,10831,10832,10835,10836,10839,10840,10839,10843,10846,10847,28],{},"Entre los años ",[25,10833,10834],{},"2001 y 2002"," inicié esta serie de obras donde exploro varias técnicas como el ",[25,10837,10838],{},"puntillismo",", la ",[25,10841,10842],{},"acuarela",[25,10844,10845],{},"tinta sobre cartulina"," y el ",[25,10848,10849],{},"carboncillo",[18,10851,10852],{},"Es mi primera serie donde los dibujos tienen un formato mediano (100×60 cm), pues anteriormente estaba acostumbrado a hacer trabajos en pequeño formato. La serie tiene mucho de simbolismo oculto, relacionado con los viajes y la libertad de movimiento tan problemática en ese período de mi vida.",[18,10854,10855,10856,10859],{},"Esta colección cuenta además con su propia ",[155,10857,10858],{"href":2019},"Galería Virtual 3D interactiva"," cuya arquitectura está inspirada en el Instituto Superior de Arte (ISA) de La Habana.",[14,10861,10863],{"id":10862},"obras-de-la-colección","Obras de la colección",[341,10865,10866,10872,10877,10883,10888,10893,10898],{},[344,10867,10868,10871],{},[25,10869,10870],{},"«Atardecer en Italia»"," — Técnica mixta (Colección de la Academia).",[344,10873,10874,10208],{},[25,10875,10876],{},"«Resaca Mística»",[344,10878,10879,10882],{},[25,10880,10881],{},"«Concierto»"," — Tinta \u002F cartulina.",[344,10884,10885,10882],{},[25,10886,10887],{},"«La sagrada familia»",[344,10889,10890,10882],{},[25,10891,10892],{},"«El nombre de la rosa»",[344,10894,10895,10882],{},[25,10896,10897],{},"«De los viajes aéreos y los elfos, o simplemente impresión de la luna a medianoche»",[344,10899,10900,10882],{},[25,10901,10902],{},"«Apología de la época I, II, III, IV y V»",[42,10904,10905,10909,10930,10933,10940,10944],{},[14,10906,10908],{"id":10907},"simbolismo-viaggi-e-puntinismo","Simbolismo, viaggi e puntinismo",[18,10910,10911,10912,10915,10916,10919,10920,10919,10923,10926,10927,28],{},"Tra il ",[25,10913,10914],{},"2001 e il 2002"," ho iniziato questa serie di opere in cui esploro diverse tecniche come il ",[25,10917,10918],{},"puntinismo",", l’",[25,10921,10922],{},"acquerello",[25,10924,10925],{},"inchiostro su cartoncino"," e il ",[25,10928,10929],{},"carboncino",[18,10931,10932],{},"È la mia prima serie in cui i disegni hanno un formato medio (100×60 cm), perché prima ero abituato a lavorare in piccolo formato. La serie ha molto di simbolismo nascosto, legato ai viaggi e alla libertà di movimento, così problematica in quel periodo della mia vita.",[18,10934,10935,10936,10939],{},"Questa collezione ha anche una propria ",[155,10937,10938],{"href":2019},"Galleria Virtuale 3D interattiva",", con un’architettura ispirata all’Instituto Superior de Arte (ISA) dell’Avana.",[14,10941,10943],{"id":10942},"opere-della-collezione","Opere della collezione",[341,10945,10946,10954,10961,10969,10976,10983,10990],{},[344,10947,10948,699,10950,10953],{},[25,10949,10870],{},[138,10951,10952],{},"Tramonto in Italia",") — Tecnica mista (Collezione dell’Accademia).",[344,10955,10956,699,10958,10297],{},[25,10957,10876],{},[138,10959,10960],{},"Postumi mistici",[344,10962,10963,699,10965,10968],{},[25,10964,10881],{},[138,10966,10967],{},"Concerto",") — Inchiostro su cartoncino.",[344,10970,10971,699,10973,10968],{},[25,10972,10887],{},[138,10974,10975],{},"La sacra famiglia",[344,10977,10978,699,10980,10968],{},[25,10979,10892],{},[138,10981,10982],{},"Il nome della rosa",[344,10984,10985,699,10987,10968],{},[25,10986,10897],{},[138,10988,10989],{},"Dei viaggi aerei e degli elfi, o semplicemente impressione della luna a mezzanotte",[344,10991,10992,699,10994,10968],{},[25,10993,10902],{},[138,10995,10996],{},"Apologia dell’epoca I–V",[68,10998,10999,11003,11022,11025,11032,11036],{},[14,11000,11002],{"id":11001},"symbolism-travel-and-pointillism","Symbolism, travel and pointillism",[18,11004,11005,11006,11009,11010,233,11013,233,11016,2237,11019,28],{},"Between ",[25,11007,11008],{},"2001 and 2002"," I started this series of works in which I explore several techniques such as ",[25,11011,11012],{},"pointillism",[25,11014,11015],{},"watercolor",[25,11017,11018],{},"ink on cardboard",[25,11020,11021],{},"charcoal",[18,11023,11024],{},"It is my first series in medium format (100×60 cm), as I had previously been used to working small. The series is full of hidden symbolism related to travel and to freedom of movement, which was so problematic at that time of my life.",[18,11026,11027,11028,11031],{},"This collection also has its own ",[155,11029,11030],{"href":2019},"interactive 3D Virtual Gallery",", with architecture inspired by the Higher Institute of Art (ISA) in Havana.",[14,11033,11035],{"id":11034},"works-in-the-collection","Works in the collection",[341,11037,11038,11046,11053,11061,11068,11075,11082],{},[344,11039,11040,699,11042,11045],{},[25,11041,10870],{},[138,11043,11044],{},"Sunset in Italy",") — Mixed media (Academy collection).",[344,11047,11048,699,11050,10399],{},[25,11049,10876],{},[138,11051,11052],{},"Mystic Hangover",[344,11054,11055,699,11057,11060],{},[25,11056,10881],{},[138,11058,11059],{},"Concert",") — Ink on cardboard.",[344,11062,11063,699,11065,11060],{},[25,11064,10887],{},[138,11066,11067],{},"The Holy Family",[344,11069,11070,699,11072,11060],{},[25,11071,10892],{},[138,11073,11074],{},"The Name of the Rose",[344,11076,11077,699,11079,11060],{},[25,11078,10897],{},[138,11080,11081],{},"Of Air Travel and Elves, or Simply an Impression of the Moon at Midnight",[344,11083,11084,699,11086,11060],{},[25,11085,10902],{},[138,11087,11088],{},"Apology of the Era I–V",{"title":95,"searchDepth":96,"depth":96,"links":11090},[11091,11092,11093,11094,11095,11096],{"id":10827,"depth":96,"text":10828},{"id":10862,"depth":96,"text":10863},{"id":10907,"depth":96,"text":10908},{"id":10942,"depth":96,"text":10943},{"id":11001,"depth":96,"text":11002},{"id":11034,"depth":96,"text":11035},"2002-08-01","Serie de obras creadas entre 2001 y 2002 explorando el puntillismo, la acuarela, la tinta y el carboncillo en formato mediano sobre los viajes y la libertad de movimiento.","Series created between 2001 and 2002 exploring pointillism, watercolor, ink and charcoal on themes of travel and freedom of movement.","Serie di opere create tra il 2001 e il 2002 che esplora puntinismo, acquerello, inchiostro e carboncino in medio formato sui temi del viaggio e della libertà di movimento.",[11102,11105,11108,11111,11114,11117,11120,11123,11126,11129,11132,11135],{"src":11103,"title":11104,"alt":11104},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002Fatardecer-en-Italia.jpg","Atardecer en Italia",{"src":11106,"title":11107,"alt":11107},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Misitca-la-sagrada-familia-Mike-Lorenzo.jpg","Resaca Misitca la sagrada familia",{"src":11109,"title":11110,"alt":11110},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-apologia-de-la-epoca-II-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca II",{"src":11112,"title":11113,"alt":11113},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-apologia-de-la-epoca-III-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca III",{"src":11115,"title":11116,"alt":11116},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-apologia-de-la-epoca-IV-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca IV",{"src":11118,"title":11119,"alt":11119},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-apologia-de-la-epoca-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca",{"src":11121,"title":11122,"alt":11122},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-apologia-de-la-epoca-V-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca V",{"src":11124,"title":11125,"alt":11125},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-concierto-Mike-Lorenzo.jpg","Resaca Mistica concierto",{"src":11127,"title":11128,"alt":11128},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-de-los-viajes-aereos-Mike-Lorenzo (1).jpg","Resaca Mistica de los viajes aereos Mike Lorenzo (1)",{"src":11130,"title":11131,"alt":11131},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-de-los-viajes-aereos-Mike-Lorenzo.jpg","Resaca Mistica de los viajes aereos",{"src":11133,"title":11134,"alt":11134},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-el-nombre-de-la-rosa-Mike-Lorenzo.jpg","Resaca Mistica el nombre de la rosa",{"src":11136,"title":11137,"alt":11137},"\u002Fimages\u002Farte\u002Fresaca-mistica\u002FResaca-Mistica-Apologia-de-la-epoca-VI-Mike-Lorenzo.jpg","Resaca Mistica apologia de la epoca VI",[],{},"2001–2002",{"title":10820,"description":11098},"galeria\u002Fresaca-mistica",[5019,8478,11144,11145,11146,10538,3797,5629],"Puntillismo","Tinta","Acuarela","Mystic Hangover (Resaca mística, 2002)","Postumi mistici (Resaca mística, 2002)","C9U0MzwVRvhhvASJDhlWnSfKyyR8w6DNMs3a3Xp1TIs",{"id":11151,"title":5139,"author":6,"body":11152,"category":5603,"date":11495,"description":11496,"description_en":11497,"description_it":11498,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":11499,"image":11501,"imageFocus":106,"keywords":11531,"meta":11532,"navigation":113,"noindex":108,"ogImage":106,"path":3259,"period":11533,"seo":11534,"seoDescription":106,"seoTitle":106,"status":106,"stem":11535,"tags":11536,"thumb":106,"title_en":11540,"title_it":5253,"updatedAt":106,"video":106,"__hash__":11541},"content\u002Fgaleria\u002Facademia.md",{"type":8,"value":11153,"toc":11484},[11154,11262,11373],[11,11155,11156,11160,11170,11179,11182,11186,11226,11230],{},[14,11157,11159],{"id":11158},"período-de-exploración-conceptual-y-visual-en-camagüey","Período de exploración conceptual y visual en Camagüey",[18,11161,11162,11163,11165,11166,11169],{},"Selección de obras de ",[25,11164,6],{}," realizadas durante los años de estudio en la ",[25,11167,11168],{},"Academia de Bellas Artes Vicentina de la Torre"," (Camagüey, Cuba, 1995–1999).",[18,11171,11172,11173,10846,11175,11178],{},"Las obras creadas en el período de la academia tienen mucho de experimentación y búsqueda de un estilo personal. Fueron realizadas en diferentes formatos y técnicas como la ",[25,11174,10842],{},[25,11176,11177],{},"dibujo en grafito",". La pintura al óleo fue más escasa en esos tiempos por la carencia material, así que muchas ideas fueron plasmadas en soportes más sencillos y humildes como el grafito y la acuarela sobre cartulina.",[18,11180,11181],{},"Poéticamente tienen una carga emocional inspirada en los viajes y en cómo estos rompen los muros creados por la conciencia: obras que concentran un deseo romántico de viajar, escapar y explorar nuevas tierras.",[14,11183,11185],{"id":11184},"obras-seleccionadas","Obras seleccionadas",[341,11187,11188,11194,11199,11205,11211,11216,11221],{},[344,11189,11190,11193],{},[25,11191,11192],{},"«El tambor de hojalata»"," — Óleo \u002F lienzo.",[344,11195,11196,10208],{},[25,11197,11198],{},"«Estudio del reino IV»",[344,11200,11201,11204],{},[25,11202,11203],{},"«Estudio del reino I»"," — Grafito \u002F cartulina.",[344,11206,11207,11210],{},[25,11208,11209],{},"«La rana que ríe»"," — Acuarela \u002F cartulina.",[344,11212,11213,11210],{},[25,11214,11215],{},"«De las máquinas tranquilas»",[344,11217,11218,11210],{},[25,11219,11220],{},"«Sueños»",[344,11222,11223,11210],{},[25,11224,11225],{},"«Estudio del reino V»",[14,11227,11229],{"id":11228},"artistas-referentes-en-este-período","Artistas referentes en este período",[341,11231,11232,11238,11244,11250,11256],{},[344,11233,11234,11237],{},[25,11235,11236],{},"Remedios Varo"," (1908–1963)",[344,11239,11240,11243],{},[25,11241,11242],{},"Ángel Acosta León"," (1932–1964)",[344,11245,11246,11249],{},[25,11247,11248],{},"Roberto Fabelo"," (1950)",[344,11251,11252,11255],{},[25,11253,11254],{},"Honoré Daumier"," (1808–1879)",[344,11257,11258,11261],{},[25,11259,11260],{},"Víctor Huerta Batista"," (1972)",[42,11263,11264,11268,11277,11286,11289,11293,11347,11351],{},[14,11265,11267],{"id":11266},"un-periodo-di-esplorazione-concettuale-e-visiva-a-camagüey","Un periodo di esplorazione concettuale e visiva a Camagüey",[18,11269,11270,11271,11273,11274,11169],{},"Selezione di opere di ",[25,11272,6],{}," realizzate durante gli anni di studio all’",[25,11275,11276],{},"Accademia di Belle Arti Vicentina de la Torre",[18,11278,11279,11280,10926,11282,11285],{},"Le opere nate nel periodo dell’accademia hanno molto di sperimentazione e di ricerca di uno stile personale. Sono state realizzate in formati e tecniche diverse, come l’",[25,11281,10922],{},[25,11283,11284],{},"disegno a grafite",". La pittura a olio era più rara a quei tempi per la mancanza di materiali, così molte idee hanno preso forma su supporti più semplici e umili, come la grafite e l’acquerello su cartoncino.",[18,11287,11288],{},"Poeticamente hanno una carica emotiva ispirata ai viaggi e a come questi abbattono i muri creati dalla coscienza: opere che racchiudono un desiderio romantico di viaggiare, fuggire ed esplorare nuove terre.",[14,11290,11292],{"id":11291},"opere-selezionate","Opere selezionate",[341,11294,11295,11303,11310,11318,11326,11333,11340],{},[344,11296,11297,699,11299,11302],{},[25,11298,11192],{},[138,11300,11301],{},"Il tamburo di latta",") — Olio su tela.",[344,11304,11305,699,11307,10297],{},[25,11306,11198],{},[138,11308,11309],{},"Studio del regno IV",[344,11311,11312,699,11314,11317],{},[25,11313,11203],{},[138,11315,11316],{},"Studio del regno I",") — Grafite su cartoncino.",[344,11319,11320,699,11322,11325],{},[25,11321,11209],{},[138,11323,11324],{},"La rana che ride",") — Acquerello su cartoncino.",[344,11327,11328,699,11330,11325],{},[25,11329,11215],{},[138,11331,11332],{},"Delle macchine tranquille",[344,11334,11335,699,11337,11325],{},[25,11336,11220],{},[138,11338,11339],{},"Sogni",[344,11341,11342,699,11344,11325],{},[25,11343,11225],{},[138,11345,11346],{},"Studio del regno V",[14,11348,11350],{"id":11349},"artisti-di-riferimento-in-questo-periodo","Artisti di riferimento in questo periodo",[341,11352,11353,11357,11361,11365,11369],{},[344,11354,11355,11237],{},[25,11356,11236],{},[344,11358,11359,11243],{},[25,11360,11242],{},[344,11362,11363,11249],{},[25,11364,11248],{},[344,11366,11367,11255],{},[25,11368,11254],{},[344,11370,11371,11261],{},[25,11372,11260],{},[68,11374,11375,11379,11388,11397,11400,11404,11458,11462],{},[14,11376,11378],{"id":11377},"a-period-of-conceptual-and-visual-exploration-in-camagüey","A period of conceptual and visual exploration in Camagüey",[18,11380,11381,11382,11384,11385,11169],{},"A selection of works by ",[25,11383,6],{}," created during his years of study at the ",[25,11386,11387],{},"Vicentina de la Torre Academy of Fine Arts",[18,11389,11390,11391,2237,11393,11396],{},"The works from the academy period are full of experimentation and the search for a personal style. They were made in different formats and techniques such as ",[25,11392,11015],{},[25,11394,11395],{},"graphite drawing",". Oil painting was rarer at the time because of the lack of materials, so many ideas took shape on simpler, humbler supports such as graphite and watercolor on cardboard.",[18,11398,11399],{},"Poetically, they carry an emotional charge inspired by travel and by how it breaks down the walls built by consciousness: works that hold a romantic desire to travel, escape and explore new lands.",[14,11401,11403],{"id":11402},"selected-works","Selected works",[341,11405,11406,11414,11421,11429,11437,11444,11451],{},[344,11407,11408,699,11410,11413],{},[25,11409,11192],{},[138,11411,11412],{},"The Tin Drum",") — Oil on canvas.",[344,11415,11416,699,11418,10399],{},[25,11417,11198],{},[138,11419,11420],{},"Study of the Kingdom IV",[344,11422,11423,699,11425,11428],{},[25,11424,11203],{},[138,11426,11427],{},"Study of the Kingdom I",") — Graphite on cardboard.",[344,11430,11431,699,11433,11436],{},[25,11432,11209],{},[138,11434,11435],{},"The Laughing Frog",") — Watercolor on cardboard.",[344,11438,11439,699,11441,11436],{},[25,11440,11215],{},[138,11442,11443],{},"Of the Quiet Machines",[344,11445,11446,699,11448,11436],{},[25,11447,11220],{},[138,11449,11450],{},"Dreams",[344,11452,11453,699,11455,11436],{},[25,11454,11225],{},[138,11456,11457],{},"Study of the Kingdom V",[14,11459,11461],{"id":11460},"reference-artists-in-this-period","Reference artists in this period",[341,11463,11464,11468,11472,11476,11480],{},[344,11465,11466,11237],{},[25,11467,11236],{},[344,11469,11470,11243],{},[25,11471,11242],{},[344,11473,11474,11249],{},[25,11475,11248],{},[344,11477,11478,11255],{},[25,11479,11254],{},[344,11481,11482,11261],{},[25,11483,11260],{},{"title":95,"searchDepth":96,"depth":96,"links":11485},[11486,11487,11488,11489,11490,11491,11492,11493,11494],{"id":11158,"depth":96,"text":11159},{"id":11184,"depth":96,"text":11185},{"id":11228,"depth":96,"text":11229},{"id":11266,"depth":96,"text":11267},{"id":11291,"depth":96,"text":11292},{"id":11349,"depth":96,"text":11350},{"id":11377,"depth":96,"text":11378},{"id":11402,"depth":96,"text":11403},{"id":11460,"depth":96,"text":11461},"1999-07-01","Selección de obras de Mike Lorenzo realizadas durante su formación en la Academia de Bellas Artes Vicentina de la Torre en Camagüey, Cuba.","Selection of artworks by Mike Lorenzo created during his studies at the Vicentina de la Torre Academy of Fine Arts in Camagüey, Cuba.","Selezione di opere di Mike Lorenzo realizzate durante la sua formazione all’Accademia di Belle Arti Vicentina de la Torre di Camagüey, Cuba.",[11500,11505,11510,11515,11520,11524,11527],{"src":11501,"title":11502,"alt":11503,"caption":11504},"\u002Fimages\u002Farte\u002Facademia\u002Fel-tambor-de-hojalata-mike-lorenzo.jpg","El tambor de hojalata","El tambor de hojalata de Mike Lorenzo","Óleo \u002F lienzo",{"src":11506,"title":11507,"alt":11508,"caption":11509},"\u002Fimages\u002Farte\u002Facademia\u002Festudio-del-reino-IV-mike-lorenzo.jpg","Estudio del reino IV","Estudio del reino IV de Mike Lorenzo","Técnica mixta",{"src":11511,"title":11512,"alt":11513,"caption":11514},"\u002Fimages\u002Farte\u002Facademia\u002Festudio-del-reino-mike-lorenzo.jpg","Estudio del reino I","Estudio del reino I de Mike Lorenzo","Grafito \u002F cartulina",{"src":11516,"title":11517,"alt":11518,"caption":11519},"\u002Fimages\u002Farte\u002Facademia\u002Fla-rana-que-rie-mike-lorenzo.jpg","La rana que ríe","La rana que ríe de Mike Lorenzo","Acuarela \u002F cartulina",{"src":11521,"title":11522,"alt":11523,"caption":11519},"\u002Fimages\u002Farte\u002Facademia\u002Fmaquinas-tranquilas-mike-lorenzo.jpg","De las máquinas tranquilas","De las máquinas tranquilas de Mike Lorenzo",{"src":11525,"title":11526,"alt":11526,"caption":11519},"\u002Fimages\u002Farte\u002Facademia\u002Fsuenos-mike-lorenzo.jpg","Sueños de Mike Lorenzo",{"src":11528,"title":11529,"alt":11530,"caption":11519},"\u002Fimages\u002Farte\u002Facademia\u002Festudio-del-reino-V-mike-lorenzo.jpg","Estudio del reino","Estudio del reino V de Mike Lorenzo",[],{},"1995–1999",{"title":5139,"description":11496},"galeria\u002Facademia",[5019,8478,11146,11537,11538,3260,11539,3797,5629],"Óleo","Grafito","Camagüey","Academy Period (Academia, 1995–1999)","_SPKF48KvEo4ELKeQ1dPVbPRvy3yclPaOq2FD70hg0E",{"id":11543,"title":11544,"author":6,"body":11545,"category":5603,"date":106,"description":11591,"description_en":11592,"description_it":11593,"engine":106,"extension":107,"externalLabel":106,"externalUrl":106,"featured":108,"gallery":11594,"image":11611,"imageFocus":106,"keywords":11628,"meta":11629,"navigation":113,"noindex":108,"ogImage":106,"path":11630,"period":11631,"seo":11632,"seoDescription":106,"seoTitle":106,"status":106,"stem":11633,"tags":11634,"thumb":106,"title_en":11635,"title_it":11636,"updatedAt":106,"video":106,"__hash__":11637},"content\u002Fgaleria\u002Fconcept-art-2024-2026.md","Concept Art 2024–2026 — Selección",{"type":8,"value":11546,"toc":11586},[11547,11560,11573],[11,11548,11549,11553],{},[14,11550,11552],{"id":11551},"selección-de-concept-art-20242026","Selección de concept art 2024–2026",[18,11554,11555,11556,11559],{},"Esta es una ",[25,11557,11558],{},"selección"," de mi concept art reciente: personajes, criaturas y escenas, muchos de ellos después convertidos en animación o videoclip.",[42,11561,11562,11566],{},[14,11563,11565],{"id":11564},"selezione-di-concept-art-20242026","Selezione di concept art 2024–2026",[18,11567,11568,11569,11572],{},"Questa è una ",[25,11570,11571],{},"selezione"," dei miei concept art recenti: personaggi, creature e scene, molti dei quali poi trasformati in animazione o videoclip.",[68,11574,11575,11579],{},[14,11576,11578],{"id":11577},"concept-art-selection-20242026","Concept art selection 2024–2026",[18,11580,11581,11582,11585],{},"This is a ",[25,11583,11584],{},"selection"," of my recent concept art: characters, creatures and scenes, many of them later turned into animation or music videos.",{"title":95,"searchDepth":96,"depth":96,"links":11587},[11588,11589,11590],{"id":11551,"depth":96,"text":11552},{"id":11564,"depth":96,"text":11565},{"id":11577,"depth":96,"text":11578},"Selección de concept art de 2024 a 2026: personajes, criaturas y escenas de mis trabajos más recientes.","Selection of concept art from 2024 to 2026: characters, creatures and scenes from my most recent work.","Selezione di concept art dal 2024 al 2026: personaggi, creature e scene dei miei lavori più recenti.",[11595,11598,11601,11604,11607,11610,11613,11616,11619,11622,11625],{"src":11596,"title":11597,"alt":11597},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fcohete-cumple.jpg","Cohete de cumpleaños",{"src":11599,"title":11600,"alt":11600},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fgato-otono.jpg","Gato de otoño",{"src":11602,"title":11603,"alt":11603},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Frobots.jpg","Robots",{"src":11605,"title":11606,"alt":11606},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fdruida.jpg","Druida",{"src":11608,"title":11609,"alt":11609},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Frobot-gato-atardecer.jpg","Robot y gato al atardecer",{"src":11611,"title":11612,"alt":11612},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fduende-genepy.jpg","Duende del genepy",{"src":11614,"title":11615,"alt":11615},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fchaman-nordico.jpg","Chamán nórdico",{"src":11617,"title":11618,"alt":11618},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fcasa-duende.jpg","Casa duende",{"src":11620,"title":11621,"alt":11621},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fcaballero-sentado.jpg","Caballero sentado",{"src":11623,"title":11624,"alt":11624},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Felfa-bano.jpg","Elfa en el baño",{"src":11626,"title":11627,"alt":11627},"\u002Fimages\u002Farte\u002Fconcept-art-2024-2026\u002Fvikingo-durmiendo.jpg","Vikingo durmiendo",[],{},"\u002Fgaleria\u002Fconcept-art-2024-2026","2024–2026",{"title":11544,"description":11591},"galeria\u002Fconcept-art-2024-2026",[8477,2388,5021,8480,2386],"Concept Art 2024–2026 — Selection","Concept Art 2024–2026 — Selezione","zbOutlALv8CvBZAs3FEnoCtEhV7k_nEh_JkBsr7IwmI",{"id":11639,"title":11640,"author":6,"body":11641,"category":5603,"date":106,"description":11692,"description_en":11693,"description_it":11694,"engine":106,"extension":107,"externalLabel":106,"externalUrl":11695,"featured":113,"gallery":11696,"image":11706,"imageFocus":106,"keywords":11707,"meta":11708,"navigation":113,"noindex":108,"ogImage":11709,"path":11710,"period":106,"seo":11711,"seoDescription":106,"seoTitle":106,"status":106,"stem":11712,"tags":11713,"thumb":11717,"title_en":11718,"title_it":11719,"updatedAt":106,"video":106,"__hash__":11720},"content\u002Fgaleria\u002Filustraciones-risse.md","Ilustraciones para el libro Risse (Peleas) de Gian Burdino — Selección",{"type":8,"value":11642,"toc":11687},[11643,11658,11672],[11,11644,11645,11649],{},[14,11646,11648],{"id":11647},"selección-de-ilustraciones","Selección de ilustraciones",[18,11650,11555,11651,11653,11654,11657],{},[25,11652,11558],{}," de las ilustraciones que hice para el libro ",[138,11655,11656],{},"Risse (Peleas)"," de Gian Burdino. Arriba, la portada a color.",[42,11659,11660,11664],{},[14,11661,11663],{"id":11662},"selezione-di-illustrazioni","Selezione di illustrazioni",[18,11665,11568,11666,11668,11669,11671],{},[25,11667,11571],{}," delle illustrazioni che ho realizzato per il libro ",[138,11670,11656],{}," di Gian Burdino. Sopra, la copertina a colori.",[68,11673,11674,11678],{},[14,11675,11677],{"id":11676},"selection-of-illustrations","Selection of illustrations",[18,11679,11581,11680,11682,11683,11686],{},[25,11681,11584],{}," of the illustrations I made for the book ",[138,11684,11685],{},"Risse (Fights)"," by Gian Burdino. Above, the color cover.",{"title":95,"searchDepth":96,"depth":96,"links":11688},[11689,11690,11691],{"id":11647,"depth":96,"text":11648},{"id":11662,"depth":96,"text":11663},{"id":11676,"depth":96,"text":11677},"Selección de ilustraciones para el libro Risse (Peleas), de Gian Burdino.","Selection of illustrations for the book Risse (Fights), by Gian Burdino.","Selezione di illustrazioni per il libro Risse (Peleas), di Gian Burdino.","https:\u002F\u002Fwww.amazon.it\u002FRisse-Gianfranco-Burdino\u002Fdp\u002FB0D3FR5GN2",[11697,11700,11703],{"src":11698,"title":11699,"alt":11699},"\u002Fimages\u002Filustracion\u002Frisse\u002Fcallimaco-apolonio.jpg","01 — Callimaco o Apolonio Rodio",{"src":11701,"title":11702,"alt":11702},"\u002Fimages\u002Filustracion\u002Frisse\u002Flotta-di-classe.jpg","03 — Lotta di classe",{"src":11704,"title":11705,"alt":11705},"\u002Fimages\u002Filustracion\u002Frisse\u002Frissa-quartiere.jpg","Rissa di quartiere","\u002Fimages\u002Filustracion\u002Frisse\u002Fcopertina-color.jpg",[],{},"\u002Fimages\u002Filustracion\u002Frisse\u002Fcopertina-color-og.jpg","\u002Fgaleria\u002Filustraciones-risse",{"title":11640,"description":11692},"galeria\u002Filustraciones-risse",[2388,5019,11714,11715,11716],"Libro","Risse","Gian Burdino","\u002Fimages\u002Filustracion\u002Frisse\u002Fcopertina-color-4x5.jpg","Illustrations for the book Risse (Fights) by Gian Burdino — Selection","Illustrazioni per il libro Risse (Peleas) di Gian Burdino — Selezione","7KjPmd8F9v1KKlhPOxwrkfuq74UIc9qAIyj5_nfpWLY",1793980849274]